Blake's Therapy is a whirlwind ride through the desires of one man to find something real in a virtual world. After suffering a mental breakdown, Graham Blake checks into the Corporate Life Therapy Institute, where the self-assured, silver-tongued Dr. Carl Tolgate has prepared a strange, shocking, and erotic treatment. Now Blake must find out, before it is too late, who is controlling his life, his company’s future, and his own heart.
A work of intense psychological intrigue, Blake's Therapy holds a magnifying glass to one man’s life as it unravels in a world of economic turmoil and spiritual crisis.
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ARIEL DORFMAN is considered to be one of “the greatest Latin American novelists” (Newsweek) and one of the United States’ most important cultural and political voices. Dorfman's numerous works of fiction and nonfiction have been translated into more than thirty languages, including Death and the Maiden, which has been produced in over one hundred countries and made into a film by Roman Polanski. Dorfman has won many international awards, including the Sudamericana Award, the Laurence Olivier, and two from the Kennedy Center. He is distinguished professor at Duke University and lives in Durham, North Carolina.
Portentously taking its section epigraphs from Calder¢n de la Barca and Dante, Dorfman's latest novel is a slender allegory based on nothing less than the conditions of reality in contemporary capitalist culture. Graham Blake is the owner of Clean Earth, a company that manufactures health foods and nutritional supplements. His ex-wife, Jessica Owens, is a brilliant bio-engineer who has invented many of the pills Clean Earth sells. Blake is at a particularly difficult point in his career. The company is threatened with a takeover by a villainous tycoon, Hank Granger, and the board wants Blake to close down a factory in Philadelphia. To cope with his stress, he puts himself in the hands of Dr. Carl Tolgate, whose psychotherapy owes more to The Truman Show than to Freud. Tolgate arranges things so Blake is able to spy on and covertly control a family that works at his Philadelphia factory. Blake falls in love with the daughter, Roxanna, but his interventions eventually drive her to attempt suicide. In the nick of time, he pierces the barrier between surveillance and real life, only to discover that Roxanna and her family are actors hired by Tolgate. Blake's reaction is to try to find the real family upon which Roxanna's fake family is based. Dorfman's larger point is that compassion subordinated to the drive for maximizing profit is a neutered virtue, but it's a point better conveyed in an essay. Dorfman's characters are wooden, his story veers laughably between clich‚ and implausibility, and his insights into the psychological motivations of CEOs are dubious at best. (May 8)Forecast: Always juggling literary, political and cultural issues he is perhaps best known for How to Read Donald Duck, a defiant political satire Dorfman fumbles here. Those loyal to the causes he espouses will attend readings on his nine-city author tour, but negative reviews will discourage the general reading public. Spanish edition published simultaneously by Seven Stories.
Copyright 2001 Cahners Business Information, Inc.
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