In The Photography Workshop Series, Aperture Foundation works with the world's top photographers to distill their creative approaches, teachings and insights on photography—offering the workshop experience in a book. The goal is to inspire photographers of all levels who wish to improve their work, as well as readers interested in deepening their understanding of the art of photography. Each volume is introduced by a student of the featured photographer. In this book, Mary Ellen Mark (1940-2015)—well known for the emotional power of her pictures, be they of people or animals—offers her insight on observing the world and capturing dramatic moments that reveal more than the reality at hand. Through words and pictures, she shares her own creative process and discusses a wide range of issues, from gaining the trust of the subject and taking pictures that are controlled but unforced, to organizing the frame so that every part contributes toward telling the story.
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Mary Ellen Mark has published eighteen books, including Seen Behind the Scene, Exposure, Falkland Road, and Ward 81. Her photo essays and portraits have appeared in such publications as LIFE, New York Times Magazine, the New Yorker, Rolling Stone, and Vanity Fair. Mark's many honors include the Cornell Capa Award from the International Center of Photography, the Infinity Award for Journalism, Photographer of the Year Award from the Friends of Photography, the World Press Award for Outstanding Body of Work throughout the Years, the Victor Hasselblad Cover Award, and two Robert F. Kennedy Awards. Her photographs have been collected by major museums in the United States, Europe, and Australia.
As a reading experience, the books feel more like monographs with expansive captions than generic how-to guides. – Eye Magazine
Offers readers a behind-the-scenes look at some of her iconic photographs, along with sage advice on making powerful, storytelling portraits. – New York Journal of Books
The wealth of experience and wisdom—more than 50 years’ worth—distilled into these pages makes this book a worthwhile addition to any photographer’s library. – New York Journal of Books
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