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For a curious boy like Jess Hall, growing up in Marshall, North Carolina, means trouble when your mother catches you spying on grown-ups. Adventurous and precocious, Jess is very protective of his older brother, Christopher, a mute whom everyone calls Stump. Though their mother has warned them not to snoop, Stump can't help sneaking a look at something he's not supposed to -- an act that will have catastrophic repercussions, shattering both his world and Jess's.
It's a wrenching event that thrusts Jess into an adulthood for which he's not prepared. While there is much about the world that still confuses him, he now knows that this new understanding can bring both evil -- and the possibility of deliverance.
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Author One-on-One: Wiley Cash and Adriana Trigiani
Bestselling author Adriana Trigiani's most recent books include the novels The Shoemaker's Wife and Brava, Valentine She lives with her husband and daughter in Greenwich Village.
Adriana Trigiani: First and foremost I’d like to congratulate you on the success of your debut novel, A Land More Kind Than Home. As a writer, I know that inspiration can come from many different places— a quote, a childhood experience, the sky is the limit. What inspired you to write this novel?
Wiley Cash: Thanks, Adriana. I’d like to congratulate you on the success of The Shoemaker’s Wife. The inspiration for this novel kind of found me. In the fall of 2003 I left North Carolina and moved to Lafayette, Louisiana, to attend graduate school. One night, in a class on African-American literature, my professor brought in a news story about a young African-American boy with autism who was smothered in a healing service on the south side of Chicago. I found the story incredibly tragic, but I was also interested in a community of believers that would literally believe something to death. I felt compelled to tell this boy’s story and the story of the community surrounding him.
AT:Truth be told, I’m a big fan of the ’80s—big hair, some of the best music of all time—what’s not to like! Why did you choose to set your novel during this era? Do you see this particular time period as having an important resonance for contemporary America?
WC: The easiest answer is that Jess Hall, one of my three narrators, is nine years old in 1986. I was nine in 1986, and it was easy for me to remember how I viewed the world as a nine year old. But I soon realized that the ’80s were a very complicated decade, and I have clear memories of trying to make sense of a lot of the things that I was seeing and hearing at church, at school, and at home.
When I sat down to write A Land More Kind Than Home I recalled how things seemed in the church and in the community when I was a kid, and I balanced that seeming against the reality of being. This conflict between seeming and being—not just in churches but in families as well—is what drives much of the novel.
AT: One of the things I love most about this novel is that it’s told from very different perspectives—from a young boy to a woman in her eighties to a middle-aged sheriff. As readers can see from your author photo you don’t fit any of these criteria. Did you find it difficult to write from such different viewpoints?
WC: At first it was difficult to imagine the role each of these narrators would play in the novel. As I grew to know these characters better, I realized that each possessed a particular knowledge about the tragedy involving the young boy, and I understood that each of them viewed it from a very different perspective. This story belongs to the community, and I had to let the community tell it.
AT: I’m a huge fan of book clubs. In my mind, there’s nothing better than getting together to discuss your favorite book over a glass of wine. Are there any particular themes that book clubs might enjoy exploring in your book?
WC: I think book clubs are wonderful too, and there are a lot of issues in A Land More Kind Than Home for book clubs to discuss: the power of faith, community responsibility, family secrets, marriage and infidelity. A lot of book clubs have wanted to talk about the role of the boys’ mother in the novel: Was she a good mother who believed her son could be healed, or was she a bad mother who invited tragedy upon her family?From the Back Cover:
A stunning debut reminiscent of the beloved novels of John Hart and Tom Franklin, A Land More Kind Than Home is a mesmerizing literary thriller about the bond between two brothers and the evil they face in a small western North Carolina town
For a curious boy like Jess Hall, growing up in Marshall means trouble when your mother catches you spying on grown-ups. Adventurous and precocious, Jess is enormously protective of his older brother, Christopher, a mute whom everyone calls Stump. Though their mother has warned them not to snoop, Stump can't help sneaking a look at something he's not supposed to—an act that will have catastrophic repercussions, shattering both his world and Jess's. It's a wrenching event that thrusts Jess into an adulthood for which he's not prepared. While there is much about the world that still confuses him, he now knows that a new understanding can bring not only a growing danger and evil—but also the possibility of freedom and deliverance as well.
Told by three resonant and evocative characters—Jess; Adelaide Lyle, the town midwife and moral conscience; and Clem Barefield, a sheriff with his own painful past—A Land More Kind Than Home is a haunting tale of courage in the face of cruelty and the power of love to overcome the darkness that lives in us all. These are masterful portrayals, written with assurance and truth, and they show us the extraordinary promise of this remarkable first novel.
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Book Description Center Point Pub, 2012. Library Binding. Condition: New. Never used!. Seller Inventory # P111611734479
Book Description Center Point Pub. LIBRARY BINDING. Condition: New. 1611734479 New Condition. Seller Inventory # NEW7.1672614
Book Description Center Point Pub, 2012. Condition: New. book. Seller Inventory # M1611734479