About the Author:
David Amram has composed more than one hundred orchestral and chamber works; written many scores for Broadway theater and film, including the classic scores for the films Splendor in the Grass and The Manchurian Candidate; composed two operas, including the ground-breaking Holocaust opera The Final Ingredient; and composed the score for the landmark 1959 documentary Pull My Daisy, narrated by Jack Kerouac. He is the author of the books Vibrations, an autobiography, Offbeat: Collaborating with Kerouac, and Upbeat: Nine Lives of a Musical Cat." A pioneer of jazz French horn and World Music, he is also a virtuoso on piano, numerous flutes and whistles, percussion, and dozens of folkloric instruments from twenty-five countries. He is also an inventive, funny improvisational lyricist. He has collaborated with Leonard Bernstein, who chose him as the New York Philharmonic’s first composer-in-residence in 1966, Langston Hughes, Dizzy Gillespie, Willie Nelson, Thelonious Monk, Odetta, Elia Kazan, Arthur Miller, Charles Mingus, Wynton Marsalis, Lionel Hampton, Johnny Depp, Tito Puente, and many others. Amram’s most popular recent works are Giants of the Night, a flute concerto commissioned and premiered by Sir James Galway and dedicated to the memory of Charlie Parker, Jack Kerouac, and Dizzy Gillespie, and Symphonic Variations on a Song by Woody Guthrie. Today, Amram continues to compose music while traveling the world as a conductor, soloist, band leader, visiting scholar, and narrator in five languages. He is currently collaborating with author Frank McCourt on Missa Manhattan, for narrator, chorus, and orchestra, and composing a new piano concerto. All of his concert music is published by C. F. Peters Corporation.
Review:
(from first edition)
“David Amram is a national treasure and his memoir, Offbeat, is an account of how he got that way. It is a great rolling river of a book, packed with details of Amram’s relationships with the likes of Jack Kerouac and Allen Ginsberg. If you wanted the ‘inside’ story of the Beat movement, here it is. Like Amram himself it is vital and energetic and it sings. I envy anyone picking up this book: It’s almost as good as listing to Amram himself.”
―Frank McCourt
“David Amram is a musical prodigy with a genius for friendship. Offbeat tells an uplifting story of his close association with Jack Kerouac in vivid prose and riveting anecdotes. An essential new addition to the growing literature of the Beat Generation.”
―Douglas Brinkley
“This fascinating book must put PAID to the myth that Jack Kerouac was ever the King of the Beats or the Father of the Hippies. In Offbeat, we get to know many of the legendary painters, poets, musicians and film makers of the Fifties and Sixties, and get to know Jack Kerouac as well. Amram recounts his enduring friendship and artistic collaborations during Jack’s lifetime, and his continuing efforts on Kerouac’s behalf to the present time of his own incredible career and creative genius. What stories! A book for your library.”
―Carolyn Cassady
“Regarding Offbeat: Chaos brought together two extraordinarily gifted minds to form a comet which lit up the sky.”
―Kurt Vonnegut
“The conversations rang so true that I almost began to believe I had been sitting in the corner listening as Amram, Kerouac, Ginsberg and Corso talked, laughed and traded barbs over a bottle of wine.”
―Bill Morgan, from the new Foreword
"Offbeat challenges and dismisses the myth of a Beat Generation, replacing it with a riveting and heartfelt account of the community of artists of that era, and how they supported one another.”
―Publisher's Weekly
“A piece of pure entertainment that also reveals the individuality of Amram's friends and gives the Beat stereotype its walking papers.”
―Kirkus Reviews
“ ... The book includes some excellent photographs ... deepens understanding of the Beat milieu and the aspirations of its iconic figures. Recommended.
―CHOICE
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