This specific ISBN edition is currently not available.View all copies of this ISBN edition:
Very Good. See scans and description. Hornsby, Westfield, New South Wales, Australia: The Writer's Coffee Shop, 2011. First State of the First Edition, with no numeral on the spine and the lulu bar code number 90000 on the back cover. Octavo, wraps, cover illustrated from an art photo by "Papuga2006"; 372 numbered pages. About Very Good; this copy has been read. The cover corners are curling (see scan), and there is some spotting to the page fore-edge. The Bookmark is Near Fine, with a light crease near the bottom (scan). This is the extremely scarce first state of the first edition, with the equally scarce original WCS Fifty Shades of Grey bookmark that accompanied it. WCS copies dated in 2011 and with the lulu bar code number which do have a spine numeral "I" are also first editions, but a later state. This first state copy was produced before the fact of a future two titles, making a trilogy, was known; hence the roman numeral system (I, II, II) for the three titles was not in place. Note: while there are now hardcover editions available, some showing the original 2011 copyright year, these are all later versions. All first edition copies of any of the three titles were softcover (paperback), and were published by The Writer's Coffee Shop. L-35
"synopsis" may belong to another edition of this title.
E L James is a former television executive, wife and mother of two based in West London. Since early childhood she dreamed of writing stories that readers would fall in love with, but put those dreams on hold to focus on her family and her career. She finally plucked up the courage to put pen to paper with her first novel, Fifty Shades of Grey.Excerpt. © Reprinted by permission. All rights reserved.:
I scowl with frustration at myself in the mirror. Damn my hair—it just won’t behave, and damn Katherine Kavanagh for being ill and subjecting me to this ordeal. I should be studying for my final exams, which are next week, yet here I am trying to brush my hair into submission. I must not sleep with it wet. I must not sleep with it wet. Reciting this mantra several times, I attempt, once more, to bring it under control with the brush. I roll my eyes in exasperation and gaze at the pale, brown-haired girl with blue eyes too big for her face staring back at me, and give up. My only option is to restrain my wayward hair in a ponytail and hope that I look semi-presentable.
Kate is my roommate, and she has chosen today of all days to succumb to the flu. Therefore, she cannot attend the interview she’d arranged to do, with some mega-industrialist tycoon I’ve never heard of, for the student newspaper. So I have been volunteered. I have final exams to cram for and one essay to finish, and I’m supposed to be working this afternoon, but no—today I have to drive 165 miles to downtown Seattle in order to meet the enigmatic CEO of Grey Enterprises Holdings, Inc. As an exceptional entrepreneur and major benefactor of our university, his time is extraordinarily precious—much more precious than mine—but he has granted Kate an interview. A real coup, she tells me. Damn her extracurricular activities.
Kate is huddled on the couch in the living room.
“Ana, I’m sorry. It took me nine months to get this interview. It will take another six to reschedule, and we’ll both have graduated by then. As the editor, I can’t blow this off. Please,” Kate begs me in her rasping, sore throat voice. How does she do it? Even ill she looks gamine and gorgeous, strawberry blond hair in place and green eyes bright, although now red rimmed and runny. I ignore my pang of unwelcome sympathy.
“Of course I’ll go, Kate. You should get back to bed. Would you like some NyQuil or Tylenol?”
“NyQuil, please. Here are the questions and my digital recorder. Just press record here. Make notes, I’ll transcribe it all.”
“I know nothing about him,” I murmur, trying and failing to suppress my rising panic.
“The questions will see you through. Go. It’s a long drive. I don’t want you to be late.”
“Okay, I’m going. Get back to bed. I made you some soup to heat up later.” I stare at her fondly. Only for you, Kate, would I do this.
“I will. Good luck. And thanks, Ana—as usual, you’re my lifesaver.”
Gathering my backpack, I smile wryly at her, then head out the door to the car. I cannot believe I have let Kate talk me into this. But then Kate can talk anyone into anything. She’ll make an exceptional journalist. She’s articulate, strong, persuasive, argumentative, beautiful—and she’s my dearest, dearest friend.
The roads are clear as I set off from Vancouver, Washington, toward Interstate 5. It’s early, and I don’t have to be in Seattle until two this afternoon. Fortunately, Kate has lent me her sporty Mercedes CLK. I’m not sure Wanda, my old VW Beetle, would make the journey in time. Oh, the Merc is a fun drive, and the miles slip away as I hit the pedal to the metal.
My destination is the headquarters of Mr. Grey’s global enterprise. It’s a huge twenty-story office building, all curved glass and steel, an architect’s utilitarian fantasy, with GREY HOUSE written discreetly in steel over the glass front doors. It’s a quarter to two when I arrive, greatly relieved that I’m not late as I walk into the enormous—and frankly intimidating—glass, steel, and white sandstone lobby.
