“Encountering the American west for the first time in the early 1970s, I became fascinated with the landscapes and iconography of mobile homes. In a previous century Americans migrated west in Prairie Schooners to become farmers or shopkeepers. After the Second World War they continued this ‘Westward Ho!’, but now in commercially-fabricated mobile homes, often to retirement. These new pioneers clustered in communities that transformed the western landscape and its built environment through a new architecture of mobility. Mobile home manufacturers produce a range of styles with architectural references that animate cultural aspirations or memories of home and community left behind. After choosing a basic style, new owners make individual touches to the exterior and lawn that transform the generic into the personal. Viewed from a surrounding hillside, mobile home parks look like arabesques of uniform aluminum boxes. On close observation, however, they reveal a rich flora and fauna of personal expression and longing for both individuality and community.” – John Schott, from the Preface The images in Mobile Homes 1975-1976 were made with an 8x10-inch Deardorff view camera in California during 1975 and 1976.
"synopsis" may belong to another edition of this title.
Seller: Vincent Borrelli, Bookseller, Albuquerque, NM, U.S.A.
Hardcover. Condition: New. Dust Jacket Condition: New. 1st Edition. First edition, first printing. Limited edition of 350 copies, signed by the artist on a label tipped in to the back cover, and numbered on the colophon page. Hardcover. Silk cloth-covered boards; with photographically illustrated dust jacket and silk cloth-covered slipcase. 64 pp., with 54 duotone plates. 15 x 12 inches. New in publisher's packaging. From the publisher: "'Encountering the American west for the first time in the early 1970s, I became fascinated with the landscapes and iconography of mobile homes. In a previous century Americans migrated west in Prairie Schooners to become farmers or shopkeepers. After the Second World War they continued this "Westward Ho!," but now in commercially-fabricated mobile homes, often to retirement. These new pioneers clustered in communities that transformed the western landscape and its built environment through a new architecture of mobility. Mobile home manufacturers produce a range of styles with architectural references that animate cultural aspirations or memories of home and community left behind. After choosing a basic style, new owners make individual touches to the exterior and lawn that transform the generic into the personal. Viewed from a surrounding hillside, mobile home parks look like arabesques of uniform aluminum boxes. On close observation, however, they reveal a rich flora and fauna of personal expression and longing for both individuality and community.'--John Schott, from the Preface The images inMobile Homes 1975-1976were made with an 8x10-inch Deardorff view camera in California during 1975 and 1976. This project followed photographs of Route 66 motels in 1973 and 1974, work which was included in 'New Topographics: Photographs of a Man-Altered Landscape,' at George Eastman House in 1975 and John Schott | Route 66: 1973-1974, Nazraeli Press, 2014 (NZ Library: Set One). John Schott's photographs are held within many public collections including The Museum of Modern Art, New York; The George Eastman House, Rochester; and the Fogg Art Museum, Cambridge." NOTE: THREE SPECIAL EDITIONS (EACH WITH ONE OF THREE PRINT VARIANTS) ARE ALSO AVAILABLE. Signed by Author. Seller Inventory # 112278
Seller: Studio Bibliografico Marini, ROMA, RM, Italy
hardcover. Condition: Ottimo (Fine). NZ Library Set 1. California 1975-1976. With 54 duotone plates and a preface by the Author Limited edition of 350 numbered and signed copies. Elegant volume bound in full silk with a photograph applied to the front cover and the Artist's signature inserted into an eyelet to the back cover. Illustrated dust jacket and slip-case with a photo / Elegante volume rilegato in piena seta con una fotografia applicata al piatto anteriore e la firma dell'Artista inserita in un occhiello al piatto posteriore. Sovracoperta illustrata e custodia in seta con foto applicata. N. 252/350. Cm 38,5 x 30,5. pp. 64. . Ottimo (Fine). . Prima edizione di 350 esemplari numerati e firmati dall'Autore (First edition of 350 numbered and signed copies). . "Incontrando l'ovest americano per la prima volta all'inizio degli anni '70, rimasi colpito dai paesaggi e dall'iconografia delle case mobili. Nel secolo precedente gli americani migravano verso ovest nei Prairie Schooners (carri coperti) per diventare agricoltori o commercianti. Dopo la seconda guerra mondiale continuarono questo "Westward Ho!", ma in case mobili pre-fabbricate, in cui vivevano spesso fino alla pensione. Questi nuovi pionieri si raggrupparono in comunità che trasformarono il paesaggio occidentale e il suo ambiente attraverso una nuova architettura della mobilità. I produttori di case mobili producono una gamma di stili con riferimenti architettonici che animano aspirazioni culturali o ricordi di case e comunità lasciate alle spalle. Dopo aver scelto uno stile di base, i nuovi proprietari apportano tocchi individuali all'esterno e al prato antistante che trasformano il generico in personale. Visti dall'alto, i parchi di case mobili sembrano arabeschi di scatole di alluminio tutte uguali. Ad un'osservazione ravvicinata, tuttavia, rivelano una ricca flora e fauna, espressione di scelte personali e di desiderio sia di individualità che di comunità". - (John Schott, dalla prefazione.)