A heartrending, gripping novel about two sisters in Belle Époque Paris.
1878 Paris. Following their father’s sudden death, the van Goethem sisters find their lives upended. Without his wages, and with the small amount their laundress mother earns disappearing into the absinthe bottle, eviction from their lodgings seems imminent. With few options for work, Marie is dispatched to the Paris Opéra, where for a scant seventeen francs a week, she will be trained to enter the famous ballet. Her older sister, Antoinette, finds work as an extra in a stage adaptation of Émile Zola’s naturalist masterpiece L’Assommoir.
Marie throws herself into dance and is soon modeling in the studio of Edgar Degas, where her image will forever be immortalized as Little Dancer Aged Fourteen. There she meets a wealthy male patron of the ballet, but might the assistance he offers come with strings attached? Meanwhile Antoinette, derailed by her love for the dangerous Émile Abadie, must choose between honest labor and the more profitable avenues open to a young woman of the Parisian demimonde.
Set at a moment of profound artistic, cultural, and societal change, The Painted Girls is a tale of two remarkable sisters rendered uniquely vulnerable to the darker impulses of “civilized society.” In the end, each will come to realize that her salvation, if not survival, lies with the other.
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Cathy Marie Buchanan is the author of the national bestseller The Day the Falls Stood Still, a Barnes & Noble Recommends selection and an Indie Next pick. She lives in Toronto.
Buchanan’s exquisite historical novel details the lives of would-be ballerinas Antoinette, Marie, and Charlotte van Goethem. Responsible for fending for themselves after the death of their father and the absinthe-soaked decline of their mother, the van Goethem sisters struggle to eke out an existence while subsidizing their ambitions at the harshly competitive school of the Paris Opéra. When Marie is selected by Edgar Degas to pose for his future masterpiece, Little Dancer Aged Fourteen,and Antoinette snags a bit part in the stage adaptation of Émile Zola’s L’Assommoir, the extra income enables them to avoid, for a while, the tragic pitfalls of life on the lower slopes of Montmartre. To make things even more interesting, Buchannan links the sisters’ stories with that of convicted criminals Emile Abadie and Michel Knobloch, the subjects of Degas’ Criminal Physiognomies. By intertwining the narrative threads of these drawn-from-history characters, she paints a realistically robust portrait of working-class life in late nineteenth-century Paris. Guaranteed to appeal to fans of Tracy Chevalier, Susan Vreeland, and Melanie Benjamin. --Margaret Flanagan
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