Kitchen Confidential: 25th Anniversary Edition - Hardcover

Anthony Bourdain

Hardcover

ISBN 10: 158234082X ISBN 13: 9781582340821

Publisher: Bloomsbury USA, 2000

Synopsis

A NEW YORK TIMES-BESTSELLING PHENOMENON

"Utterly riveting, swaggering with stylish machismo." -New York magazine

The bestselling breakout chef's tell-all from Anthony Bourdain, the globally beloved Emmy award-winning host of Parts Unknown and No Reservations.

In the now-classic memoir that launched Anthony Bourdain's long career, the globally beloved chef took us through the swinging kitchen doors and turned the culinary trade on its head. The result was a deliciously funny, shocking banquet of wild tales that drew from "twenty-five years of sex, drugs, bad behavior and haute cuisine.”

Sure to delight gourmands and philistines alike, Bourdain recounts everything from his first oyster in the Gironde to his lowly position as dishwasher in a honky-tonk fish restaurant in Provincetown (where he became hooked on chef work for life); from the stovetops of the Rainbow Room atop Rockefeller Center to drug dealers in the East Village, from Tokyo to Paris and back to New York again.

Bourdain's tales of the kitchen are as passionate as they are unpredictable, and Kitchen Confidential will make your mouth water and your belly ache with laughter and leave you wanting more.

About this title

About the Author

Anthony Bourdain was the bestselling author of Kitchen Confidential: Adventures in the Culinary Underbelly, and the author of the novels: Bone in the Throat, The Bobby Gold Stories and Gone Bamboo. His work appeared in the New York Times, the New Yorker and Food Arts magazine. He was the host of the international CNN television series Parts Unknown.

Reviews

Chef at New York's Les Halles and author of Bone in the Throat, Bourdain pulls no punches in this memoir of his years in the restaurant business. His fast-lane personality and glee in recounting sophomoric kitchen pranks might be unbearable were it not for two things: Bourdain is as unsparingly acerbic with himself as he is with others, and he exhibits a sincere and profound love of good food. The latter was born on a family trip to France when young Bourdain tasted his first oyster, and his love has only grown since. He has attended culinary school, fallen prey to a drug habit and even established a restaurant in Tokyo, discovering along the way that the crazy, dirty, sometimes frightening world of the restaurant kitchen sustains him. Bourdain is no presentable TV version of a chef; he talks tough and dirty. His advice to aspiring chefs: "Show up at work on time six months in a row and we'll talk about red curry paste and lemon grass. Until then, I have four words for you: 'Shut the fuck up.' " He disdains vegetarians, warns against ordering food well done and cautions that restaurant brunches are a crapshoot. Gossipy chapters discuss the many restaurants where Bourdain has worked, while a single chapter on how to cook like a professional at home exhorts readers to buy a few simple gadgets, such as a metal ring for tall food. Most of the book, however, deals with Bourdain's own maturation as a chef, and the culmination, a litany describing the many scars and oddities that he has developed on his hands, is surprisingly beautiful. He'd probably hate to hear it, but Bourdain has a tender side, and when it peeks through his rough exterior and the wall of four-letter words he constructs, it elevates this book to something more than blustery memoir. (May)
Copyright 2000 Reed Business Information, Inc.

Excerpt. © Reprinted by permission. All rights reserved.

How to Cook Like the Pros Unless you're one of us already, you'll probably never cook like a professional. And that's okay. On my day off, I rarely want to eat restaurant food unless I'm looking for new ideas or recipes to steal. What I want to eat is home cooking, somebody's - anybody's - mother's or grandmother's food. A simple pasta pomodoro made with love, a clumsily thrown-together tuna casserole, roast beef with Yorkshire pudding, all of this is pure exotica to me, even when I've been neck-deep all day in filet mignon and herb-infused oils and all the bits of business we do to distinguish restaurant food from what you get at home. My mother-in-law would always apologize before serving dinner when I was in attendance, saying, 'This must seem pretty ordinary for a chef . . .' She had no idea how magical, how reassuring, how pleasurable her simple meat loaf was for me, what a delight even lumpy mashed potatoes were - being, as they were, blessedly devoid of truffles or truffle oil.