“Encountering the American west for the first time in the early 1970s, I became fascinated with the landscapes and iconography of mobile homes. In a previous century Americans migrated west in Prairie Schooners to become farmers or shopkeepers. After the Second World War they continued this ‘Westward Ho!', but now in commercially-fabricated mobile homes, often to retirement. These new pioneers clustered in communities that transformed the western landscape and its built environment through a new architecture of mobility. Mobile home manufacturers produce a range of styles with architectural references that animate cultural aspirations or memories of home and community left behind. After choosing a basic style, new owners make individual touches to the exterior and lawn that transform the generic into the personal. Viewed from a surrounding hillside, mobile home parks look like arabesques of uniform aluminum boxes. On close observation, however, they reveal a rich flora and fauna of personal expression and longing for both individuality and community.” – (John Schott, from the Preface). Prima edizione di 350 esemplari numerati e firmati dall'Autore (First edition of 350 numbered and signed copies). Book. Seller Inventory # bc_204655
Quantity: 1 available
Seller: Vincent Borrelli, Bookseller, Albuquerque, NM, U.S.A.
Hardcover. Condition: New. Dust Jacket Condition: New. 1st Edition. SPECIAL ORDER: PRICING & AVAILABILITY SUBJECT TO CHANGE (please inquire). Price is net to all; promotional discounts do not apply. SPECIAL EDITION SUBSCRIBER DISCOUNT: Customers who purchase the complete Set 2 of six titles (item #112274) qualify for a $150 discount off the price of this special limited edition (with print) from Set 2 (the special limited edition also includes a copy of the slipcased book). Otherwise, special edition price is net to all; promotional discounts do not apply. First edition, first printing. Special limited edition of 25 copies, with an original, signed and numbered gelatin silver print (mobile home interior), which is housed together with the book in a custom clamshell box. The book is signed by the artist on a label tipped in to the back cover, and numbered on the colophon page. Hardcover. Silk cloth-covered boards; with photographically illustrated dust jacket and silk cloth-covered slipcase. 64 pp., with 54 duotone plates. 15 x 12 inches. New in publisher's packaging. From the publisher: "'Encountering the American west for the first time in the early 1970s, I became fascinated with the landscapes and iconography of mobile homes. In a previous century Americans migrated west in Prairie Schooners to become farmers or shopkeepers. After the Second World War they continued this "Westward Ho!," but now in commercially-fabricated mobile homes, often to retirement. These new pioneers clustered in communities that transformed the western landscape and its built environment through a new architecture of mobility. Mobile home manufacturers produce a range of styles with architectural references that animate cultural aspirations or memories of home and community left behind. After choosing a basic style, new owners make individual touches to the exterior and lawn that transform the generic into the personal. Viewed from a surrounding hillside, mobile home parks look like arabesques of uniform aluminum boxes. On close observation, however, they reveal a rich flora and fauna of personal expression and longing for both individuality and community.'--John Schott, from the Preface The images inMobile Homes 1975-1976were made with an 8x10-inch Deardorff view camera in California during 1975 and 1976. This project followed photographs of Route 66 motels in 1973 and 1974, work which was included in 'New Topographics: Photographs of a Man-Altered Landscape,' at George Eastman House in 1975 and John Schott | Route 66: 1973-1974, Nazraeli Press, 2014 (NZ Library: Set One). John Schott's photographs are held within many public collections including The Museum of Modern Art, New York; The George Eastman House, Rochester; and the Fogg Art Museum, Cambridge." NOTE: THREE SPECIAL EDITIONS (EACH WITH ONE OF THREE PRINT VARIANTS) ARE ALSO AVAILABLE. Signed by Author. Seller Inventory # 112286
Seller: Vincent Borrelli, Bookseller, Albuquerque, NM, U.S.A.
