What Love Comes to: New and Selected Poems - Softcover

Stone, Ruth

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9781852248413: What Love Comes to: New and Selected Poems

Synopsis

Presents a comprehensive selection that includes early formal lyrics, fierce feminist and political poems, and meditations on the author's husband suicide, on love, loss, blindness and aging.

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About the Author

Ruth Stone was born in Virginia in 1915, and has lived in rural Vermont for much of her life. In 1959, after her husband committed suicide, she had to raise three daughters alone, all the time writing what she called her 'love poems, all written to a dead man' who forced her to 'reside in limbo' with her daughters. For 20 years she travelled the US, teaching creative writing at many universities. A greatly loved teacher, she was still working into her 80s. She has won many awards and honours, including the National Book Award, the National Book Critics Circle Award, the Eric Mathieu King Award from the Academy of American Poets, a Whiting Award (with which she bought plumbing for her house), two Guggenheim Fellowships (one of which roofed the house), the Delmore Schwartz Award, the Cerf Lifetime Achievement Award from the state of Vermont, and the Shelley Memorial Award.

From Publishers Weekly

Many of Stone's loyal readers may know only her most recent, and most celebrated, works: the National Book Award–winning In the Next Galaxy (2002), and its immediate prequels, which present a poet of wisdom and experience in clear, compact free verse. For this late-life writer, who will turn 93 this year and is the state poet of Vermont, clotheslines/ where the laundry lashes the bitter air present a microcosm of the world. This wry and thoughtful poet, akin sometimes to Stanley Kunitz, sometimes to Grace Paley, appears again in the many new poems here, whose raw moments are a small price to pay for their power: I am complicated, she writes, and yet, how simple is my verse. But the real news is found in the selections from Stone's earlier books—beginning in 1959, but especially with Topography (1971) and Cheap (1975), which may stun younger readers with their sheer variety. There are transcribed speeches from working-class lives, nursery rhyme couplets of uncanny force, angry political allegories and explorations of second-wave feminism—in short, the evidence of an ambitious career, one that has been not only long, but full of constant change. (May)
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