Through the Lens of Allen E. Cole: A Photographic History of African Americans in Cleveland, Ohio

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9781606350904: Through the Lens of Allen E. Cole: A Photographic History of African Americans in Cleveland, Ohio

A remarkable visual record of Cleveland’s African American community spanning five decades

During the Great Depression, photographer Allen Eugene Cole posted a sign in front of his studio in Cleveland’s Central neighborhood: somebody, somewhere, wants your photograph. An entrepreneurial businessman with a keen ability to market his images of Cleveland’s black experience, Cole was deeply immersed in civic life. A founder and treasurer of the Progressive Business League, Cole was an officer of the Dunbar Life Insurance Co., a member of St. James African Methodist Episcopal Church, and active in the Elks and Masons. For years he was the only black member of the Cleveland Society of Professional Photographers. Well into the 1960s his photographs appeared regularly in the Call & Post, Cleveland’s African American weekly newspaper.

A migrant to Cleveland in 1917, Allen Cole developed an interest in photography while employed as a waiter at the Cleveland Athletic Club. By 1922 he had opened his first studio at home, enlarging it over the years. It was in this studio that he photographed Perry B. Jackson, Ohio’s first African American judge.

The images of Jackson and the hundreds of other African Americans included in this volume were chosen from the thousands of photographs in the Allen Cole Collection at the Western Reserve Historical Society. They illustrate the diverse experiences among Cleveland’s vibrant African American community. Social organizations, women’s and men’s clubs, civic and church groups, schoolchildren and teachers, businessmen, and politicians are all included in this charming and unique collection. In the accompanying text authors Samuel Black and Regennia Williams place Cole and his comprehensive visual catalog in the context of African American history and the Great Migration.

Through the Lens of Allen E. Cole mines Cole’s exceptional midtwentieth-century photographic chronicle of African American life and will be an invaluable resource for anyone interested in American history, as well as specialists in African studies, history, sociology, urban affairs, and the photographic arts.

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About the Author:

Samuel W. Black is Curator of African American Collections at the Senator John Heinz History Center in Pittsburgh and a former curator of the Allen E. Cole Collection at the Western Reserve Historical Society. A winner of several awards, Black is the editor of the anthology Soul Soldiers: African Americans and the Vietnam Era and serves as vice president of the Association of African American Museums.

Regennia N. Williams is associate professor of history at Cleveland State University and founder and director of the Initiative for the Study of Religion and Spirituality in the History of Africa and the Diaspora (RASHAD). She is the founding editor of The Journal of Traditions and Beliefs, and she received a Fulbright Fellowship for research and teaching in Ile-Ife, Nigeria, in 2010.

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Samuel W. Black, Regennia N. Williasm
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Book Description Kent State University Press, United States, 2012. Hardback. Book Condition: New. Language: English . Brand New Book. Foreword by: Deborah Willis Published in cooperation with The Western Reserve Historical Society During the Great Depression, photographer Allen Eugene Cole posted a sign in front of his studio in Cleveland s Central neighbourhood: SOMEBODY, SOMEWHERE, WANTS YOUR PHOTOGRAPH. An entrepreneurial businessman with a keen ability to market his images of Cleveland s black experience, Cole was deeply immersed in civic life. A founder and treasurer of the Progressive Business League, Cole was an officer of the Dunbar Life Insurance Co., a member of St. James African Methodist Episcopal Church, and active in the Elks and Masons. For years he was the only black member of the Cleveland Society of Professional Photographers. Well into the 1960s his photographs appeared regularly in the Call Post, Cleveland s African American weekly newspaper. A migrant to Cleveland in 1917, Allen Cole developed an interest in photography while employed as a waiter at the Cleveland Athletic Club. By 1922 he had opened his first studio at home, enlarging it over the years. It was in this studio that he photographed Perry B. Jackson, Ohio s first African American judge. The images of Jackson and the hundreds of other African Americans included in this volume were chosen from the thousands of photographs in the Allen Cole Collection at the Western Reserve Historical Society. They illustrate the diverse experiences among Cleveland s vibrant African American community. Social organisations, women s and men s clubs, civic and church groups, schoolchildren and teachers, businessmen, and politicians are all included in this charming and unique collection. In the accompanying text authors Samuel Black and Regennia Williams place Cole and his comprehensive visual catalogue in the context of African American history and the Great Migration. Through the Lens of Allen E. Cole mines Cole s exceptional midtwentieth- century photographic chronicle of African American life and will be an invaluable resource for anyone interested in American history, as well as specialists in African studies, history, sociology, urban affairs, and the photographic arts. Bookseller Inventory # POW9781606350904

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Samuel W. Black, Regennia N. Williasm
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ISBN 10: 1606350900 ISBN 13: 9781606350904
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Book Description Kent State University Press, United States, 2012. Hardback. Book Condition: New. Language: English . Brand New Book. Foreword by: Deborah Willis Published in cooperation with The Western Reserve Historical Society During the Great Depression, photographer Allen Eugene Cole posted a sign in front of his studio in Cleveland s Central neighbourhood: SOMEBODY, SOMEWHERE, WANTS YOUR PHOTOGRAPH. An entrepreneurial businessman with a keen ability to market his images of Cleveland s black experience, Cole was deeply immersed in civic life. A founder and treasurer of the Progressive Business League, Cole was an officer of the Dunbar Life Insurance Co., a member of St. James African Methodist Episcopal Church, and active in the Elks and Masons. For years he was the only black member of the Cleveland Society of Professional Photographers. Well into the 1960s his photographs appeared regularly in the Call Post, Cleveland s African American weekly newspaper. A migrant to Cleveland in 1917, Allen Cole developed an interest in photography while employed as a waiter at the Cleveland Athletic Club. By 1922 he had opened his first studio at home, enlarging it over the years. It was in this studio that he photographed Perry B. Jackson, Ohio s first African American judge. The images of Jackson and the hundreds of other African Americans included in this volume were chosen from the thousands of photographs in the Allen Cole Collection at the Western Reserve Historical Society. They illustrate the diverse experiences among Cleveland s vibrant African American community. Social organisations, women s and men s clubs, civic and church groups, schoolchildren and teachers, businessmen, and politicians are all included in this charming and unique collection. In the accompanying text authors Samuel Black and Regennia Williams place Cole and his comprehensive visual catalogue in the context of African American history and the Great Migration. Through the Lens of Allen E. Cole mines Cole s exceptional midtwentieth- century photographic chronicle of African American life and will be an invaluable resource for anyone interested in American history, as well as specialists in African studies, history, sociology, urban affairs, and the photographic arts. Bookseller Inventory # POW9781606350904

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