Behind the solid sandstone desk, a very attractive, groomed, blonde young woman smiles pleasantly at me. She’s wearing the sharpest charcoal suit jacket and white shirt I have ever seen. She looks immaculate.
“I’m here to see Mr. Grey. Anastasia Steele for Katherine Kavanagh.”
“Excuse me one moment, Miss Steele.” She arches her eyebrow as I stand self-consciously before her. I’m beginning to wish I’d borrowed one of Kate’s formal blazers rather than worn my navy-blue jacket. I have made an effort and worn my one and only skirt, my sensible brown knee-length boots, and a blue sweater. For me, this is smart. I tuck one of the escaped tendrils of my hair behind my ear as I pretend she doesn’t intimidate me.
“Miss Kavanagh is expected. Please sign in here, Miss Steele. You’ll want the last elevator on the right, press for the twentieth floor.” She smiles kindly at me, amused no doubt, as I sign in.
She hands me a security pass that has “visitor” very firmly stamped on the front. I can’t help my smirk. Surely it’s obvious that I’m just visiting. I don’t fit in here at all. Nothing changes. I inwardly sigh. Thanking her, I walk over to the bank of elevators and past the two security men who are both far more smartly dressed than I am in their well-cut black suits.
The elevator whisks me at terminal velocity to the twentieth floor. The doors slide open, and I’m in another large lobby—again all glass, steel, and white sandstone. I’m confronted by another desk of sandstone and another young blonde woman, this time dressed impeccably in black and white, who rises to greet me.
“Miss Steele, could you wait here, please?” She points to a seated area of white leather chairs.
Behind the leather chairs is a spacious glass-walled meeting room with an equally spacious dark wood table and at least twenty matching chairs around it. Beyond that, there is a floor-to-ceiling window with a view of the Seattle skyline that looks out through the city toward the Sound. It’s a stunning vista, and I’m momentarily paralyzed by the view. Wow.
I sit down, fish the questions from my backpack, and go through them, inwardly cursing Kate for not providing me with a brief biography. I know nothing about this man I’m about to interview. He could be ninety or he could be thirty. The uncertainty is galling, and my nerves resurface, making me fidget. I’ve never been comfortable with one-on-one interviews, preferring the anonymity of a group discussion where I can sit inconspicuously at the back of the room. To be honest, I prefer my own company, reading a classic British novel, curled up in a chair in the campus library. Not sitting twitching nervously in a colossal glass-and-stone edifice.
I roll my eyes at myself. Get a grip, Steele. Judging from the building, which is too clinical and modern, I guess Grey is in his forties: fit, tanned, and fair-haired to match the rest of the personnel.
Another elegant, flawlessly dressed blonde comes out of a large door to the right. What is it with all the immaculate blondes? It’s like Stepford here. Taking a deep breath, I stand up.
“Miss Steele?” the latest blonde asks.
“Yes,” I croak, and clear my throat. “Yes.” There, that sounded more confident.
“Mr. Grey will see you in a moment. May I take your jacket?”
“Oh, please.” I struggle out of the jacket.
“Have you been offered any refreshment?”
“Um—no.” Oh dear, is Blonde Number One in trouble?
Blonde Number Two frowns and eyes the young woman at the desk.
“Would you like tea, coffee, water?” she asks, turning her attention back to me.
“A glass of water. Thank you,” I murmur.
“Olivia, please fetch Miss Steele a glass of water.” Her voice is stern. Olivia scoots up and scurries to a door on the other side of the foyer.
“My apologies, Miss Steele, Olivia is our new intern. Please be seated. Mr. Grey will be another five minutes.”
Olivia returns with a glass of iced water.
“Here you go, Miss Steele.”
Blonde Number Two marches over to the large desk, her heels clicking and echoing on the sandstone floor. She sits down, and they both continue their work.
Perhaps Mr. Grey insists on all his employees being blonde. I’m wondering idly if that’s legal, when the office door opens and a tall, elegantly dressed, attractive African American man with short dreads exits. I have definitely worn the wrong clothes.
He turns and says through the door, “Golf this week, Grey?”
I don’t hear the reply. He turns, sees me, and smiles, his dark eyes crinkling at the corners. Olivia has jumped up and called the elevator. She seems to excel at jumping from her seat. She’s more nervous than me!
“Good afternoon, ladies,” he says as he departs through the sliding door.
“Mr. Grey will see you now, Miss Steele. Do go through,” Blonde Number Two says. I stand rather shakily, trying to suppress my nerves. Gathering up my backpack, I abandon my glass of water and make my way to the partially open door.
