SHORTLISTED FOR THE 2010 MAN BOOKER PRIZE SHORTLISTED FOR THE 2010 ROYAL SOCIETY OF LITERATURE ONDAATJE PRIZE A young man takes three journeys, through Greece, India and Africa. He travels with little purpose, letting the chance encounters of the road dictate his path. But although he knows that he is drifting, he is unable to settle. It is as if, without these encounters, the person he is cannot exist. And yet each journey ends in disaster. A novel of longing and thwarted desire, rage and compassion, In a Strange Room is an extraordinary evocation of one man's search for love, and a place to call home.
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Damon Galgut was born in Pretoria in 1963. He wrote his first novel, A Sinless Season, when he was seventeen. His other books include Small Circle of Beings, The Beautiful Screaming of Pigs, The Quarry, The Good Doctor, The Impostor and In A Strange Room. The Good Doctor was shortlisted for the Man Booker Prize, the Commonwealth Writers' Prize and the Dublin/IMPAC Award, The Impostor was also shortlisted for the Commonwealth Writers' Prize and In a Strange Room was shortlisted for the Man Booker Prize. He lives in Cape Town.
Starred Review. There's a lot of travel in Booker Prize finalist Galgut's (The Good Doctor) new novel, but he's more interested in depicting the randomness, heightened sensitivity, dread, and possibility that come from unfamiliar places than in seeing the sights. A South African man travels in Greece, Lesotho, Zimbabwe, Malawi, Tanzania, and India, forming the complicated, tenuous relationships that provide the book's three sections titles (Follower; Lover; Guardian). This character, who bears the author's name and seems to share his history, is both "he" and "I." Though these shifts can occur in the space of a sentence, they're surprisingly easy to accept, and attentive readers will get a subtle, frank depiction of some of the problems of writing; "he" seems to be Galgut, but often experiences himself as divided, uncertain, and blurry as a fictional character evading his creator, "I" often steps in to remind us of the limits of memory and the artificiality of genre distinctions. At its best Galgut's tale has the feel of arriving in a destination you'd never planned to go. It's not always pleasant, but it's strangely fascinating.
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