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Robert Armour, a Seattle photo dealer and art historian with a failing career, discovers a collection of long-lost glass negatives by a great Chinese-American photographer and enlists the aid of art hustler Parker Lange to help him cash in on his discovery. A first novel. Reprint. 15,000 first printing.
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The protagonist of Thomas Orton's debut novel is running out of second chances. Once the respected owner of an exclusive photo gallery in San Francisco, Robert Armour ruined his career when he sold "newly discovered" Edward Weston erotica that turned out to be fakes. Now he's started a new life for himself in Seattle, writing articles and acting as agent in the occasional photo sale. Though his work life has taken a nosedive, Robert has found personal happiness with Diane Mays and her 8-year-old son, Budge. Then one day Judith Lund, an artist wannabe with more money than talent, asks him to evaluate four glass negatives she unearthed in the basement of an apartment building she owns, and his life is turned unexpectedly upside down. The plates turn out to be self-portraits of the famous 19th-century Chinese American landscape photographer Wilfred Eng. What's more, these four are not the only ones. Down in the basement, Robert discovers more negatives--nude portraits of a beautiful young Caucasian woman who could only be Ellen McFarland, wife of Eng's patron, and rumored to be his mistress. Suddenly, Robert has the means of salvaging his career in his hands--if he's willing to risk losing everything, including Diane, to play a dirty game:
Judith, having heard me kick her door and shout when I'd come back up from the basement, would have assumed I was after her to sign my check. Later, if she confronted me about the missing broken plate, I could claim I'd never seen it, that it was rather a hunch and some subsequent research that had led me to believe the plates were Eng's. She couldn't prove otherwise.... Everything about this plan was workable except for Diane. Eventually I'd have to tell her what I'd done, though just now I didn't like to imagine what she would think.Thomas Orton punctuates his hero's perilous descent with passages from Wilfred Eng's writings, as well as from Ellen McFarland's diaries detailing her passionate affair with, and eventual betrayal by, Eng. As Robert's life unravels, he reluctantly recognizes certain parallels between his own actions and those of the unhappy photographer--but will he be granted yet another chance to make things right this time? Orton has crafted a tale that is part love story, part thriller, and wholly engrossing. --Alix Wilber About the Author:
Thomas Orton has been an independent bookseller for over twenty-five years. He lives in Seattle, where he manages Second Story Books.
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Book Description Counterpoint Press, 2000. Paperback. Condition: New. New item. May have light shelf wear. Seller Inventory # BK0074785
Book Description Counterpoint Press, 2000. Paperback. Condition: New. Seller Inventory # DADAX1582431256
Book Description Counterpoint. Paperback. Condition: New. UNUSED, LIKE NEW, NOT EX-LIBRARY, Marked remainder, 256 pages. A stunning first novel-morally refined, historically accurate, and ripe with mystery and intrigue . Disgraced photo dealer and art historian Robert Armour stumbles upon the long-lost glass negatives of Chinese-American photographer Wilfred Eng. The plates, nudes of a beautiful young woman taken in 1874, bring certainty to the rumor of an interracial affair between Eng and Ellen McFarland, wife of the business tycoon who was Eng's patron. Their difficult affair becomes an obsession for Armour and the backdrop for the novel as he struggles for professional redemption and love. 001 1582431264. Seller Inventory # 8263
Book Description Counterpoint, 2000. Paperback. Condition: New. Never used!. Seller Inventory # P111582431256
Book Description Counterpoint. PAPERBACK. Condition: New. 1582431256 New Condition. Seller Inventory # NEW7.0692842