“You don’t need to knock—just go in.” She smiles kindly.
I push open the door and stumble through, tripping over my own feet and falling headfirst into the office.
Double crap—me and my two left feet! I am on my hands and knees in the doorway to Mr. Grey’s office, and gentle hands are around me, helping me to stand. I am so embarrassed, damn my clumsiness. I have to steel myself to glance up. Holy cow—he’s so young.
“Miss Kavanagh.” He extends a long-fingered hand to me once I’m upright. “I’m Christian Grey. Are you all right? Would you like to sit?”
So young—and attractive, very attractive. He’s tall, dressed in a fine gray suit, white shirt, and black tie with unruly dark copper-colored hair and intense, bright gray eyes that regard me shrewdly. It takes a moment for me to find my voice.
“Um. Actually—” I mutter. If this guy is over thirty, then I’m a monkey’s uncle. In a daze, I place my hand in his and we shake. As our fingers touch, I feel an odd exhilarating shiver run through me. I withdraw my hand hastily, embarrassed. Must be static. I blink rapidly, my eyelids matching my heart rate.
“Miss Kavanagh is indisposed, so she sent me. I hope you don’t mind, Mr. Grey.”
“And you are?” His voice is warm, possibly amused, but it’s difficult to tell from his impassive expression. He looks mildly interested but, above all, polite.
“Anastasia Steele. I’m studying English literature with Kate, um . . . Katherine . . . um . . . Miss Kavanagh, at WSU Vancouver.”
“I see,” he says simply. I think I see the ghost of a smile in his expression, but I’m not sure.
“Would you like to sit?” He waves me toward an L-shaped white leather couch.
His office is way too big for just one man. In front of the floor-to-ceiling windows, there’s a modern dark wood desk that six people could comfortably eat around. It matches the coffee table by the couch. Everything else is white—ceiling, floors, and walls, except for the wall by the door, where a mosaic of small paintings hang, thirty-six of them arranged in a square. They are exquisite—a series of mundane, forgotten objects painted in such precise detail they look like photographs. Displayed together, they are breathtaking.
“A local artist. Trouton,” says Grey when he catches my gaze.
“They’re lovely. Raising the ordinary to extraordinary,” I murmur, distracted both by him and the paintings. He cocks his head to one side and regards me intently.
“I couldn’t agree more, Miss Steele,” he replies, his voice soft, and for some inexplicable reason I find myself blushing.
Apart from the paintings, the rest of the office is cold, clean, and clinical. I wonder if it reflects the personality of the Adonis who sinks gracefully into one of the white leather chairs opposite me. I shake my head, disturbed at the direction of my thoughts, and retrieve Kate’s questions from my backpack. Next, I set up the digital recorder and am all fingers and thumbs, dropping it twice on the coffee table in front of me. Mr. Grey says nothing, waiting patiently—I hope—as I become increasingly embarrassed and flustered. When I pluck up the courage to look at him, he’s watching me, one hand relaxed in his lap and the other cupping his chin and trailing his long index finger across his lips. I think he’s trying to suppress a smile.
“S-sorry,” I stutter. “I’m not used to this.”
“Take all the time you need, Miss Steele,” he says.
“Do you mind if I record your answers?”
“After you’ve taken so much trouble to set up the recorder, you ask me now?”
I flush. He’s teasing me? I hope. I blink at him, unsure what to say, and I think he takes pity on me because he relents. “No, I don’t mind.”
“Did Kate, I mean, Miss Kavanagh, explain what the interview was for?”
“Yes. To appear in the graduation issue of the student newspaper as I shall be conferring the degrees at this year’s graduation ceremony.”
Oh! This is news to me, and I’m temporarily preoccupied by the thought that someone not much older than me—okay, maybe six years or so, and okay, mega-successful, but still—is going to present me with my degree. I frown, dragging my wayward attention back to the task at hand.
“Good.” I swallow nervously. “I have some questions, Mr. Grey.” I smooth a stray lock of hair behind my ear.
“I thought you might,” he says, deadpan. He’s laughing at me. My cheeks heat at the realization, and I sit up and square my shoulders in an attempt to look taller and more intimidating. Pressing the start button on the recorder, I try to look professional.
“You’re very young to have amassed such an empire. To what do you owe your success?” I glance up at him. His smile is rueful, but he looks vaguely disappointed.
“Business is all about people, Miss Steele, and I’m very good at judging people. I know how they tick, what makes them flourish, what doesn’t, what inspires them, and how to incentivize them. I employ an exceptional team, and I reward them well.” He pauses and fixes me with his gray stare. “My belief is to achieve success in any scheme one has to make oneself master of that scheme, know it inside and out, know every detail. I work hard, very hard to do that. I make decisions based on logic and facts. I have a natural gut instinct that can spot and nurture a good solid idea and good people. The bottom line is it’s always down to good people.”
