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Shooting Under Fire is the candid testimony and stunning photographs of the men and women who go into battle armed only with a camera to show warfare as it is and where it is. In this volume, ten leading combat photographers relate incidents of horror, humor, bravery, and daring in locations from Vietnam to Haiti, Ramallah to Chechnya, El Salvador to Sarajevo, the World Trade Center to Afghanistan. Here, in their own words, are their stories of life in the combat zone, together with many of the powerful images they risked their lives to obtain. This historical and very human look at the pathos of war also reveals the moral and ethical issues that this elite corps of photographers face, and the decisions they must make in the chaos of conflict. In addition to the works of these talented photographers are iconic images, from the American Civil War to the devastation of the World Trade Center, that tell the story of the development of combat photography and the profound changes in warfare itself that have occurred in the last century and a half.
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Peter Howe has served as picture editor for The New York Times Magazine, director of photography for LIFE magazine, and vice president of photography and creative services for Corbis. He is a regular contributor to The Digital Journalist, American Photo, Columbia Journalism Review, and USA Today and advises independent photo agencies and photographers on digital organization, storage, and licensing of their work. A native of London, Howe lives in New York City with his wife.From Publishers Weekly:
Bringing together the work of 10 extraordinary photographers, this master's class on war photography includes more than 150 b&w and color photos, annotated with descriptions of their subjects and with very personal reflections from practitioners like magazine contract photographers James Nachtwey (Time) and Ron Haviv (Newsweek) about the nature of their work. A former war photographer in Northern Ireland and El Salvador, Howe, in his illustrated introductory essay, offers first-hand knowledge of the addictive nature of violence and the voyeurism inherent in the business. And as former picture editor for the New York Times Magazine and director of photography for Life, he is also able to lay bare the mechanism by which an image tells a story. The featured photographers then join the chorus one by one. Haviv says the work is "completely selfish," in that it takes him into the history of a country, but he also talks about the role of war photography in helping people. MacArthur Fellowship winner Susan Meiselas explains: "I don't have any doubt that what propels you into these powerful situations is the feeling that whatever you're bringing home is evidence of something of tremendous significance." Her photographs of the execution of Maryknolls nuns in San Salvador are now part of the civil case filed against two members of the government at the time. On the whole, the images-of murders, torture, ruins, hooded paramilitary militias, dead soldiers and civilians, burning vehicles, scarred victims, fleeing refugees-are brutal. At the same time, the stories these photographers tell, and the images they republish here, focus the world's attention on war's atrocities at a crucial moment.
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Book Description Artisan, 2002. Hardcover. Condition: New. Brand New!. Seller Inventory # VIB1579652158
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