The Grammar Of Rock: Art and Artlessness in 20th Century Pop Lyrics

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9781606996164: The Grammar Of Rock: Art and Artlessness in 20th Century Pop Lyrics

Novelist and critic Alexander Theroux analyzes the pop song.

National Book Award nominee, critic and one of America’s least compromising satirists, Alexander Theroux takes a comprehensive look at the colorful language of pop lyrics and the realm of rock music in general in The Grammar of Rock: silly song titles; maddening instrumentals; shrieking divas; clunker lines; the worst (and best) songs ever written; geniuses of the art; movie stars who should never have raised their voice in song but who were too shameless to refuse a mic; and the excesses of awful Christmas recordings. Praising (and critiquing) the gems of lyricists both highbrow and low, Theroux does due reverence to classic word-masters like Ira Gershwin, Jimmy Van Heusen, Cole Porter, and Sammy Cahn, lyricists as diverse as Hank Williams, Buck Ram, the Moody Blues, and Randy Newman, Dylan and the Beatles, of course, and more outré ones like the Sex Pistols, the Clash, Patti Smith, the Fall (even Ghostface Killa), but he considers stupid rhymes, as well ― nonsense lyrics, chop logic, the uses and abuses of irony, country music macho, verbal howlers, how voices sound alike and why, and much more. In a way that no one else has ever done, with his usual encyclopedic insights into the state of the modern lyric, Theroux focuses on the state of language ― the power of words and the nature of syntax ― in The Grammar of Rock. He analyzes its assaults on listeners’ impulses by investigating singers’ styles, pondering illogical lunacies in lyrics, and deconstructing the nature of diction and presentation in the language. This is that rare book of discernment and probing wit (and not exclusively one that is a critical defense of quality) that positively evaluates the very nature of a pop song, and why one over another has an effect on the listener.

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About the Author:

Alexander Theroux is an award-winning novelist, poet, and teacher whose prose works include Laura Warholic or, The Sexual Intellectual, Estonia, and the two artist monographs The Strange Case of Edward Gorey and The Enigma of Al Capp. His novel Darconville’s Cat was chosen by Anthony Burgess as one of the 99 greatest post-war novels. He lives in Massachusetts with his wife and children.

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Alexander Theroux, Robert R Crumb
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Book Description Fantagraphics, United States, 2013. Hardback. Book Condition: New. Language: English . Brand New Book. National Book Award nominee, critic and one of America s least compromising satirists, Alexander Theroux takes a comprehensive look at the colorful language of pop lyrics and the realm of rock music in general in The Grammar of Rock silly song titles; maddening instrumentals; shrieking divas; clunker lines; the worst (and best) songs ever written; geniuses of the art; movie stars who should never have raised their voice in song but who were too shameless to refuse a mic; and the excesses of awful Christmas recordings. Praising (and critiquing) the gems of lyricists both highbrow and low, Theroux does due reverence to classic word-masters like Ira Gershwin, Jimmy Van Heusen, Cole Porter, and Sammy Cahn, lyricists as diverse as Hank Williams, Buck Ram, the Moody Blues, and Randy Newman, Dylan and the Beatles, of course, and more outre ones like the Sex Pistols, the Clash, Patti Smith, the Fall (even Ghostface Killa), but he considers stupid rhymes, as well nonsense lyrics, chop logic, the uses and abuses of irony, country music macho, verbal howlers, how voices sound alike and why, and much more. In a way that no one else has ever done, with his usual encyclopedic insights into the state of the modern lyric, Theroux focuses on the state of language the power of words and the nature of syntax in The Grammar of Rock. He analyzes its assaults on listeners impulses by investigating singers styles, pondering illogical lunacies in lyrics, and deconstructing the nature of diction and presentation in the language. This is that rare book of discernment and probing wit (and not exclusively one that is a critical defense of quality) that positively evaluates the very nature of a pop song, and why one over another has an effect on the listener. Bookseller Inventory # POW9781606996164

