Finalist for the 2024 National Book Award for Poetry
Winner of the 2024 Jackson Poetry Prize
A Reading the West Book Award Finalist
From one of our most acclaimed contemporary writers, an urgent and essential collection of poems illuminating the visionary presence of Palestinians.
Fady Joudah’s powerful sixth collection of poems opens with, “I am unfinished business,” articulating the ongoing pathos of the Palestinian people. A rendering of Joudah’s survivance, [...] speaks to Palestine’s daily and historic erasure and insists on presence inside and outside the ancestral land.
Responding to the unspeakable in real time, Joudah offers multiple ways of seeing the world through a Palestinian lens—a world filled with ordinary desires, no matter how grand or tragic the details may be—and asks their reader to be changed by them. The sequences are meditations on a carousel: the past returns as the future is foretold. But “Repetition won’t guarantee wisdom,” Joudah writes, demanding that we resuscitate language “before [our] wisdom is an echo.” These poems of urgency and care sing powerfully through a combination of intimate clarity and great dilations of scale, sending the reader on heartrending spins through echelons of time. […] is a wonder. Joudah reminds us “Wonder belongs to all.”
"synopsis" may belong to another edition of this title.
Fady Joudah is the author of […]. He has also published six collections of poems: The Earth in the Attic; Alight; Textu, a book-long sequence of short poems whose meter is based on cellphone character count; Footnotes in the Order of Disappearance; and Tethered to Stars. He has translated several collections of poetry from the Arabic and is the co-editor and co-founder of the Etel Adnan Poetry Prize. Winner of the Yale Younger Poets Prize, he has received the Jackson Poetry Prize, a PEN award, a Banipal/Times Literary Supplement prize from the UK, the Griffin Poetry Prize, a Guggenheim Fellowship, Arab American Book Award, the Lenore Marshall Prize, and the American Book Award. He lives in Houston, with his wife and kids, where he practices internal medicine.
[...]
I am unfinished business.
The business that did not finish me
or my parents
won’t leave my children
in peace. In my right hand,
a paper. In my left, a feather.
To toss, to quill, to meet
my terminal velocity.
I forget Palestine
has a kind way of remembering
those who mark it for slaughter,
and those it marks for life.
I write for the future
because my present is demolished.
I fly to the future
to retrieve my demolished present
as a legible past. To see
what isn’t hard to see
in a world that doesn’t.
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