Hardcover. Condition: New. Dust Jacket Condition: New. 1st Edition. SPECIAL ORDER: PRICING & AVAILABILITY SUBJECT TO CHANGE (please inquire). Price is net to all; promotional discounts do not apply. SPECIAL EDITION SUBSCRIBER DISCOUNT: Customers who purchase the complete Set 2 of six titles (item #112274) qualify for a $150 discount off the price of this special limited edition (with print) from Set 2 (the special limited edition also includes a copy of the slipcased book). Otherwise, special edition price is net to all; promotional discounts do not apply. First edition, first printing. Special limited edition of 25 copies, with an original, signed and numbered gelatin silver print (overturned tricycle in mobile home park), which is housed together with the book in a custom clamshell box. The book is signed by the artist on a label tipped in to the back cover, and numbered on the colophon page. Hardcover. Silk cloth-covered boards; with photographically illustrated dust jacket and silk cloth-covered slipcase. 64 pp., with 54 duotone plates. 15 x 12 inches. New in publisher's packaging. From the publisher: "'Encountering the American west for the first time in the early 1970s, I became fascinated with the landscapes and iconography of mobile homes. In a previous century Americans migrated west in Prairie Schooners to become farmers or shopkeepers. After the Second World War they continued this "Westward Ho!," but now in commercially-fabricated mobile homes, often to retirement. These new pioneers clustered in communities that transformed the western landscape and its built environment through a new architecture of mobility. Mobile home manufacturers produce a range of styles with architectural references that animate cultural aspirations or memories of home and community left behind. After choosing a basic style, new owners make individual touches to the exterior and lawn that transform the generic into the personal. Viewed from a surrounding hillside, mobile home parks look like arabesques of uniform aluminum boxes. On close observation, however, they reveal a rich flora and fauna of personal expression and longing for both individuality and community.'--John Schott, from the Preface The images inMobile Homes 1975-1976were made with an 8x10-inch Deardorff view camera in California during 1975 and 1976. This project followed photographs of Route 66 motels in 1973 and 1974, work which was included in 'New Topographics: Photographs of a Man-Altered Landscape,' at George Eastman House in 1975 and John Schott | Route 66: 1973-1974, Nazraeli Press, 2014 (NZ Library: Set One). John Schott's photographs are held within many public collections including The Museum of Modern Art, New York; The George Eastman House, Rochester; and the Fogg Art Museum, Cambridge." NOTE: THREE SPECIAL EDITIONS (EACH WITH ONE OF THREE PRINT VARIANTS) ARE ALSO AVAILABLE. Signed by Author. Seller Inventory # 112285
Seller: Vincent Borrelli, Bookseller, Albuquerque, NM, U.S.A.
