Matthew Solomon's study of Chaplin's The Gold Rush (1925) provides an in-depth discussion of the film's production and reception history, placing it in the context of the turn-of-the-century Alaska Klondike gold rush, and analyses the film's narrative and formal features, particularly its references to music-hall performance styles and tropes.
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Matthew Solomon is Associate Professor of Screen Arts and Cultures at the University of Michigan, USA. He is the author of Disappearing Tricks: Silent Film, Houdini, and the New Magic of the Twentieth Century and editor of Fantastic Voyages of the Cinematic Imagination: Georges Méliès's Trip to the Moon.
One of the biggest hits of the silent era, The Gold Rush (1925) was famously described by Charlie Chaplin – the star, writer and director of the film – as 'the picture I want to be remembered by'. Enjoying popular and critical success not once but twice, the film was given a new lease of life with sound in 1942 after Chaplin added his own narration and music.
Matthew Solomon provides an in-depth discussion of the film's genesis within the Northern genre, its production and reception history, and its subsequent canonisation. Considering both unauthorised and authorised versions of the film, he places them in the context of the turn-of-the-century Alaska Klondike Gold Rush and analyses their narrative and formal features. In tracing the
stories of these multiple versions, Solomon shows how The Gold Rush problematises commonly accepted ideas about the singularity, authenticity and originality of an individual film.
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Paperback. Condition: New. Matthew Solomon's study of Chaplin's The Gold Rush (1925) provides an in-depth discussion of the film's production and reception history, placing it in the context of the turn-of-the-century Alaska Klondike gold rush, and analyses the film's narrative and formal features, particularly its references to music-hall performance styles and tropes. Seller Inventory # LU-9781844576401
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Paperback. Condition: new. Paperback. Matthew Solomon's study of Chaplin's The Gold Rush (1925) provides an in-depth discussion of the film's production and reception history, placing it in the context of the turn-of-the-century Alaska Klondike gold rush, and analyses the film's narrative and formal features, particularly its references to music-hall performance styles and tropes. Matthew Solomon's study of Chaplin's The Gold Rush (1925) provides an in-depth discussion of the film's production and reception history, placing it in the context of the turn-of-the-century Alaska Klondike gold rush, and analyses the film's narrative and formal features, particularly its references to music-hall performance styles and tropes. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9781844576401
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Condition: New. Matthew Solomon's study of Chaplin's The Gold Rush (1925) provides an in-depth discussion of the film's production and reception history, placing it in the context of the turn-of-the-century Alaska Klondike gold rush, and analyses the film's narrative and formal features, particularly its references to music-hall performance styles and tropes. Series: BFI Film Classics. Num Pages: 112 pages, b/w film stills and screengrabs. BIC Classification: APFA; APFB. Category: (U) Tertiary Education (US: College). Dimension: 192 x 137 x 12. Weight in Grams: 216. . 2015. 2015th Edition. Paperback. . . . . Seller Inventory # V9781844576401
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