A full account of the making, during1909-10, of Der Rosenkavalier with emphasis on its derivation from a French operette of 1907, L'Ingenu libertin, which was seen in Paris by Count Harry Kessler and which formed thebasis of the opera then to be written by Hofmannsthal and Strauss. Previous scholarship has credited the narrative and characters of Der Rosenkavalier to much older French sources known to, and studied by Hofmannsthal, but this book shows clearly how every element in L'Ingenu libertin is in fact taken (and transformed) by Kessler and Hofmannsthal into the work that made fortunes for Hofmannsthal and Strauss, but left Kessler on the sidelines. Michael Reynolds casts a major new light on Strauss's most popular operatic success, highlighting in particular how it was that Hofmannsthal - who had not until then had any theatrical success as an original playwright - was advised and empowered by Kessler to produce a work that succeeded onstage from its very first performance and went rapidly on to conquer the stages of the world.
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Major General Michael Reynolds CB joined the British Army in 1948, and was commissioned into the Queens Royal Regiment in 1950. In the course of a long and distinguished career, he served in Korea, where he was severely wounded, Northern Ireland and West Germany. On promotion to Major General he assumed command of NATO's Allied Command Europe Mobile Force (Land). In retirement, he became guest speaker on British Army and NATO battlefield tours in the Ardennes, publishing a number of detailed histories on World War 2 operations in Europe. He died in 2015.
Reynolds's book will reward both scholars and opera-lovers who will are interested in Der Rosenkavalier's co-creators or are fascinated by collaboration and the creative process. MUSIC LIBRARY ASSOCIATION NOTES The 'Preface' to Michael Reynolds's charming book begins with a pithy statement: 'This is a book about creation, authorship and relationships'. Thus, in a nutshell, he lays out succinctly the course his monograph takes from uncovering a largely overlooked backstory to the creation of one of the most successful operas of the twentieth century. He presents a detailed account of the nature and origins of its authorship via a considered and sensitively pitched examination of the artistic relationships that underpinned it. MUSIC AND LETTERS If you love Der Rosenkavalier, Reynolds' book is essential-and fascinating-reading. Exoticandirrational Blog
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Hardcover. Condition: Fine. First Edition. Hardback. 8vo. Illustrated laminated boards. Issued without dust jacket. A full account of the making, during 1909-10, of 'Der Rosenkavalier' with emphasis on its derivation from a French operette of 1907, 'L'inge_nu libertin', which was seen in Paris by Count Harry Kessler and which formed the basis of the opera then to be written by Hofmannsthal and Strauss. Previous scholarship has credited the narrative and characters of 'Der Rosenkavalier' to much older French sources known to and studied by Hofmannsthal, but this book shows clearly how every element in 'L'ingnu libertin' is in fact taken (and transformed) by Kessler and Hofmannsthal into the work that made fortunes for Hofmannsthal and Strauss, but left Kessler on the sidelines. ISBN: 1783270497 Pages: 263 Fine.n. Seller Inventory # C95307
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Hardcover. Condition: Very Good. Signed and dedicated by author on title page. Inscription on front free end paper. Book is in Very Good condition save for minor bumps and scuffing on the hard board edges, and a few surface area scratch marks on the front and reverse board. Harry Kessler played a decisive role in creating all the theatrical elements that inspired Strauss to some unforgettable music - the meeting between Sophie and Octavian, the glorious resolution of the triangular relationship that brings the opera to its richly satisfying close. Kessler's source was an operette, long forgotten, that he had seen in Paris. He was inspired to think that the characters ad situations in this piece could be turned into something incomparably better by his friend Hugo von Hofmannsthal, and by Strauss. Signed by Author(s). Seller Inventory # 036892
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