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Alexander Theroux, Robert R Crumb
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Book Description Fantagraphics, United States, 2013. Hardback. Book Condition: New. Language: English . Brand New Book. National Book Award nominee, critic and one of America s least compromising satirists, Alexander Theroux takes a comprehensive look at the colorful language of pop lyrics and the realm of rock music in general in The Grammar of Rock silly song titles; maddening instrumentals; shrieking divas; clunker lines; the worst (and best) songs ever written; geniuses of the art; movie stars who should never have raised their voice in song but who were too shameless to refuse a mic; and the excesses of awful Christmas recordings. Praising (and critiquing) the gems of lyricists both highbrow and low, Theroux does due reverence to classic word-masters like Ira Gershwin, Jimmy Van Heusen, Cole Porter, and Sammy Cahn, lyricists as diverse as Hank Williams, Buck Ram, the Moody Blues, and Randy Newman, Dylan and the Beatles, of course, and more outre ones like the Sex Pistols, the Clash, Patti Smith, the Fall (even Ghostface Killa), but he considers stupid rhymes, as well nonsense lyrics, chop logic, the uses and abuses of irony, country music macho, verbal howlers, how voices sound alike and why, and much more. In a way that no one else has ever done, with his usual encyclopedic insights into the state of the modern lyric, Theroux focuses on the state of language the power of words and the nature of syntax in The Grammar of Rock. He analyzes its assaults on listeners impulses by investigating singers styles, pondering illogical lunacies in lyrics, and deconstructing the nature of diction and presentation in the language. This is that rare book of discernment and probing wit (and not exclusively one that is a critical defense of quality) that positively evaluates the very nature of a pop song, and why one over another has an effect on the listener. Bookseller Inventory # POW9781606996164

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Book Description Fantagraphics. 1 Cloth(s), 2013. hard. Book Condition: New. The author of The Strange Case of Edward Gorey and The Enigma of Al Capp, as well as the novel Darconville's Cat—which Anthony Burgess deemed one of the 99 greatest postwar novels—Alexander Theroux here takes a delightfully waggish yet surprisingly in-depth look at the colorful language of pop lyrics and the realm of rock music in general. With due praise to masters like Ira Gershwin, Jimmy Van Heusen, Cole Porter, and Sammy Cahn—not to mention Hank Williams, Buck Ram, the Moody Blues, Randy Newman, Bob Dylan, Patti Smith, and the Beatles—he also considers the stupid rhymes, nonsense lyrics, chop logic, abuses of irony, country music macho, and verbal howlers that are pop's bread and butter."Alexander Theroux . is one of America's premier frotteurs, to use a French term the impeccable James Salter applies to someone who 'rubs words in his hand'."—NYTimes 345. Bookseller Inventory # 73357

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Book Description Fantagraphics, United States, 2013. Hardback. Book Condition: New. Language: English . This book usually ship within 10-15 business days and we will endeavor to dispatch orders quicker than this where possible. Brand New Book. National Book Award nominee, critic and one of America s least compromising satirists, Alexander Theroux takes a comprehensive look at the colorful language of pop lyrics and the realm of rock music in general in The Grammar of Rock silly song titles; maddening instrumentals; shrieking divas; clunker lines; the worst (and best) songs ever written; geniuses of the art; movie stars who should never have raised their voice in song but who were too shameless to refuse a mic; and the excesses of awful Christmas recordings. Praising (and critiquing) the gems of lyricists both highbrow and low, Theroux does due reverence to classic word-masters like Ira Gershwin, Jimmy Van Heusen, Cole Porter, and Sammy Cahn, lyricists as diverse as Hank Williams, Buck Ram, the Moody Blues, and Randy Newman, Dylan and the Beatles, of course, and more outre ones like the Sex Pistols, the Clash, Patti Smith, the Fall (even Ghostface Killa), but he considers stupid rhymes, as well nonsense lyrics, chop logic, the uses and abuses of irony, country music macho, verbal howlers, how voices sound alike and why, and much more. In a way that no one else has ever done, with his usual encyclopedic insights into the state of the modern lyric, Theroux focuses on the state of language the power of words and the nature of syntax in The Grammar of Rock. He analyzes its assaults on listeners impulses by investigating singers styles, pondering illogical lunacies in lyrics, and deconstructing the nature of diction and presentation in the language. This is that rare book of discernment and probing wit (and not exclusively one that is a critical defense of quality) that positively evaluates the very nature of a pop song, and why one over another has an effect on the listener. Bookseller Inventory # BZV9781606996164

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