How does the cosmos do something it has long been thought that only gods could achieve? How does an inanimate universe generate stunning new forms and unbelievable new powers without a Creator? How does the cosmos create? That's the central question of a book that in its original edition was called profound, extraordinary, provocative, mind-bending, and daring.Author Howard Bloom takes you on a scientific expedition into the secret heart of a cosmos you've never seen. Not just any cosmos. An electrifyingly inventive cosmos. An obsessive-compulsive cosmos. A driven, ambitious cosmos. A cosmos of colossal shocks. A cosmos of screaming, stunning surprise. A cosmos that breaks five of science's most sacred laws. Yes, five.At the end of this intellectual thrill-ride is a whole new theory of the beginning, middle, and end of the universe-the Bloom toroidal model, also known as the big bagel theory-which explains two of the biggest mysteries in physics: dark energy and why, if antimatter and matter are created in equal amounts, there is so little antimatter in this universe.Called "truly awesome" by Nobel Prize-winner Dudley Herschbach, this paperback edition of The God Problem will pull you in with the irresistible attraction of a black hole and spit you out again enlightened with the force of a big bang. Be prepared to have your mind blown.
"synopsis" may belong to another edition of this title.
There's a secret hidden in a mathematical nugget called Peano's Axioms. Is Peano 's mystery the key to the cosmos?The God Problem tackles the question of how a godless cosmos creates; of how a universe without a bearded and bathrobed god in the sky pulls off acts of genesis. And it pursues the riddles behind five mildly flabbergasting heresies:
God's war crimes, Aristotle's sneaky tricks, Galileo's creationism, Newton's intelligent design, entropy's errors, Einstein's pajamas, John Conway's game of loneliness, Information Theory's blind spot, Stephen Wolfram's New Kind Of Science, and six monkeys at six typewriters getting it wrong. What do these have to do with the birth of a universe and with your need for meaning? Everything, as you're about to see.How does the cosmos do something it has long been thought that only gods could achieve? How does an inanimate universe generate stunning new forms and unbelievable new powers without a creator? How does the cosmos create? That's the central question of The God Problem."Enthralling. Astonishing. Written with the panache of the Great Blondin turning somersaults on the rope above Niagara. Profound, extraordinarily eclectic, and crazy. The most exciting cliffhanger of a book I can remember reading." James Burke, creator and host of seven BBC TV series, including Connections"Bloom, with his 'heresies,' penetrates the very foundations of rationality and deconstructs Western consensus reality. The God Problem is the next paradigm. It doesn't take you down the proverbial "rabbit hole" -- it will take you to a place from which you will never re-emerge, a brand new universe in the same skin as the one you now unknowingly inhabit."--Heinz Insu Fenkl, director of ISIS: The Interstitial Studies Institute at SUNY, New Paltz; a Barnes and Noble "Great New Writer" and Pen/Hemingway finalist.* "A great book. Deep, provocative, spectacularly well written." Robert Sapolsky, Stanford U, MacArthur Genius Award winner, author of Why Zebras Don't Get Ulcers* "Strong. Like a STEAM ROLLER. Impressive. Great." Richard Foreman, founder, Ontological-Hysteric Theater, MacArthur Genius Award-Winner* "Great literature." Edgar Mitchell, sixth astronaut on the moon* "Incandescent...shakes out like shining from shook foil and oozes to a greatness," George Gilder, author of Wealth and Poverty, winner of the White House Award for Entrepreneurial Excellence* "Mind-bending." Charles Siebert, contributing writer, New York Times Sunday Magazine* "Is The God Problem a great book like Darwin's The Origin Of Species, Lyell's Principles Of Geology, or Newton's Principia Mathematica?" Dan Schneider, Cosmoetica.com, the man Roger Ebert calls the "ideal critic."* "Bloody Hell... What a truly extraordinary book. I'm gob-smacked." Francis Pryor, President of the Council for British Archaeology, author, Britain BC* "A cave of wonders," Robin Fox, former director of research for the H. F. Guggenheim Foundation * "Utterly extraordinary." Matt Thorne, winner of the Encore Award, longlisted for the Booker Prize * "Thrilling." Hector Zenil, Institut d'Histoire et de Philosophie des Sciences et des Technique* "The most thrilling thinking matter of our time." Pascal Jouxtel, author of Comment les systèmes pondent, une introduction à la mémétique* "The ultimate scientific detective story." Mark Lamonica, winner, Southern California Booksellers Association Nonfiction Award * "A page-turner.'" Walter Putnam, 30-year Associated Press veteran. * "An ebullient, enthralling piece of intellectual detective work." Alex Wright, Director of User Experience and Product Research, New York Times, author, Glut: Mastering Information Through the Ages* "Profound and extraordinary." Yuri Ozhigov, Moscow State University* "Absolutely sparkling with ideas." David Christian, founder, International Big History Association.* "An enjoyment shot through with things you never knew." Allen Johnson, Ex-chair, department of anthropology, UCLA* "Infectious." Mark Lupisella, NASA Goddard Space Flight Center* "The central illuminations glow." Robert B. Cialdini, Arizona State University, Author of Influence, the most cited social psychologist in the world today* "Exalted! Glorious! Astounding." Nancy Weber, author of 22 books including The Life Swap* "An entire paradigm shift!" David Tamm, author, Tsiolkovsky's Imperative* "What James Joyce's Ulysses might have been like had he written about science. Don't let anyone undersell this." Steve Hovland, video maker* "Genius." Jean Paul Baquiast Institut d'Etudes Politiques de Paris
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