Twelve-year-old Minuk's traditional Eskimo way of life is changed forever in 1892 with the arrival of Christian missionaries who not only bring their strong medicine, but also bring their strong diseases. Simultaneous.
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Grade 5-9-A remarkably honest picture of life in a Yup'ik Eskimo village in 1890 that pulls no punches. Minuk, 12, is coming of age at a time when the first American missionaries are appearing in the upper reaches of the Kuskokwim River in western Alaska. Readers witness her first encounter with everything from chairs to written language and Christianity, and observe the friendly and respectful initial reception of the Yup'ik villagers to the outlanders. There are moments of humor as when she observes the newcomers' laundry line and sees something that turns out to be a corset. When Minuk's cousin begins her menstrual cycles, readers learn how the Yup'ik welcomed girls to womanhood. The eventual culture clash is portrayed in an honest way, and readers will mourn with Minuk the devastating effects of western diseases on the Native Alaskan population. Hill bows to the first-person series convention, but manages to create a clear and believable voice for her protagonist. This provocative book will prompt thought and reflection, and is particularly revealing and honest in its portrayal of the village's introduction to a proselytizing belief system that conflicts with their own values. The afterword will help readers learn more, including what life may be like for contemporary Yup'ik girls. Historical photos add to the textual explanations, although the inclusion of a picture of the Russian Orthodox church in Sitka is about a thousand miles off course. Nonetheless, a fine achievement.
Sue Sherif, Alaska State Library, Anchorage
Copyright 2002 Reed Business Information, Inc.
Part of the Girls of Many Lands series, Hill's (The Year of Miss Agnes) finely detailed novel set in a Yup'ik Eskimo village in the 1890s feels mesmerizingly authentic. Minuk, the narrator, is 12 the spring that the missionary family arrives, and like the other children she is fascinated by the sight of her first kass'aq (white) woman and child. She can't imagine what the "sort of pink butterfly" hanging from the clothesline is (a corset, which astonishes her still further), and when Mrs. Hoff invites her inside for a cup of tea, she sits on a chair for the first time (and tips hers over) and slurps loudly, "to be polite." These initial misunderstandings may be comic, but the encounters between the Hoffs and the Yup'ik have grave consequences. Mr. and Mrs. Hoff condemn the villagers' rituals and practices. Yet, as seen through Minuk's eyes, the customs make sense, and Hill demonstrates that the Yup'ik belief systems are at least as coherent as Hoffs' version of Christianity ("If your god is love," Minuk asks Mr. Hoff, "why does he make people burn in hell?"). The author penetrates Yup'ik culture to such an extent that readers are likely to find the Hoffs more foreign than Minuk and her family. At the same time, the author doesn't glamorize the villagers, in particular exposing the severe conditions facing women. Not only the heroine but the vanished society here feel alive in their complexities. Ages 9-12.
Copyright 2002 Reed Business Information, Inc.
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