Playwriting in Process: Thinking and Working Theatrically is written to encourage new and experienced playwrights to build techniques for a greater range of creative expression in writing for the stage. The book uses exercises to guide playwrights towards thinking and working theatrically. The exercises help playwrights start or revise their work by providing alternate ways of thinking about their subject and their processes.
New to the second edition: new exercises, a general updating such as the use of the internet, a new chapter for teachers and playwriting group leaders on using this book in class, and end-of-chapter "Call Out" exercises. Useful for playwrights at all levels.
"synopsis" may belong to another edition of this title.
Written to encourage new and experienced playwrights to build techniques for a greater range of creative expression in writing for the stage, the book uses exercises or etudes to guide playwrights towards thinking and working theatrically. The etudes help playwrights start or revise their work by providing exercises in alternate thinking about their subject and their processes.
The book is useful for both student and professional playwrights at all levels who have some fundamental knowledge of dramatic writing.
Michael Wright is the Director of the Interdisciplinary Program in Creative Writing at the University of Tulsa, and holds joint appointments in Theatre and Film Studies Departments. He is a playwright and author whose books include "Playwriting at Work and Play," "Playwriting in Process," "Playwriting Master Class."He is the founder and moderator of the Fictional Character Writers Collective in Tulsa and is the U.S. Representative to both World Interplay and the Inter-Scribe project in Australia, as well as Interplay Europe. His plays have been produced across the US and the world.
"About this title" may belong to another edition of this title.
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