Let's talk about tools first. What do we have in our kitchens that you probably don't? The joke is that many of our stock items - herb oils, crushed spices, chiffonaded parsley, pured starches and veggies - are often made with home-model equipment, just like yours. I may have a 25-quart professional Hobart mixer and an ultra-large Robot-Coupe, but chances are I used a home blender to make that lovely roast red pepper coulis dotted with bright green basil oil drizzled around your plate. So, what do you absolutely need?

You need, for God's sake, a decent chef's knife. No con foisted on the general public is so atrocious, so wrongheaded, or so widely believed as the one that tells you you need a full set of specialized cutlery in various sizes. I wish sometimes I could go through the kitchens of amateur cooks everywhere just throwing knives out from their drawers - all those medium-size 'utility' knives, those useless serrated things you see advertised on TV, all that hard-to-sharpen stainless-steel garbage, those ineptly designed slicers - not one of the damn things could cut a tomato. Please believe me, here's all you will ever need in the knife department: ONE good chef's knife, as large as is comfortable for your hand. Brand name? Okay, most talented amateurs get a boner buying one of the old-school professional high-carbon stainless knives from Germany or Austria, like a Henkel or Wusthof, and those are fine knives, if heavy. High carbon makes them slightly easier to sharpe! n, and stainless keeps them from getting stained and corroded. They look awfully good in the knife case at the store, too, and you send the message to your guests when flashing a hundred-dollar hunk of Solingen steel that you take your cooking seriously. But do you really need something so heavy? So expensive? So difficult to maintain (which you probably won't)? Unless you are really and truly going to spend fifteen minutes every couple of days working that blade on an oiled carborundum stone, followed by careful honing on a diamond steel, I'd forgo the Germans.

Most of the professionals I know have for years been retiring their Wusthofs and replacing them with the lightweight, easy-to-sharpen and relatively inexpensive vanadium steel Global knives, a very good Japanese product which has - in addition to its many other fine qualities - the added attraction of looking really cool.

Global makes a lot of knives in different sizes, so what do you need? One chef's knife. This should cut just about anything you might work with, from a shallot to a watermelon, an onion to a sirloin strip. Like a pro, you should use the tip of the knife for the small stuff, and the area nearer the heel for the larger. This isn't difficult; buy a few rutabagas or onions - they're cheap - and practice on them. Nothing will set you apart from the herd quicker than the ability to handle a chef's knife properly. If you need instruction on how to handle a knife without lopping off a finger, I recommend Jacques Pepin's La Technique.

Okay, there are a couple of other knives you might find useful. I carry a flexible boning knife, also made by the fine folks at Global, because I fillet the occasional fish, and because with the same knife I can butcher whole tenderloins, bone out legs of lamb, French-cut racks of veal and trim meat. If your butcher is doing all the work for you you can probably live without one. A paring knife comes in handy once in a while, if you find yourself tourneing vegetables, fluting mushrooms and doing the kind of microsurgery that my old pal Dimitri used to excel at. But how often do you do that?

A genuinely useful blade, however, and one that is increasingly popular with my cronies in the field, is what's called an offset serrated knife . It's basically a serrated knife set into an ergonomic handle; it looks like a 'Z' that's been pulled out and elongated. This is a truly cool item which, once used, becomes indispensable. As the handle is not flush with the blade, but raised away from the cutting surface, you can use it not only for your traditional serrated blade needs - like slicing bread, thick-skinned tomatoes and so on - but on your full line of vegetables, spuds, meat and even fish. My sous-chef uses his for just about everything. F. Dick makes a good one for about twenty-five bucks. It's stainless steel, but since it's serrated it doesn't really matter; after a couple of years of use, if the teeth start to wear down, you just buy yourself another one.

Edition details

• Publisher: Bloomsbury USA
• Publication date: 2000
• ISBN 10: 158234082X
• ISBN 13: 9781582340821
• Binding: Hardcover
• Language: English
• Edition number: 1
• Number of pages: 320