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Berry, Wendell Imagination in Place ISBN 13: 9781582437064

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"Berry's latest collection of essays is the reminiscence of a literary life. It is a book that acknowledges a lifetime of intellectual influences, and in doing so, positions Berry more squarely as a cornerstone of American literature . . . A necessary book. Here, Berry's place as the 'grandfather of slow food' or the 'prophet of rural living' is not questioned. This book ensures we understand the depth and breadth of Berry's art." ―San Francisco Chronicle

"[A] stellar collection . . . Foodies, architects, transportation engineers, and other writers are adopting and adapting [Berry’s] concepts, perhaps leading to what he envisions will one day be 'an authentic settlement of our country.'" ―The Oregonian


In Imagination in Place, we travel to the local cultures of several writers important to Berry's life and work, from Wallace Stegner's great West and Ernest Gaines' Louisiana plantation life to Donald Hall's New England, and on to the Western frontier as seen through the Far East lens of Gary Snyder. Berry laments today's dispossessed and displaced, those writers and people with no home and no citizenship, but he argues that there is hope for the establishment of new local cultures in both the practical and literary sense.

Berry laments today's dispossessed and displaced, those writers and people with no home and no citizenship, but he argues that there is hope for the establishment of new local cultures in both the practical and literary sense. Rich with Berry's personal experience of life as a Kentucky agrarian, the collection includes portraits of a few of America's most imaginative writers, including James Still, Hayden Carruth, Jane Kenyon, John Haines, and several others.

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From Booklist:
*Starred Review* The essays of Berry’s new collection are of two kinds. Most are short appreciations of other writers who have taught him, formally (Wallace Stegner) as well as in the way all writers teach those who respond to them, as exemplary observers of humanity and truth. These small pieces’ subjects include, besides novelist Stegner, poets John Haines, Hayden Carruth, and Jane Kenyon; fellow Kentuckians James Still, Gurney Norman, and James Baker Hall (the last a fine photographer, to boot)—all personal acquaintances and friends of Berry’s—California’s Buddhist-ecologist bard, Gary Snyder; and the great English poet and scholar of Blake and Yeats, Kathleen Raine, whom he knows primarily from their work. The longer pieces weigh in with congenial gravity on how it has been to live and work in the same place for 40-some years; the effects of the Civil War on literature and public consciousness, especially in his own region, the upper South; self-knowledge and adversity in As You Like It and King Lear; and a typical scientist’s rant against theism. The Shakespearean piece, rebutting currently fashionable “dark” interpretations, particularly of Lear, is very probably destined to be a classic essay, while the concluding defense of belief and science rather obviates one side of the religion-science controversy while demolishing the other. --Ray Olson
From Publishers Weekly:
Berry, an outspoken cultural critic, agrarian and prolific author (with more than 50 books), writes that imagination "brings what we want and what we have ever closer to being the same. It is the power that can save us from the prevailing insinuation that our place, our house, our spouse, and our automobile are not good enough." In these 15 essays, culled from the past two decades, Berry consistently backs up this bold statement while discussing everything from the Civil War to Shakespeare to religion. Each piece illustrates Berry's assertion that there is an unbreakable connection between a literary work and the place in which it is conceived; to that end, he examines the influence of place on his own creation, the fictional Kentucky town of Port William, as well as the integral role of the natural world in Shakespeare's As You Like It and King Lear. Some of the selections feel redundant-the point is made time and again that we must cultivate our imaginations in order to exist harmoniously with our surroundings-but this thought-provoking volume does reinforce Berry's relevance as one of America's preeminent thinkers.
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  • PublisherCounterpoint
  • Publication date2011
  • ISBN 10 1582437068
  • ISBN 13 9781582437064
  • BindingPaperback
  • Number of pages208
  • Rating

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Book Description Paperback. Condition: new. Paperback. "Berry's latest collection of essays is the reminiscence of a literary life. It is a book that acknowledges a lifetime of intellectual influences, and in doing so, positions Berry more squarely as a cornerstone of American literature . . . A necessary book. Here, Berry's place as the 'grandfather of slow food' or the 'prophet of rural living' is not questioned. This book ensures we understand the depth and breadth of Berry's art." -San Francisco Chronicle" A stellar collection . . . Foodies, architects, transportation engineers, and other writers are adopting and adapting Berry's concepts, perhaps leading to what he envisions will one day be 'an authentic settlement of our country.'" -The OregonianA writer who can imagine the "community belonging to its place" is one who has applied his knowledge and citizenship to achieve the goal to which Wendell Berry has always aspired-to be a native to his own local culture. And for Berry, what is "local, fully imagined, becomes universal," and the "local" is to know one's place and allow the imagination to inspire and instill "a practical respect for what is there besides ourselves."In Imagination in Place, we travel to the local cultures of several writers important to Berry's life and work, from Wallace Stegner's great West and Ernest Gaines' Louisiana plantation life to Donald Hall's New England, and on to the Western frontier as seen through the Far East lens of Gary Snyder. Berry laments today's dispossessed and displaced, those writers and people with no home and no citizenship, but he argues that there is hope for the establishment of new local cultures in both the practical and literary sense.Rich with Berry's personal experience of life as a Kentucky agrarian, the collection includes portraits of a few of America's most imaginative writers, including James Still, Hayden Carruth, Jane Kenyon, John Haines, and several others. In "Imagination in Place," we travel to the local cultures of several writers important to Berry's life and work, from Wallace Stegner's great West and Ernest Gaines's Louisiana plantation life to Donald Hall's New England, and on to the Western frontier as seen through the Far East lens of Gary Snyder. The collection also includes portraits of a few of America's most imaginative writers, including James Still, Hayden Carruth, Jane Kenyon, John Haines, and several others. Berry laments today's dispossessed and displaced, those writers and people with no home and no citizenship, but he argues that there is hope for the establishment of new local cultures in both the practical and literary sense. For Berry, what is "local, fully imagined, becomes universal," and these essays serve as a reminder that a place indelibly marks its literature just as it determines its watershed community of plants and animals. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. Seller Inventory # 9781582437064

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