Contemporary Hispanic Cinema (Monografías A)

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9781855662612: Contemporary Hispanic Cinema (Monografías A)

This book focuses on the cross-currents and points of contact in film production among so-called Hispanic countries (Spain, Portugal and Latin America), and in particular the impact that co-production and supranational funding initiatives are having on both the film industries and the films of Latin America in the twenty-first century. Together with chapters that discuss and further develop transnational approaches to reading films in the Hispanic and Latin American context, the volume includes chapters that focus on funding initiatives, such as IBERMEDIA, that are aimed at Spain, Portugal and Latin America. An analysis of such initiatives facilitates a nuanced discussion of the range of meanings afforded to the term transnationalism: from the workings of those driven by economic imperatives, such as co-productions and 'Hispanic' film festivals, to the cultural, for example the invention of a marketable 'Latinamericaness' in Spain, or a 'Hispanic aesthetic' elsewhere. Stephanie Dennison is Reader in Brazilian Studies at the University of Leeds

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Reader in Brazilian Studies, University of Leeds

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This volume offers an insightful synthesis of the cross currents and co-operation in film production between Latin America and the Iberian Peninsula..a useful book for university students, especially at honours level, and for some academics working in this area. I would expect it to fall into the category of recommended reading, particularly for courses dealing with Hispanic and Latin-American cinema in both departments of Hispanic Studies and Comparative Literature. BULLETIN OF SPANISH VISUAL STUDIES

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Book Description Boydell Brewer Ltd, United Kingdom, 2013. Hardback. Book Condition: New. Language: English . Brand New Book. This book focuses on the cross-currents and points of contact in film production among so-called Hispanic countries (Spain, Portugal and Latin America), and in particular the impact that co-production and supranational funding initiatives are having on both the film industries and the films of Latin America in the twenty-first century. Together with chapters that discuss and further develop transnational approaches to reading films in the Hispanic and Latin American context, the volume includes chapters that focus on funding initiatives, such as IBERMEDIA, that are aimed at Spain, Portugal and Latin America. An analysis of such initiatives facilitates a nuanced discussion of the range of meanings afforded to the term transnationalism: from the workings of those driven by economic imperatives, such as co-productions and Hispanic film festivals, to the cultural, for example the inventiones, such as co-productions and Hispanic film festivals, to the cultural, for example the invention of a marketable Latinamericaness in Spain, or a Hispanic aesthetic. Bookseller Inventory # AAH9781855662612

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Book Description Boydell Brewer Ltd, United Kingdom, 2013. Hardback. Book Condition: New. Language: English . Brand New Book. This book focuses on the cross-currents and points of contact in film production among so-called Hispanic countries (Spain, Portugal and Latin America), and in particular the impact that co-production and supranational funding initiatives are having on both the film industries and the films of Latin America in the twenty-first century. Together with chapters that discuss and further develop transnational approaches to reading films in the Hispanic and Latin American context, the volume includes chapters that focus on funding initiatives, such as IBERMEDIA, that are aimed at Spain, Portugal and Latin America. An analysis of such initiatives facilitates a nuanced discussion of the range of meanings afforded to the term transnationalism: from the workings of those driven by economic imperatives, such as co-productions and Hispanic film festivals, to the cultural, for example the invention of a marketable Latinamericaness in Spain, or a Hispanic aesthetic elsewhere. Stephanie Dennison is Reader in Brazilian Studies at the University of Leeds. Bookseller Inventory # AAH9781855662612

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Book Description Boydell & Brewer Ltd, 2013. Book Condition: Brand new. This book focuses on the cross-currents and points of contact in film production among so-called Hispanic countries (Spain, Portugal and Latin America), and in particular the impact that co-production and supranational funding ini tiatives are having on both the film industries and the films of Latin America in the twenty-first century. Together with chapters that discuss and further develop transnational approaches to reading films in the Hispanic and Lati n American context, the volume includes chapters that focus on funding initiatives, such as IBERMEDIA, that are aimed at Spain, Portugal and Latin America. An analysis of such initiatives facilitates a nuanced discussion of the ra nge of meanings afforded to the term transnationalism: from the workings of those driven by economic imperatives, such as co-productions and 'Hispanic' film festivals, to the cultural, for example the invention of a marketable 'La tinamericaness' in Spain, or a 'Hispanic aesthetic' elsewhere. Stephanie Dennison is Reader in Brazilian Studies at the University of Leeds. Bookseller Inventory # 5773

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