The Sex Revolts is the first book to look at rebellion and rock n roll through the lens of gender. It finds a paradox at the heart of rock music - that it is often most thrilling when it is most misogynist and macho. Provocative and passionately argued, the book walks the tightrope between a rock fan s excitement, and a critic s awareness of the music s darker undercurrents. It sheds new light on the angry young men (The Rolling Stones, The Doors, Iggy Pop, The Sex Pistols, and Nirvana) and the psychedelic mystics (Van Morrison, Jimi Hendrix, Syd Barrett and Brian Eno) that make up the rock n roll pantheon. It traces the secret history of female rebellion in rock, from Patti Smith and Kate Bush through the Slits and Siouxsie to contemporary artists like Hole and PJ Harvey. A rich cocktail of rock criticism, cultural studies and feminist theory, The Sex Revolts is set to become the key text in the women-in-rock debate.
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Simon Reynolds writes about music and popular culture for the New York Times, ArtForum, the Observer, and Melody Maker, and is the author of Blissed Out: The Raptures of Rock.
Joy Press writes about music, books, and women's issues for Spin, the Guardian, Village Voice, and New York Newsday.
With The Sex Revolts music critics and sonic psychoanalysts Simon Reynolds and Joy Press delve deep beneath glib exteriors to forage among rock's dank sociosexual underpinnings...It is an analysis, not a polemic--but they do articulate the issues with a high degree of lucidity. (Neva Chonin San Francisco Bay Guardian)
The Sex Revolts is a monumental addition to the rock-crit canon. (Village Voice)
What Simon Reynolds and Joy Press are offering us is not a guide to the distaff side of pop music but a startlingly acute reading of rock through the lens of gender...One of the only really important books yet written about popular music culture...What [Reynolds and Press] have achieved with The Sex Revolts is formidable: we may never be able to listen to rock music in the same way again. (Barney Hoskyns Observer)
An absolute delight...The most stimulating, provocative, enjoyable and intelligent book on rock and its relation to our world since Greil Marcus's Lipstick Traces. (Gay Times)
Possibly the best analytic/critical tome this decade...Charged, challenging, and essential for anyone who still believes pop deserves to be approached with a little intelligence. (Melody Maker)
Press and Reynolds range freely and effectively outside the narrow definition of rock culture. Their persuasive analysis of rebel misogynies starts with the phenomenon of 'postwar mom-ism', and proceeds via Look Back in Anger, On the Road, Ken Kesey and Timothy Leary to a clear understanding of how Jimi Hendrix came to 'remember a city by its chicks'...One of the most impressive things about The Sex Revolts is the way it manages not to lose its moorings...in a sea of erudition...Reynolds and Press have opened up a new frontier of critical dissension and contumely. For that, all those who love rock should salute them. (Ben Thompson New Statesman & Society)
Unabashed fans of male chauvinists from Jim Morrison to the Australian cult favorite Nick Cave, [Reynolds and Press] are also eloquent in their praise of a more womanly `oceanic' aesthetic they discern in figures as diverse as the German avant-garde group Can, the punk poet Patti Smith, and Joni Mitchell's far-flung heiresses. Let's hope that this is not the last cross-disciplinary work that owes its ambitions to the cultural studies movement while refusing to succumb to academic provincialism and jargon. (Robert Christgau New York Times Book Review)
Joy Press and Simon Reynolds display a breadth of knowledge and research that ought to be demanded from Cultural Studies books, a range of examples from the most mainstream to Godflesh and Hugo Largo, with every prominent figure in between...The Sex Revolts is right up there with the best tomes on Rock--Greil Marcus's Lipstick Traces or Savage's England Dreaming--and deserves a place on the shelf of anyone who cares passionately about the Rock discourse. (Nick Terry The Lizard)
This is rock criticism on the high slopes, brave, rigorous and endlessly well-read. The book's grand themes are sustained throughout and the authors are endlessly interesting, even about the many marginal and extreme figures on whom much of their arguments rest...This book is ultimately a landmark in rock and gender criticism precisely because it's a beacon of coherence that's also hip enough to convey the fact that rock is often at its most profound when it appears to be talking in tongues. (Mojo)
Emerges as the only complete analysis of gender in rock music. The writing is intelligent, evocative, and engaging, rich in thought without becoming ponderous. Even those readers who question the authors' nervy paradigms will find this an authoritative, comprehensive history of rock. Thorough, unique, and challenging...Highly recommended. (Library Journal)
The language is punchy and erudite throughout. Phrases like 'invertebrate goo' resonate. Students of modern mythmaking should consider this required. (Cover)
Reynolds and Press's provocative and insightful The Sex Revolts should be read by everyone concerned with rock culture's impact. What differentiates this book from previous efforts...is its serious treatment of the central theme--the complex relationships among gender, rebellion, and rock music...It is the confluence of carefully considered text, numerous footnotes, and a broad-ranging bibliography that shape and support the critical analysis. This timely volume adds reasoned understanding to a high profile-issue. It is strongly recommended. (Choice)
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Book Description Serpent's Tail, 1995. Book Condition: Good. Shows some signs of wear, and may have some markings on the inside. Bookseller Inventory # GRP83664157
Book Description Serpent's Tail, London, 1995. Hardcover. Book Condition: Fine. First Edition. 0.0. Bookseller Inventory # 028478
Book Description London: Serpent's Tail, 1995. Hardcover. Book Condition: Very Good. 1st Edition. Hardbound: illustrated boards, no dustjacket. 8vo., 406 pp., index. No marks or writing. No wear. Like new except that the flyleaf (preceding title page) has been excised. Scarce! (Delivery Confirmation number sent for domestic orders.). Bookseller Inventory # 41398
Book Description Serpent's Tail, London, 1995. Hard Cover. Book Condition: Near Fine. Dust Jacket Condition: Issued without dust jacket. First Edition. Near fine (light rubbing to back and light bumping to upper corner of back board otherwise fine) in illustrated boards. Bookseller Inventory # b23656
Book Description Serpent's Tail, London, 1995 First Edition. Hardback. Dust Jacket., 1995. 8vo. pp xiv, 406. Original publisher's illustrated boards, lettered in black and white on spine and cover. Signed presentation from the authors on front endpaper, 'To Robin, a proud member of the revolting sex, see you down the Stamford Simon R. To Malcolm X, Keep the revolution alive, Joy'.ISBN: 185242396x About fine. Bookseller Inventory # C3336