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Synopsis
Key discussions on environmental sustainability and global justice specific to Caribbean concerns.
The patchwork is an apt metaphor for the Caribbean, foregrounding the process of Caribbean societies forging identity and identities out of the plural and sometimes conflicting groups that call the region home. Within the metaphor of the patchwork, however, a question arises: where are the vernacular needlework artists within the visual art tradition of the Caribbean?
This book’s introduction sets out to answer this question, and several common themes flow through the ensuing essays and in-depth interviews. Topics explored include issues of land and colonization, long-held perceptions of what the Caribbean is thought to be, and open-ended art-making as opposed to expressing fidelity to a particular medium. The book further explores ecological concerns and questions of sustainability, how the practices of the artists and their art defy the easy categorization of the region, and the placement of women in the visual art ecology of the Caribbean. The latter is one of the most contested areas of the book. Readers will come away with the sense that questions of race, color, and class loom large within questions of gender, particularly in the Jamaican art scene. The book aims to insert vernacular needleworkers into the visual art scene in both Jamaica and the larger Caribbean.
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About the Author
Jacqueline Bishop is a writer, visual artist, and scholar. From Jamaica, she now lives in the United States, where she is professor in the School of Liberal Studies at New York University.
"About this title" may belong to another edition of this title.
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Patchwork: Essays & Interviews on Caribbean Visual Culture
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Patchwork: Essays & Interviews on Caribbean Visual Culture
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Patchwork: Essays & Interviews on Caribbean Visual Culture
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Patchwork : Essays & Interviews on Caribbean Visual Culture
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Patchwork : Essays & Interviews on Caribbean Visual Culture
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Patchwork Format: Paperback
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Patchwork
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Patchwork (Paperback)
Seller: Grand Eagle Retail, Mason, OH, U.S.A.
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Paperback. Condition: new. Paperback. Key discussions on environmental sustainability and global justice specific to Caribbean concerns. The patchwork is an apt metaphor for the Caribbean, foregrounding the process of Caribbean societies forging identity and identities out of the plural and sometimes conflicting groups that call the region home. Within the metaphor of the patchwork, however, a question arises: where are the vernacular needlework artists within the visual art tradition of the Caribbean? This books introduction sets out to answer this question, and several common themes flow through the ensuing essays and in-depth interviews. Topics explored include issues of land and colonization, long-held perceptions of what the Caribbean is thought to be, and open-ended art-making as opposed to expressing fidelity to a particular medium. The book further explores ecological concerns and questions of sustainability, how the practices of the artists and their art defy the easy categorization of the region, and the placement of women in the visual art ecology of the Caribbean. The latter is one of the most contested areas of the book. Readers will come away with the sense that questions of race, color, and class loom large within questions of gender, particularly in the Jamaican art scene. The book aims to insert vernacular needleworkers into the visual art scene in both Jamaica and the larger Caribbean. Essays about and interviews with contemporary caribbean writers, scholars and curators. Includes work by trained visual artists and vernacular artists with emphasis on the works of vernacular decorative and ornamental needle workers. Speaks to both indigenous traditions of the region and more globalised contemporary expressions. 27 col, 2b/w illus. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9781789386462
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Patchwork
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Patchwork
Seller: Rarewaves.com USA, London, LONDO, United Kingdom
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Paperback. Condition: New. The patchwork is an apt metaphor for the region not only because of its colourfulness and the making of something whole out of fragments but as an attempt to make coherence out of disorder. The seeking of coherence was the exact process of putting together this book and foregrounds the process of Caribbean societies forging identity and identities out of plural and at times conflicting and contested groups that came to call the region home.Within the metaphor of the patchwork however is the question, where are the vernacular needlework artists within the visual art tradition of the Caribbean? The introduction sets out to both clarify and rectify this situation, and several common themes flow through the following essays and interviews. Themes include that that the land and colonization remain baseline issues for several Caribbean artists who stage and restage the history of conquest and empire in varying ways. That artists in the region amalgamate as part of their practice and seem to prefer an open-endedness to art making as opposed to expressing fidelity to a particular medium. That artists and scholars alike are dismantling long-held perceptions of what Caribbean art is thought to be, and are challenging boundaries in Caribbean art. These are among the issues addressed in the book as it looks at ecological concerns and questions of sustainability, how the practices of the artists and their art defy the easy categorization of the region, and the placement of women in the visual art ecology of the Caribbean. The latter is one of the most contested areas of the book. Readers should come away with the sense that questions of race, colour, and class loom large within questions of gender in the Jamaican art scene and that the book, dedicated to Sane Mae Dunkley, aims to insert vernacular needleworkers into the visual art scene in both Jamaica and the larger Caribbean.Audience will include researchers and scholars of Caribbean and African diasporic art, college students, those interested in post-colonial studies, Caribbean artists, art professionals interested in a wider, globalized view of contemporary art; students curious to know about the many phases of art production throughout the Caribbean. General readers interested in the culture of the region. Seller Inventory # LU-9781789386462
Quantity: 5 available