When thinking of late-twentieth-century Britain, we often think of pop exports like The Beatles, the Sex Pistols or The Smiths and forget that England, from the late 60s through the 80s, was brutally depressed by inflation, unemployment, strikes, blackouts and racial unrest. Beginning in the early 70s, the Arts Council of Great Britain (now Arts Council England) began to commission photographers--including now-well-known artists, such as Ian Breakwell and Martin Parr--to document these turbulent and changing times through black-and-white photographs. By the 1980s, the British Council had also begun to collect new color photography by artists who were documenting the social scene. This volume brings the two collections together, with an essay by photography historian and critic David A. Mellor. A radically new picture of these 20 pivotal years emerges.
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David Alan Mellor is Professor of Art History at the University of Sussex. A specialist in the history, theory and criticism of photography. His published works include: Antonioni's Blow-Up, London 1966 (2006), Liliane Lijn, Works, 1958-1980 (2005), Interpreting Lucian Freud (2003), and The Art of Robyn Denny (2002).
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Book Description Hayward Publishing, 2008. Paperback. Book Condition: New. Never used!. Bookseller Inventory # P111853322652
Book Description Hayward Publishing. PAPERBACK. Book Condition: New. 1853322652 New Condition. Bookseller Inventory # NEW7.2159158