The adage says that there are two sides to every story, but as most contemporary literature teachers can attest, there are many sides to every story-or at least many ways of looking at a story. Prestwick House's Multiple Perspectives Lesson Guides provide the high school teacher with everything she needs to guide her students through the study of the titles she teaches from a variety of critical viewpoints. Every Multiple Perspectives Lesson Guide provides a general introduction to the work (plot summary, introductions to key characters, brief discussions of social and historical background); clear and concise explanations of three critical theories (including feminism, Marxism, Freudianism, new historicism, and formalism); and reading, writing, and discussion activities designed to help students probe the familiar text in new and deeper ways. Teachers who want to take their teaching of literature beyond the tired plot pyramid and want their students to experience the books they love more than reader-response alone will let them, will find Prestwick House Multiple Perspectives Lessons Guides to be an invigorating addition to their course syllabus. The Picture of Dorian Gray Literary Touchstone Classics is the perfect companion for this title.
"synopsis" may belong to another edition of this title.
A lush, cautionary tale of a life of vileness and deception or a loving portrait of the aesthetic impulse run rampant? Why not both? After Basil Hallward paints a beautiful, young man's portrait, his subject's frivolous wish that the picture change and he remain the same comes true. Dorian Gray's picture grows aged and corrupt while he continues to appear fresh and innocent. After he kills a young woman, "as surely as if I had cut her little throat with a knife," Dorian Gray is surprised to find no difference in his vision or surroundings. "The roses are not less lovely for all that. The birds sing just as happily in my garden."
As Hallward tries to make sense of his creation, his epigram-happy friend Lord Henry Wotton encourages Dorian in his sensual quest with any number of Wildean paradoxes, including the delightful "When we are happy we are always good, but when we are good we are not always happy." But despite its many languorous pleasures, The Picture of Dorian Gray is an imperfect work. Compared to the two (voyeuristic) older men, Dorian is a bore, and his search for ever new sensations far less fun than the novel's drawing-room discussions. Even more oddly, the moral message of the novel contradicts many of Wilde's supposed aims, not least "no artist has ethical sympathies. An ethical sympathy in an artist is an unpardonable mannerism of style." Nonetheless, the glamour boy gets his just deserts. And Wilde, defending Dorian Gray, had it both ways: "All excess, as well as all renunciation, brings its own punishment."From the Publisher:
Oscar Wilde's only published full length novel, is the story of a man who sells his soul for eternal youth. In exchange, what does he give up and what does he gain? This novel, by Wilde is a wonderful soul-searching example of the cost of paradise, and the price of a wish.
Read by actor, comedian, novelist, journalist, screenwriter Stephen Fry, Dorian Gray's dilemma comes alive. He has also acted in a variety of films including A Fish Called Wanda, Peter's Friends, and The Wind in the Willows.
"About this title" may belong to another edition of this title.
Book Description Prestwick House, Inc., 2008. Paperback. Book Condition: New. book. Bookseller Inventory # M1603891153
Book Description Prestwick House, Inc., 2008. Paperback. Book Condition: Brand New. 53 pages. 11.10x8.20x0.20 inches. In Stock. Bookseller Inventory # 1603891153
Book Description Prestwick House, Inc., 2008. Paperback. Book Condition: New. Never used!. Bookseller Inventory # P111603891153