“Maybe you’re just lucky.” This isn’t on Kate’s list—but he’s so arrogant. His eyes flare momentarily in surprise.
“I don’t subscribe to luck or chance, Miss Steele. The harder I work the more luck I seem to have. It really is all about having the right people on your team and directing their energies accordingly. I think it was Harvey Firestone who said, ‘The growth and development of people is the highest calling of leadership.’ ”
“You sound like a control freak.” The words are out of my mouth before I can stop ...
"About this title" may belong to another edition of this title.
Book Description The Writer's Coffee Shop, 2011. Condition: New. book. Seller Inventory # M1612130283
Book Description The Writer's Coffee Shop. PRINT ON DEMAND (PAPER ... Condition: New. 1612130283 Please allow 4 - 14 business days for Standard shipping, within the US. Seller Inventory # XM-1612130283
Book Description The Writer's Coffee Shop, 2011. Paperback. Condition: New. First Edition - may be Reissue. Ships with Tracking Number! INTERNATIONAL WORLDWIDE Shipping available. Buy with confidence, excellent customer service!. Seller Inventory # 1612130283n
Book Description The Writer's Coffee Shop, 2011. Soft cover. Condition: New. Dreamstime and Jennifer McGuire (illustrator). 1st Edition. The Writer's Coffee Shop, 2011. First Edition, the Hill Print Solutions print run - the rough analog of "third printing" of the first edition. Octavo (9" x 6"), photo-pictorial wraps designed by Jennifer McGuire and executed by Dreamstime, 372 pp. New. Faint spotting, as produced and shipped (all Hill copies of FSG I've personally seen have this issue; Hill copies are also iridescent under a scanner lamp, and images must be descreened), and lower left rear cover corner slightly pushed, also as originally shipped. Otherwise, Fine. New and never read. See scans. The memorable Fifty Shades of Grey started as an self-promoted book submitted to The Writer's Coffee Shop in2011. TWCS then contracted with Lulu Self-Publishing (for printing) and Lightning Source (for distribution) to fulfill a growing international wait list of hardcopy requests, then in January of 2012 with Hill Print Solutions to handle USA print-after-order requests; from January to May of 2012 (Random House acquired the rights in May), Hill printed 3,500 copies of Fifty Shades of Grey, 2,000 copies of Fifty Shades Darker, and 3,000 copies of Fifty Shades Freed. Some Hill copies of the first two titles are nevertheless dated 2011 (such as this one); the rest are dated 2012. The very first Lulu copies (of this title only - not the latter two in the trilogy) lacked a roman numeral at the top of the spine, apparently because it had not yet been decided that there would be a trilogy. All later copies of Fifty Shades of Grey, by Lulu OR Hill, as well as all copies of the second and third titles, have the respective roman numerals I, II, and II at the top of the spine. The number of copies of Fifty Shades of Grey lacking the roman numeral is unavailable information, but it is a very small number. All Lulu copies have the number 90000 above the bar code area on the back cover (though, to add to the collectible varieties, there are apparently a long-text rear cover and a short-text rear cover of these 2nd state Lulus; priority unknown, but short-text would most nearly - not exactly - match the true first state rear cover); all Hill copies have the number 51999 in that location. Hence, with regard to the Fifty Shades of Grey title, the Lulu copies with no roman numeral on the spine are the first printing of the first edition; the Lulu copies WITH a roman numeral can be thought of as the second printing; the 2011 Hill copies dated 2011 can be termed the third printing, and the Hill copies dated 2012, the fourth printing. Because printing was print-after-order, and done in response to wait lists of unknown size and growth rate, there may have been some Hill copies physically printed before some later Lulu copies; we'll almost certainly never know. This is the paperback, print-after-order world, and it's just different. It's certainly very rare for such a title to become the phenomenon this one has for collectors and the general public. Nevertheless, the above chronology is reasonable and based on statements from the principals - and it gives collectors four different forms of the first edition to collect. The Random House edition, then, is the second edition (Hill Print Solutions was just a subcontracted American printer for TWCS' first edition). This copy is a Hill copy, dated 2011, hence a third printing of the first edition. Yes, some early Lulu copies of all three titles were accompanied by black TWCS bookmarks bearing the respective titles, the number of these being apparently unknown. Also, some copies do refer to having been printed in Lexington, KY - number also unknown. Note: while there are now hardcover editions available, some showing the original 2011 copyright year, these are all later versions. All first edition copies of any of the three titles were softcover (paperback), and were published by The WCS. L47n. Seller Inventory # 001430