Dante and the Seven Deadly Sins: Twelve Literary and Historical Essays (UCD Foundation for Italian Studies)

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9781846824197: Dante and the Seven Deadly Sins: Twelve Literary and Historical Essays (UCD Foundation for Italian Studies)
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This volume opens with the bold suggestion that the seven deadly sins constitute a key to the structure of Inferno and Paradiso, as well as Purgatorio. It ends with a discussion of cowardice (not strictly a deadly sin) in Inferno iii, followed by a look at Dante himself in the light of all the capital vices. In between, each of the seven is focused on in turn. Intellectual pride is cited as the reason for Cavalcanti's absence from the Commedia, while-separately-the pride cantos in Purgatorio are read as a reconstruction of the individual's passage from pride to piety. Envy is located in the political sphere and shown to be almost always figured in conjunction with other vices whose sinful acts it prompts. It is then argued that Dante clarifies problems encountered in medieval attempts to distinguish between just and unjust anger. Sloth in The Divine Comedy is explored next, with particular attention to the poet Statius, its only named exponent. The poet's understanding of avarice is placed in the context of the revived money economy and the papacy's inflated temporal pretensions, while that understanding is, secondly, viewed in relation to the ancient Romans. Gluttony occasions reflection about analogies between the body and the book, as well as remarks about illustrations of the gluttons' aerial bodies in The Divine Comedy's early printed editions. The ambivalence of Dante's principal representations of lust is seen to imply a tension in his great poem between love poetry and spirituality, a tension he seeks to resolve in Beatrice. (Series: UCD Foundation for Italian Studies) [Subject: Literary Criticism, Dante, Italian Studies, The Divine Comedy, Renaissance Italy]

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Published by Four Courts Press Ltd, Ireland (2017)
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Book Description Four Courts Press Ltd, Ireland, 2017. Hardback. Condition: New. New.. Language: English . Brand New Book. This volume opens with the bold suggestion that the seven deadly sins constitute a key to the structure of Inferno and Paradiso, as well as Purgatorio. It ends with a discussion of cowardice (not strictly a deadly sin) in Inferno iii, followed by a look at Dante himself in the light of all the capital vices. In between, each of the seven is focused on in turn. Intellectual pride is cited as the reason for Cavalcanti s absence from the Commedia, while-separately-the pride cantos in Purgatorio are read as a reconstruction of the individual s passage from pride to piety. Envy is located in the political sphere and shown to be almost always figured in conjunction with other vices whose sinful acts it prompts. It is then argued that Dante clarifies problems encountered in medieval attempts to distinguish between just and unjust anger. Sloth in The Divine Comedy is explored next, with particular attention to the poet Statius, its only named exponent. The poet s understanding of avarice is placed in the context of the revived money economy and the papacy s inflated temporal pretensions, while that understanding is, secondly, viewed in relation to the ancient Romans. Gluttony occasions reflection about analogies between the body and the book, as well as remarks about illustrations of the gluttons aerial bodies in The Divine Comedy s early printed editions. The ambivalence of Dante s principal representations of lust is seen to imply a tension in his great poem between love poetry and spirituality, a tension he seeks to resolve in Beatrice. (Series: UCD Foundation for Italian Studies) [Subject: Literary Criticism, Dante, Italian Studies, The Divine Comedy, Renaissance Italy]. Seller Inventory # AGM9781846824197

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Published by Four Courts Press Ltd, Ireland (2017)
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Book Description Four Courts Press Ltd, Ireland, 2017. Hardback. Condition: New. New.. Language: English . Brand New Book. This volume opens with the bold suggestion that the seven deadly sins constitute a key to the structure of Inferno and Paradiso, as well as Purgatorio. It ends with a discussion of cowardice (not strictly a deadly sin) in Inferno iii, followed by a look at Dante himself in the light of all the capital vices. In between, each of the seven is focused on in turn. Intellectual pride is cited as the reason for Cavalcanti s absence from the Commedia, while-separately-the pride cantos in Purgatorio are read as a reconstruction of the individual s passage from pride to piety. Envy is located in the political sphere and shown to be almost always figured in conjunction with other vices whose sinful acts it prompts. It is then argued that Dante clarifies problems encountered in medieval attempts to distinguish between just and unjust anger. Sloth in The Divine Comedy is explored next, with particular attention to the poet Statius, its only named exponent. The poet s understanding of avarice is placed in the context of the revived money economy and the papacy s inflated temporal pretensions, while that understanding is, secondly, viewed in relation to the ancient Romans. Gluttony occasions reflection about analogies between the body and the book, as well as remarks about illustrations of the gluttons aerial bodies in The Divine Comedy s early printed editions. The ambivalence of Dante s principal representations of lust is seen to imply a tension in his great poem between love poetry and spirituality, a tension he seeks to resolve in Beatrice. (Series: UCD Foundation for Italian Studies) [Subject: Literary Criticism, Dante, Italian Studies, The Divine Comedy, Renaissance Italy]. Seller Inventory # AGM9781846824197

