I Curse the River of Time - Softcover

Petterson, Per

Softcover

ISBN 10: 1846553016 ISBN 13: 9781846553011

Publisher: Harvill Secker, 2010

Synopsis

“How impossible it was to grasp that in the end something as fine as this could be ground into dust” (p. 213).
 
I Curse the River of Time, the new novel from the winner of the International IMPAC Dublin Literary Award for Out Stealing Horses, is a mesmerizingly beautiful book about love, regret, family secrets and failed revolution.
 
The novel takes us through thirty-seven-year-old Arvid’s life and its descent towards a moment of terrible crisis. It traces his parents’ hesitant support when he gives up his place at college to work in a paper mill, like his father; his experiences as a fervent young Maoist in Norway in the 1960s; the death of his younger brother; the passionate, enveloping romance that led to marriage and children and, for a time, happiness; the failure of that relationship, and its transformation into a source of harrowing pain.
 
By 1989, everything that gave Arvid’s life meaning has melted into air. The collapse of the Berlin Wall mirrors the collapse of his marriage and his self-punishing alcoholism. When his mother is diagnosed with stomach cancer, Arvid sets off to their summer house in Denmark to be with her, meeting men and women from their past along the way. His despairing journey is also a quest for some kind of order in his life, perhaps even a new foundation. When Arvid finds his mother, and accompanies her in her illness, the novel turns to exploring the secrets that explain the distance between them – a distance that perhaps can never be crossed.
 
I Curse the River of Time describes the ways that the present and the past are always intertwined, and shows how the personal and political are one and the same. Written in a subdued and elegiac style, with flashes of devastating poetic beauty, it is an utterly absorbing experience, a book that displays wisdom of the kind that only profound loss can bring. Above all, it is a reminder of the power of great art to console us for life’s burdens, an example of the way our dreams may brighten our bleakest moments.

From the Hardcover edition.

About this title

About the Author

Per Petterson was born in Oslo in 1952 and worked for several years as an unskilled labourer, a bookseller, a writer and a translator until he made his literary debut in 1987 with the short-story collection Ashes in My Mouth, Sand in My Shoes, which was widely acclaimed by critics. His novel Out Stealing Horses has been translated into forty languages and won many prizes, including the International IMPAC Dublin Literary Award and the Independent Foreign Fiction Prize.

From the Hardcover edition.

Excerpt. © Reprinted by permission. All rights reserved.

1
All this happened quite a few years ago. My mother had been unwell for some time. To put a stop to my brothers’ nagging and my father’s especially, she finally went to see the doctor she always saw, the doctor my family had used since the dawn of time. He must have been ancient at that point for I cannot recall ever not visiting him, nor can I recall him ever being young. I used him myself even though I now lived a good distance away.
 
After a brief check-up, this old family doctor swiftly referred her to Aker Hospital for further examination. Having been for several, no doubt painful, tests in rooms painted white, painted apple green, at the big hospital near the Sinsen junction on the side of Oslo I always like to think of as our side, the east side that is, she was told to go home and wait two weeks for the results. When they finally arrived, three weeks later rather than two, it turned out that she had stomach cancer. Her first reaction was as follows: Good Lord, here I’ve been lying awake night after night, year after year, especially when the children were small, terrified of dying from lung cancer, and then I get cancer of the stomach. What a waste of time!
 
My mother was like that. And she was a smoker, just as I have been my entire adult life. I know well those night-time moments when you lie in bed staring into the dark, with dry, aching eyes feeling life like ashes in your mouth, even though I have probably worried more about my own life than leaving my children fatherless.
 
For a while she just sat at the kitchen table with the envelope in her hand, staring out of the window at the same lawn, the same white painted fence, the same clothes lines and the same row of identical grey houses she had been looking at for so many years, and she realised she did not like it here at all. She did not like all the rock in this country, did not like the spruce forests or the high plains, did not like the mountains. She could not see the mountains, but she knew they were everywhere out there leaving their mark, every single day, on the people who lived in Norway.
 
She stood up, went out into the hallway, made a call, replaced the receiver after a brief conversation and returned to the kitchen table to wait for my father. My father was retired and had been for some years, but she was fourteen years younger than him and still working; though today was her day off.
 
My father was out, he always had something he needed to see to, errands to run my mother was rarely told about, the results of which she never saw, but whatever conflicts there had been between them were settled long ago. There was a truce now. As long as he did not try to run her life, he was left in peace to run his own. She had even started to defend and protect him. If I uttered a word of criticism or took her side in a misguided attempt to support the women’s liberation, I was told to mind my own business. It is easy for you to criticise, she would say, who have had it all handed to you on a silver plate. You squirt.
 
As if my own life were plain sailing. I was heading full speed for a divorce. It was my first; I thought it was the end of the world. There were days I could not move from the kitchen to the bathroom without falling to my knees at least once before I could pull myself together and walk on.
 
 
When finally my father returned from whatever project he thought was the most urgent, something at Vålerenga no doubt, which was the place he was born, where I too had been born seven years after the end of the war, a place he often returned to, to meet up with men his own age and background, to see the old boys, as they called themselves, my mother was still sitting at the kitchen table. She was smoking a cigarette, a Salem, I guess, or perhaps a Cooly. If you were scared of lung cancer you ended up smoking menthols.
 
