Synopsis
Why did Henri Cartier-Bresson nearly have a posthumous exhibition while still alive? What led Stephen Shore to work with color? Why was Sophie Calle accused of stealing Vermeer’s The Concert? And what is Susan Meiselas’s take on Instagram and the future of online storytelling?
Aperture Conversations presents a selection of interviews highlighting critical dialogue between photographers, esteemed critics, curators, editors, and artists from 1985 to the present day. Emerging talent along with well-established photographers discuss their work openly and examine the future of the medium. Drawn primarily from Aperture magazine with selections from Aperture’s booklist and online platform, Aperture Conversations celebrates the artist’s voice, collaborations, and the photography community at large.
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About the Author
Melissa Harris is editor-at-large of Aperture Foundation, where she has worked for more than twenty-five years, including as editor-in-chief of Aperture magazine from 2002 to 2012. Harris has edited more than forty books for Aperture and recently authored A Wild Life: A Visual Biography of Photographer Michael Nichols (2017). Harris has curated photography exhibitions for venues worldwide, including the Philadelphia Museum of Art; the Lumiere Brothers Center for Photography, Moscow; and the Peggy Guggenheim Collection, Venice. Harris teaches at New York University in the Tisch Photography and Imaging department. Harris lives in New York City.
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