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Edited by John C. Barnes & Daragh O'Connell
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Book Description Four Courts Press. Hardback. Condition: New. This volume opens with the bold suggestion that the seven deadly sins constitute a key to the structure of Inferno and Paradiso as well as Purgatorio. It ends with a discussion of cowardice (not strictly a deadly sin) in Inferno III, followed by a look at Dante himself in the light of all the capital vices. In between, each of the seven is focused on in turn. Intellectual pride is cited as the reason for Cavalcantiâs absence from the Commedia, while â" separately â" the pride cantos in Purgatorio are read as a reconstruction of the individualâs passage from pride to piety. Envy is located in the political sphere and shown to be almost always figured in conjunction with other vices whose sinful acts it prompts. It is then argued that Dante clarifies problems encountered in medieval attempts to distinguish between just and unjust anger. Sloth in the Commedia is explored next, with particular attention to Statius, its only named exponent. The poetâs understanding of avarice is placed in the context of the revived money economy and the papacyâs inflated temporal pretensions, while that understanding is, secondly, viewed in relation to the ancient Romans. Gluttony occasions reflection about analogies between the body and the book, as well as remarks about illustrations of the gluttonsâ aerial bodies in the Commediaâs early printed editions. The ambivalence of Danteâs principal representations of lust is seen to imply a tension in his great poem between love poetry and spirituality, a tension he seeks to resolve in Beatrice. Seller Inventory # FOUR24197

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Barnes, John C. (Editor)/ O'connell, Daragh (Editor)
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Book Description Four Courts Pr Ltd, 2017. Hardcover. Condition: Brand New. 359 pages. 9.25x6.25x1.50 inches. In Stock. Seller Inventory # __1846824192

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Published by Four Courts Press Ltd, Ireland (2017)
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Book Description Four Courts Press Ltd, Ireland, 2017. Hardback. Condition: New. New.. Language: English . This book usually ship within 10-15 business days and we will endeavor to dispatch orders quicker than this where possible. Brand New Book. This volume opens with the bold suggestion that the seven deadly sins constitute a key to the structure of Inferno and Paradiso, as well as Purgatorio. It ends with a discussion of cowardice (not strictly a deadly sin) in Inferno iii, followed by a look at Dante himself in the light of all the capital vices. In between, each of the seven is focused on in turn. Intellectual pride is cited as the reason for Cavalcanti s absence from the Commedia, while-separately-the pride cantos in Purgatorio are read as a reconstruction of the individual s passage from pride to piety. Envy is located in the political sphere and shown to be almost always figured in conjunction with other vices whose sinful acts it prompts. It is then argued that Dante clarifies problems encountered in medieval attempts to distinguish between just and unjust anger. Sloth in The Divine Comedy is explored next, with particular attention to the poet Statius, its only named exponent. The poet s understanding of avarice is placed in the context of the revived money economy and the papacy s inflated temporal pretensions, while that understanding is, secondly, viewed in relation to the ancient Romans. Gluttony occasions reflection about analogies between the body and the book, as well as remarks about illustrations of the gluttons aerial bodies in The Divine Comedy s early printed editions. The ambivalence of Dante s principal representations of lust is seen to imply a tension in his great poem between love poetry and spirituality, a tension he seeks to resolve in Beatrice. (Series: UCD Foundation for Italian Studies) [Subject: Literary Criticism, Dante, Italian Studies, The Divine Comedy, Renaissance Italy]. Seller Inventory # BTE9781846824197

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