“These feel like images you might have dreamed, both of the kind that slip away and the ones you manage to keep tenuously in your grasp, slippery, otherworldly. . . . Before our eyes, Zanele Muholi transforms into a mother, a domestic worker, an Afrofuturist, an oracle. It’s fiction and it is not.”―Yrsa Daley-Ward, The New York Times Book Review
Zanele Muholi: Somnyama Ngonyama, Hail the Dark Lioness is the long-awaited monograph from one of the most powerful visual activists of our time. The book features over ninety of Muholi’s evocative self-portraits, each image drafted from material props in Muholi’s immediate environment. A powerfully arresting collection of work, Muholi’s radical statements of identity, race, and resistance are a direct response to contemporary and historical racisms. As Muholi states, “I am producing this photographic document to encourage individuals in my community to be brave enough to occupy spaces―brave enough to create without fear of being vilified. . . . To teach people about our history, to rethink what history is all about, to reclaim it for ourselves―to encourage people to use artistic tools such as cameras as weapons to fight back.”
With more than twenty written contributions from curators, poets, and authors, alongside luxurious tritone reproductions of Muholi’s images, Zanele Muholi: Somnyama Ngonyama, Hail the Dark Lioness is as much a manifesto of resistance as it is an autobiographical, artistic statement.
"synopsis" may belong to another edition of this title.
Zanele Muholi (born in Umlazi, Durban, South Africa, 1972) is a visual activist and photographer, cofounder of the Forum for the Empowerment of Women, and founder of Inkanyiso, a forum for queer and visual media. Muholi has won numerous awards for their work, including the ICP Infinity Award for Documentary and Photojournalism (2016); the Fine Prize for an emerging artist at the 2013 Carnegie International; a Prince Claus Award (2013); and both the Casa África award for best female photographer and a Fondation Blachère award at Les Rencontres de Bamako biennial of African photography (2009). Their Faces and Phases series was shown at dOCUMENTA (13) and the 55th Venice Biennale and was shortlisted for the Deutsche Börse Photography Prize in 2015. Muholi is an honorary professor at the University of the Arts Bremen, Germany. They are represented by Stevenson Gallery, Johannesburg, and Yancey Richardson Gallery, New York.
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Hardcover. Condition: new. Hardcover. "These feel like images you might have dreamed, both of the kind that slip away and the ones you manage to keep tenuously in your grasp, slippery, otherworldly. . . . Before our eyes, Zanele Muholi transforms into a mother, a domestic worker, an Afrofuturist, an oracle. It's fiction and it is not."-Yrsa Daley-Ward, The New York Times Book ReviewZanele Muholi: Somnyama Ngonyama, Hail the Dark Lioness is the long-awaited monograph from one of the most powerful visual activists of our time. The book features over ninety of Muholi's evocative self-portraits, each image drafted from material props in Muholi's immediate environment. A powerfully arresting collection of work, Muholi's radical statements of identity, race, and resistance are a direct response to contemporary and historical racisms. As Muholi states, "I am producing this photographic document to encourage individuals in my community to be brave enough to occupy spaces-brave enough to create without fear of being vilified. . . . To teach people about our history, to rethink what history is all about, to reclaim it for ourselves-to encourage people to use artistic tools such as cameras as weapons to fight back." With more than twenty written contributions from curators, poets, and authors, alongside luxurious tritone reproductions of Muholi's images, Zanele Muholi: Somnyama Ngonyama, Hail the Dark Lioness is as much a manifesto of resistance as it is an autobiographical, artistic statement. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9781597114240
Seller: Libris Books, Chelmsford, United Kingdom
New York. Aperture Books. 2018. Hard Cover. Royal 4to 12½" x 10. Handsome large format book with black cloth spine and blind stamped titles. Brand New Book in shrinkwrap. The long-awaited monograph from one of the most powerful visual activists of our time. The book features over ninety of Muholi's evocative self-portraits, each image drafted from material props in Muholi's immediate environment. With more than twenty written contributions from curators, poets, and authors, alongside luxurious tritone reproductions of Muholi's images. It is as much a manifesto of resistance as it is an autobiographical, artistic statement. Amongst those involved in this work are Mussai, Renee; Muholi, Zanele [Photographer]; Azuah, Unoma [Contributor]; Bongela, Milisuthando [Contributor]; Clarke, Cheryl [Contributor]; Derakhshani, Fariba [Contributor]; Dlamini, Andiswa [Contributor]; Hackett, Sophie [Contributor]; Jayawardane, M. Neelika [Contributor]; Lehong, Mapula [Contributor]; Magona, Sindiwe [Contributor]; Masheane, Napo [Contributor]; Mokoena, Hlonipha [Contributor]; Mondi, Jackie [Contributor]; Williams, Carla [Contributor]; Willis, Deborah [Contributor]; van Zyl, Christie [Contributor]. Please contact us if you would like any more information or additional images. Postage price within the UK is tracked 48 by Royal Mail and is at cost up to 2KG. Outside the UK , book is couriered by Transglobal Express to a number of shippers including USPS, Landmark Global, TG Direct and Spring. All duties and taxes paid at our end. All books are sent in protective packing and custom book box. If your book is intended as a gift, please let us know and we will gift wrap it free of charge with a card and any message. Seller Inventory # 25NOV17001
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Hardback. Condition: New. Zanele Muholi: Somnyama Ngonyama, Hail the Dark Lioness includes one hundred self-portraits created by one of the most powerful visual activists of our time. In each of the images, Muholi drafts material props from her immediate environment in an effort to reflect her journey, explore her own image and possibilities as a black woman in today's global society, and - most important - to speak emphatically in response to contemporary and historical rascisms. As she states, "I am producing this photographic document to encourage people to be brave enough to occupy spaces, brave enough to create without fear of being vilified. . . . To teach people about our history, to re-think what history is all about, to re-claim it for ourselves, to encourage people to use artistic tools such as cameras as weapons to fight back." More than twenty curators, poets, and authors offer written contributions that draw out the layers of meaning and possible readings to accompany select images. Powerfully arresting, this collection is as much a manifesto of resistance as it is an autobiographical, artistic statement. Seller Inventory # LU-9781597114240
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