Shadowing Ralph Ellison (Margaret Walker Alexander Series in African American Studies)

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9781604735451: Shadowing Ralph Ellison (Margaret Walker Alexander Series in African American Studies)

In 1952, Ralph Ellison (1914-1994) published his novel Invisible Man, which transformed the dynamics of American literature. The novel won the National Book Award, extended the themes of his early short stories, and dramatized in fictional form the cultural theories expressed in his later essay collections Shadow & Act and Going to the Territory.

In Shadowing Ralph Ellison, John Wright traces Ellison's intellectual and aesthetic development and the evolution of his cultural philosophy throughout his long career. The book explores Ellison's published fiction, his criticism and correspondence, and his passionate exchanges with--and impact on--other literary intellectuals during the Cold War 1950s and during the culture wars of the 1960s, 1970s, and 1980s.

Wright examines Ellison's body of work through the lens of Ellison's cosmopolitan philosophy of art and culture, which the writer began to construct during the late 1930s. Ellison, Wright argues, eschewed orthodoxy in both political and cultural discourse, maintaining that to achieve the highest cultural awareness and the greatest personal integrity, the individual must cultivate forms of thinking and acting that are fluid, improvisational, and vitalistic--like the blues and jazz. Accordingly, Ellison elaborated throughout his body of work the innumerable ways that rigid cultural labels, categories, and concepts--from racial stereotypes and fashionable academic theories to conventional political doctrines--fail to capture the full potential of human consciousness. Instead, Ellison advocated forms of consciousness and culture akin to what the blues and jazz reveal, and he portrayed those musical traditions as the best embodiment of the evolving American spirit.

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From the Publisher:

This critical study of the writings and thought of the American literary genius and his blues and jazz-derived "vernacular" aesthetic

--- Offers a prominent Ellison scholar’s analysis of Invisible Man and Shadow and Act

--- Features new information gleaned from interviews with Ellison’s friends and contemporaries, including Albert Murray and Stanley Crouch

--- Covers Ellison’s entire career and the way his thoughts on race and class changed

--- Extends our Margaret Walker Alexander Series in African American Studies

From the Inside Flap:

A critical study of the writings and thought of the American literary genius and his blues and jazz derived "vernacular" aesthetic

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Book Description Rethink Press, United Kingdom, 2010. Paperback. Book Condition: New. Language: English . This book usually ship within 10-15 business days and we will endeavor to dispatch orders quicker than this where possible. Brand New Book. In 1952, Ralph Ellison (1914-1994) published his novel Invisible Man, which transformed the dynamics of American literature. The novel won the National Book Award, extended the themes of his early short stories, and dramatized in fictional form the cultural theories expressed in his later essay collections Shadow Act and Going to the Territory. In Shadowing Ralph Ellison, John Wright traces Ellison s intellectual and aesthetic development and the evolution of his cultural philosophy throughout his long career. The book explores Ellison s published fiction, his criticism and correspondence, and his passionate exchanges with--and impact on--other literary intellectuals during the Cold War 1950s and during the culture wars of the 1960s, 1970s, and 1980s. Wright examines Ellison s body of work through the lens of Ellison s cosmopolitan philosophy of art and culture, which the writer began to construct during the late 1930s. Ellison, Wright argues, eschewed orthodoxy in both political and cultural discourse, maintaining that to achieve the highest cultural awareness and the greatest personal integrity, the individual must cultivate forms of thinking and acting that are fluid, improvisational, and vitalistic--like the blues and jazz. Accordingly, Ellison elaborated throughout his body of work the innumerable ways that rigid cultural labels, categories, and concepts--from racial stereotypes and fashionable academic theories to conventional political doctrines--fail to capture the full potential of human consciousness. Instead, Ellison advocated forms of consciousness and culture akin to what the blues and jazz reveal, and he portrayed those musical traditions as the best embodiment of the evolving American spirit. Bookseller Inventory # TNP9781604735451

