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Nasca pots, Quimbaya figurines, Moche porn figures, stone shamans. Fakes and forgeries run rampant in the Andean art collections of international museums and private individuals. Authors Karen Bruhns and Nancy Kelker examine the phenomenon in this eye-opening volume. They discuss the most commonly forged classes and styles of artifacts, many of which were being duplicated as early as the 19th century. More important, they describe the system whereby these objects get made, purchased, authenticated, and placed in major museums as well as the complicity of forgers, dealers, curators, and collectors in this system. Unique to this volume are biographies of several of the forgers, who describe their craft and how they are able to effectively fool connoisseurs and specialists. This is an important accessible introduction to pre-Columbian art fraud for archaeologists, art historians, and museum professionals alike. A parallel volume by the same authors discusses fakes in Mesoamerican archaeology.
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This is an important accessible introduction to pre-Columbian art fraud of South America for archaeologists, art historians, and museum professionals alike.About the Author:
Karen O. Bruhns is director of the Cihuatán/ Las Marías Archaeological Project for the Fundación Nacional de Arqueología in El Salvador and an active participant in archaeological projects in the Andes. She has a Ph.D. from UC Berkeley and has taught at several universities. She is author of Ancient South America, co-author of Women in Ancient America, and author of over 60 papers and monographs.
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