A funny, sad-eyed, deliciously entertaining novel about a woman caught in a tug of war between real life and the films of the past. Inflamed by the movies she was deprived of as a child, Harriet Browning forms a Friday-night movie club with three companions-of-the-screen: a boy who loves Frank Sinatra, a girl with Bette Davis eyes, and an earthy sidekick named after Dinah Shore.
Into this idiosyncratic world, in time with the devastating ice storm of 1998, come two refugees from Hollywood: Harriet’s Aunt Leah, the jaded widow of a screenwriter blacklisted in the 1950s, and her sardonic, often overbearing stepson, Jack. They bring harsh reality and illuminate the pull of family and friendship, the sting of infidelity and revenge, the shock of illness and sudden loss. Poignant, brilliant, and delightfully droll, Garbo Laughsreveals how the dramas of everyday life are sometimes the most astonishing of all.
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“Garbo, Brando, Sean Connery… the stars are out in one Ottawa home that’s experiencing video heaven.… A sparkling demonstration of Hollywood’s hold on our fantasies – and its awkward fit with our earthbound selves.”
– Kirkus Reviews (starred review)
“This rich, lovely novel makes us think about the ambivalences and contradictions of relationships and the patience of love, and see in a new way the shape of a fern frond. It also makes us want to reread Jane Austen and to find out whether the video store has a copy of Rear Window or Singing in the Rain.”
– Quill & Quire (starred review)
“I loved it. I don’t think I’ve ever read anything quite like it. All the details are so right – about the time, about the characters. It was like reading Cat’s Eye by Margaret Atwood (one of my favorite books) or Empire Falls by Richard Russo, where you marvel about the confidence and exactness the author has for place and people. The characterization of Harriet and Ken is wonderful and rich. The way their passion for movies is tied into the plot is amazing. (I’ve resolved to go rent some of the ones they were so absorbed by, many of which I’ve seen before, just because they gave me a different way of looking at them.) And then I cried for about the last 25 pages. Who could ask more from a book? I think it’s an extraordinary book – one of those extremely intelligent books that just bowl you over with a great narrative and the obvious warmth the author feels for her characters.”
–Pauline Ziniker, Bookseller, Country Bookshelf
“I want to nominate Garbo Laughs by Elizabeth Hay for BookSense for October. She is a wonderful writer with a rich prose style and I’m hoping this can be her breakout novel like Bel Canto was for Ann Patchett. I found this novel to be very moving, with its memorable characters, amazing voices and wonderful movie trivia and literary allusions. It made me laugh. It made me cry. It was like no other book I remember.”
–Andy Lillich, Bookseller, University of Oregon Bookstore
“I’m only to page 82 of Elizabeth Hay’s new – did I say ‘wonderful, new’ – novel and it occurs to me that more than one smart-aleck reviewer will title their critiques ‘Guise and Dolls.’ What a pleasure it is to read a book that you want to read.”
–Richard Bachmann, Bookseller, A Different Drummer Bookstore
“Greta Garbo is one of many movie stars who fascinate the alluringly eccentric characters found in the latest tale by one of Canada’s most gifted novelists. In this witty, gracefully choreographed, and potent Ottawa-based family drama, Hay ponders our enthrallment to movies, conjuring a cast of ardent souls who cope with a catastrophic ice storm, unwelcome guests, undermined dreams, distressing infatuations, lingering illnesses, and sudden death by finding solace, even guidance, in classic films…. Imaginative, droll, and incisive, Hay’s profound tale of attempted escape and accepted responsibility, of found joy and dreaded sorrow, deftly explores the dangers and benefits of fantasy.”
- Booklist (starred review)
From the celebrated, bestselling author of the Giller Prize finalist A Student of Weather, comes a darkly funny, sad-eyed novel about a woman caught in a tug of war between real love and movie love ? and real love doesn?t stand a chance
Elizabeth Hay?s virtuoso second novel is set in Ottawa in the 1990s and tells the quixotic tale of tall, thin Harriet Browning, inflamed by the movies she was deprived of as a child. Bent on seeing everything she has missed, she forms a Friday-night movie club with three companions-of-the-screen: a boy who loves Frank Sinatra, a girl with Bette Davis eyes, and an earthy sidekick named Dinah for Dinah Shore.
Breaking in upon this idiosyncratic world, in time with the devastating ice storm of 1998, come two refugees from Hollywood, the jaded widow of a blacklisted screenwriter and her sardonic stepson. They bring harsh reality. In the shakeup that follows their arrival, new alliances form, casualties mount, and old obsessions linger as winter turns into the warmest spring on record and the movie club gradually and inevitably dissolves.
In this deliciously entertaining novel, which goes straight to the core of our innermost longings and desires, Elizabeth Hay confirms her status as one of Canada?s most original and accomplished voices.
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