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Book Description Rethink Press, United Kingdom, 2010. Paperback. Book Condition: New. Language: English . Brand New Book ***** Print on Demand *****. In 1952, Ralph Ellison (1914-1994) published his novel Invisible Man, which transformed the dynamics of American literature. The novel won the National Book Award, extended the themes of his early short stories, and dramatized in fictional form the cultural theories expressed in his later essay collections Shadow Act and Going to the Territory. In Shadowing Ralph Ellison, John Wright traces Ellison s intellectual and aesthetic development and the evolution of his cultural philosophy throughout his long career. The book explores Ellison s published fiction, his criticism and correspondence, and his passionate exchanges with--and impact on--other literary intellectuals during the Cold War 1950s and during the culture wars of the 1960s, 1970s, and 1980s. Wright examines Ellison s body of work through the lens of Ellison s cosmopolitan philosophy of art and culture, which the writer began to construct during the late 1930s. Ellison, Wright argues, eschewed orthodoxy in both political and cultural discourse, maintaining that to achieve the highest cultural awareness and the greatest personal integrity, the individual must cultivate forms of thinking and acting that are fluid, improvisational, and vitalistic--like the blues and jazz. Accordingly, Ellison elaborated throughout his body of work the innumerable ways that rigid cultural labels, categories, and concepts--from racial stereotypes and fashionable academic theories to conventional political doctrines--fail to capture the full potential of human consciousness. Instead, Ellison advocated forms of consciousness and culture akin to what the blues and jazz reveal, and he portrayed those musical traditions as the best embodiment of the evolving American spirit. Bookseller Inventory # AAV9781604735451

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Book Description Rethink Press, United Kingdom, 2010. Paperback. Book Condition: New. Language: English . Brand New Book ***** Print on Demand *****.In 1952, Ralph Ellison (1914-1994) published his novel Invisible Man, which transformed the dynamics of American literature. The novel won the National Book Award, extended the themes of his early short stories, and dramatized in fictional form the cultural theories expressed in his later essay collections Shadow Act and Going to the Territory. In Shadowing Ralph Ellison, John Wright traces Ellison s intellectual and aesthetic development and the evolution of his cultural philosophy throughout his long career. The book explores Ellison s published fiction, his criticism and correspondence, and his passionate exchanges with--and impact on--other literary intellectuals during the Cold War 1950s and during the culture wars of the 1960s, 1970s, and 1980s. Wright examines Ellison s body of work through the lens of Ellison s cosmopolitan philosophy of art and culture, which the writer began to construct during the late 1930s. Ellison, Wright argues, eschewed orthodoxy in both political and cultural discourse, maintaining that to achieve the highest cultural awareness and the greatest personal integrity, the individual must cultivate forms of thinking and acting that are fluid, improvisational, and vitalistic--like the blues and jazz. Accordingly, Ellison elaborated throughout his body of work the innumerable ways that rigid cultural labels, categories, and concepts--from racial stereotypes and fashionable academic theories to conventional political doctrines--fail to capture the full potential of human consciousness. Instead, Ellison advocated forms of consciousness and culture akin to what the blues and jazz reveal, and he portrayed those musical traditions as the best embodiment of the evolving American spirit. Bookseller Inventory # AAV9781604735451

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Book Description University Press of Mississippi 3/30/2010, 2010. Paperback or Softback. Book Condition: New. Shadowing Ralph Ellison. Book. Bookseller Inventory # BBS-9781604735451

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Book Description University Press of Mississippi. Paperback. Book Condition: New. Paperback. 294 pages. Dimensions: 9.0in. x 6.0in. x 0.7in.In 1952, Ralph Ellison (1914-1994) published his novel Invisible Man, which transformed the dynamics of American literature. The novel won the National Book Award, extended the themes of his early short stories, and dramatized in fictional form the cultural theories expressed in his later essay collections Shadow and Act and Going to the Territory. In Shadowing Ralph Ellison, John Wright traces Ellisons intellectual and aesthetic development and the evolution of his cultural philosophy throughout his long career. The book explores Ellisons published fiction, his criticism and correspondence, and his passionate exchanges with--and impact on--other literary intellectuals during the Cold War 1950s and during the culture wars of the 1960s, 1970s, and 1980s. Wright examines Ellisons body of work through the lens of Ellisons cosmopolitan philosophy of art and culture, which the writer began to construct during the late 1930s. Ellison, Wright argues, eschewed orthodoxy in both political and cultural discourse, maintaining that to achieve the highest cultural awareness and the greatest personal integrity, the individual must cultivate forms of thinking and acting that are fluid, improvisational, and vitalistic--like the blues and jazz. Accordingly, Ellison elaborated throughout his body of work the innumerable ways that rigid cultural labels, categories, and concepts--from racial stereotypes and fashionable academic theories to conventional political doctrines--fail to capture the full potential of human consciousness. Instead, Ellison advocated forms of consciousness and culture akin to what the blues and jazz reveal, and he portrayed those musical traditions as the best embodiment of the evolving American spirit. This item ships from multiple locations. Your book may arrive from Roseburg,OR, La Vergne,TN. Paperback. Bookseller Inventory # 9781604735451

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Book Description Rethink Press, 2006. PAP. Book Condition: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000. Bookseller Inventory # IQ-9781604735451

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