Hardcover. Condition: New. Dust Jacket Condition: New. 1st Edition. SPECIAL ORDER: PRICING & AVAILABILITY SUBJECT TO CHANGE (please inquire). Price is net to all; promotional discounts do not apply. SPECIAL EDITION SUBSCRIBER DISCOUNT: Customers who purchase the complete Set 2 of six titles (item #112274) qualify for a $150 discount off the price of this special limited edition (with print) from Set 2 (the special limited edition also includes a copy of the slipcased book). Otherwise, special edition price is net to all; promotional discounts do not apply. First edition, first printing. Special limited edition of 25 copies, with an original, signed and numbered gelatin silver print (mobile home park and drive-in movie theater), which is housed together with the book in a custom clamshell box. The book is signed by the artist on a label tipped in to the back cover, and numbered on the colophon page. Hardcover. Silk cloth-covered boards; with photographically illustrated dust jacket and silk cloth-covered slipcase. 64 pp., with 54 duotone plates. 15 x 12 inches. New in publisher's packaging. From the publisher: "'Encountering the American west for the first time in the early 1970s, I became fascinated with the landscapes and iconography of mobile homes. In a previous century Americans migrated west in Prairie Schooners to become farmers or shopkeepers. After the Second World War they continued this "Westward Ho!," but now in commercially-fabricated mobile homes, often to retirement. These new pioneers clustered in communities that transformed the western landscape and its built environment through a new architecture of mobility. Mobile home manufacturers produce a range of styles with architectural references that animate cultural aspirations or memories of home and community left behind. After choosing a basic style, new owners make individual touches to the exterior and lawn that transform the generic into the personal. Viewed from a surrounding hillside, mobile home parks look like arabesques of uniform aluminum boxes. On close observation, however, they reveal a rich flora and fauna of personal expression and longing for both individuality and community.'--John Schott, from the Preface The images inMobile Homes 1975-1976were made with an 8x10-inch Deardorff view camera in California during 1975 and 1976. This project followed photographs of Route 66 motels in 1973 and 1974, work which was included in 'New Topographics: Photographs of a Man-Altered Landscape,' at George Eastman House in 1975 and John Schott | Route 66: 1973-1974, Nazraeli Press, 2014 (NZ Library: Set One). John Schott's photographs are held within many public collections including The Museum of Modern Art, New York; The George Eastman House, Rochester; and the Fogg Art Museum, Cambridge." NOTE: THREE SPECIAL EDITIONS (EACH WITH ONE OF THREE PRINT VARIANTS) ARE ALSO AVAILABLE. Signed by Author. Seller Inventory # 112284
Seller: Vincent Borrelli, Bookseller, Albuquerque, NM, U.S.A.
Hardcover. Condition: New. Dust Jacket Condition: No dust jacket as issued. 1st Edition. SPECIAL ORDER: PRICING & AVAILABILITY SUBJECT TO CHANGE (please inquire). Price is net to all; promotional discounts do not apply. First edition, first printing. Special limited edition of 6 copies, with three original, signed and numbered gelatin silver contact prints, which are housed together with the book in a custom clamshell box. The prints are each from an edition of 25, with the edition numbers for this set being #1-6. The book is signed by the artist on a label tipped in to the back cover, and numbered on the colophon page. Hardcover. Silk cloth-covered boards; with photographically illustrated dust jacket and silk cloth-covered slipcase. 64 pp., with 54 duotone plates. 15 x 12 inches. New in publisher's packaging. From the publisher: "'Encountering the American west for the first time in the early 1970s, I became fascinated with the landscapes and iconography of mobile homes. In a previous century Americans migrated west in Prairie Schooners to become farmers or shopkeepers. After the Second World War they continued this "Westward Ho!," but now in commercially-fabricated mobile homes, often to retirement. These new pioneers clustered in communities that transformed the western landscape and its built environment through a new architecture of mobility. Mobile home manufacturers produce a range of styles with architectural references that animate cultural aspirations or memories of home and community left behind. After choosing a basic style, new owners make individual touches to the exterior and lawn that transform the generic into the personal. Viewed from a surrounding hillside, mobile home parks look like arabesques of uniform aluminum boxes. On close observation, however, they reveal a rich flora and fauna of personal expression and longing for both individuality and community.'--John Schott, from the Preface The images inMobile Homes 1975-1976were made with an 8x10-inch Deardorff view camera in California during 1975 and 1976. This project followed photographs of Route 66 motels in 1973 and 1974, work which was included in 'New Topographics: Photographs of a Man-Altered Landscape,' at George Eastman House in 1975 and John Schott | Route 66: 1973-1974, Nazraeli Press, 2014 (NZ Library: Set One). John Schott's photographs are held within many public collections including The Museum of Modern Art, New York; The George Eastman House, Rochester; and the Fogg Art Museum, Cambridge." Signed by Author. Seller Inventory # 112550