A collection from celebrated poet Martha Ronk considering the relationship between person, body, and place.
The Place One Is explores the intersection of person and place, the ways in which changes in the tangible world alter one’s vision, bodily posture, vocabulary, and concern for—to take one example—the dwindling water supply in California. The body’s position, its geometry, and the topography of the surrounding land become less and less recognizable as body and world blend together. Gravel giving way underfoot mirrors the way that words dissolve into mumbles, and the skeleton of a rusty car on the sand appears like one’s own skeleton. Ronk shows that disintegration here is disintegration there. These poems also wonder at interdependence, considering how lines intersect and continue to connect us to the sea—and to islands, lagoons, greenery, sky, and space.
In the first part of the collection, the poems focus on a rural landscape, and in the second part, they consider the overly bright urban world of Los Angeles.
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Martha Ronk is the author of thirteen books of poetry, a memoir, and a collection of short stories, Glass Grapes. Her books include The Place One Is, A Myth of Ariadne, Silences, Ocular Proof, Transfer of Qualities (longlisted for the National Book Award), and in a landscape of having to repeat. Her work has been included in the anthologies Lyric Postmodernisms, American Hybrid, Not for Mothers Only, and most recently in North American Women Poets in the 21st Century. She is the emeritus Irma and Jay Price Professor of English at Occidental College in Los Angeles.
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Paperback. Condition: new. Paperback. A collection from celebrated poet Martha Ronk considering the relationship between person, body, and place. The Place One Is explores the intersection of person and place, the ways in which changes in the tangible world alter ones vision, bodily posture, vocabulary, and concern forto take one examplethe dwindling water supply in California. The bodys position, its geometry, and the topography of the surrounding land become less and less recognizable as body and world blend together. Gravel giving way underfoot mirrors the way that words dissolve into mumbles, and the skeleton of a rusty car on the sand appears like ones own skeleton. Ronk shows that disintegration here is disintegration there. These poems also wonder at interdependence, considering how lines intersect and continue to connect us to the seaand to islands, lagoons, greenery, sky, and space. In the first part of the collection, the poems focus on a rural landscape, and in the second part, they consider the overly bright urban world of Los Angeles. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9781632431035