My father stood in the doorway with a well-worn bag in his hand, not unlike the one I used in years six and seven at school, we all carried a bag like that then, and for all I know it was the same one. In that case the bag was more than twenty-five years old.
 
‘I’m leaving today,’ my mother said.
 
‘Where to?’ my father said.
 
‘Home.’
 
‘Home,’ he said. ‘Today? Shouldn’t we talk about it first? Don’t I get a chance to think about it?’
 
‘There’s nothing to discuss,’ my mother said. ‘I’ve booked my ticket. I’ve just had a letter from Aker Hospital. I’ve got cancer.’
 
‘You have cancer?’
 
‘Yes. I’ve got stomach cancer. So now I have to go home for a bit.’
 
She still referred to Denmark as home when she spoke about the town she came from, in the far north of that small country, even though she had lived in Norway, in Oslo, for forty years exactly.
 
‘But, do you want to go alone?’ he said.
 
‘Yes,’ my mother said. ‘That’s what I want.’
 
And when she said it like this she knew my father would be hurt and upset, and that gave her no pleasure at all, on the contrary, he deserves better, she thought, after so much life, but she did not feel she had a choice. She had to go on her own.
 
‘I probably won’t stay very long,’ she said. ‘Just a few days, and then I’ll be back. I have to go into hospital. I may need an operation. At least I hope so. In any case I’m catching the evening ferry.’
 
She looked at her watch.
 
‘And that’s in three hours. I’d best go upstairs and pack my things.’
 
They lived in a terraced house with a kitchen and a living room on the ground floor and three small bedrooms and a tiny bathroom on the first. I grew up in that house. I knew every crinkle in the wallpaper, every crack in the floorboards, every terrifying corner in the cellar. It was cheap housing. If you kicked the wall hard enough, your foot would crash into your neighbour’s living room.
 
She stubbed out the cigarette in the ashtray and stood up. My father had not moved, he was still standing in the doorway with the bag in one hand, the other insecurely raised in her direction. He had never been a champ when it came to physical contact, not outside the boxing ring, and frankly, it was not her strong point either, but now she pushed my father aside, carefully, almost lovingly so that she could get past. And he let her do it, but with so much reluctance, both firm and slow, it was enough for her to understand he wanted to give her something tangible, a sign, without putting it into words. But it’s too late for that, she told herself, far too late, she said, but he could not hear her. Yet she allowed my father to hold her up long enough for him to understand there was enough between them after forty years together and four sons, even though one of them had already died, for them to live in the same house still, in the same flat, and wait for each other and not just run off when something important had happened.
 
 
The ferry she was travelling on, which we all travelled on when we headed south, was called the Holger Danske. Later she was docked and turned into a shelter for refugees, in Stockholm first, I’ve found out, and then in Malmö, and was now stripped down to scrap metal on some beach in Asia, in India or Bangladesh, but in the days I am talking about here, she still sailed between Oslo and this town in the far north of Jutland, the very town my mother grew up in.
 
She liked that boat and thought its poor reputation was unfair; Not a Chanske, as she was popularly known, but it was a much better ship, she thought, than the floating casinos which sail the route today, where the opportunities for drinking yourself senseless have become senselessly many and even though the Holger Danske might have rolled a bit from side to side when the weather was bad, that did not mean she was about to go down the great drain. I have thrown up on board the Holger Danske myself and never gave it a thought.
 
My mother was fond of the crew. With time she had made friends with many of them, for it was a small ship, and they knew who she was and greeted her as one of their own when she came up the gangway.
 
Perhaps on this occasion they noticed a new gravity in her manner, in her walk, in the way she looked around her, as she often would with a smile on her lips that was not a smile as there was nothing to smile about that anyone could see, but it was how she looked when her mind was somewhere else and definitely not in a place that those around her could have guessed. I thought she looked especially pretty then. Her skin was smooth and her eyes took on a strange, clear shine. As a small boy I often sat watching her when she was not aware I was in the room or perhaps had forgotten I was there, and that could make me feel lonely and abandoned. But it was exciting, too, for she looked like a woman in a film on TV, like Greta Garbo in Queen Christina lost in thought at the ship’s bow close to the end of the film on her way to some other more spiritual place, and yet somehow she had managed to enter our kitchen and stop there for a while to sit on one of the red kitchen chairs with a smoking cigarette between her fingers and a so far untouched and unsolved crossword open in front of her on the table. Or she might look like Ingrid Bergman in Casablanca as she had the same hairstyle and the same curve along her cheek, but my mother would never have said: You have to think for both of us to Humphrey Bogart. Not to anyone.
 
If the crew of the Holger Danske had picked up on this or any other change in her way of greeting them when she crosse...

About this edition

• Publisher: Harvill Secker
• Publication date: 2010
• ISBN 10: 1846553016
• ISBN 13: 9781846553011
• Binding: Paperback
• Language: English
• Number of pages: 256