Jordan Wellington Lint, fifty-one, is chief executive officer of Lint Financial Products, a company he began serving in 1985 as assistant and adviser before working his way up its corporate ladder to record-setting innovation in the fields of finance and high-yield investment. In his seven years as the head of Lint, Jordan has grown the company from a business lender and real estate speculator to a leading provider of network financial infrastructure services, all the while positioning Lint as a model of corporate integrity and high-yield, low-risk product. Lint's vision has made him one of the most influential and widely sought-after leaders in the complex Omaha securities industry, and his fresh approach to an understanding of local problems, leadership, and determination have enabled Lint to outdistance and outpace its competitors.
Lint graduated from UNL in 1981 with a B.A. in business and briefly studied music and recording in Los Angeles before returning to his hometown of Omaha, Nebraska, where he has continued his life journey ever since. In his ongoing role as chief executive officer and his dual roles as public servant and father, Lint continues to put his creative leadership and vision to work in a variety of challenging settings. He is married and the father of two boys.
The ACME Novelty Library #20 comprises a contributing chapter to cartoonist ChrisWare's gradual accretion of the ongoing graphic novel experiment "Rusty Brown".
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Chris Ware lives in Oak Park, Illinois, and is the author of Jimmy Corrigan: The Smartest Kid on Earth, which was recently selected as one of the hundred best books of the decade by the London Times. He is an irregular contributor to The New Yorker.
*Starred Review* The latest entry in Ware’s roughly annual Acme Novelty Library is devoted to a heretofore peripheral figure in his ongoing “Rusty Bown” saga, Jordan Lint, who appeared briefly in earlier installments as a school bully. Here Ware chronicles nothing less than Lint’s entire life in a series of single-page vignettes, from a newborn who sees the world in the form of benday dots to his troubled childhood, stormy adolescence, and failures as husband, father, and businessman, right up to his eventual death. Ware uses a wide palette of graphic devices—isolated words, symbolic objects, and near-subliminal flashbacks—to convey Lint’s inner thoughts and hidden turmoil. The assertive Lint seems a departure from Ware’s typically hapless and passive protagonists, but he shares many of their traits, from a damaging early trauma to a near-spiritual attachment to a childhood home. And Ware’s formal mastery of the medium continues to astonish. While he uses his characteristic techniques—meticulous drawing; tiny, repetitive panels ingeniously juxtaposed; creative typography—to brilliant effect, here he adds to his arsenal with a powerful sequence depicting a harrowing experience that happened to Lint’s son, rendered in a primitive scrawl that’s all the more powerful for its radical break with Ware’s usual detached approach. --Gordon Flagg
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