Scrutinizing his own features time and time again, Rembrandt left an extensive pictorial autobiography-his surviving self-portraits include 45 oil paintings, scores of drawings, and over 30 etchings. This absorbing book explores how Rembrandt`s self-portraits developed over his life span, why the genre was so important in his work, and how his innovative style influenced his contemporaries.
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Rembrandt van Rijn (1606-1669) may not have been a handsome man, but he was an exceptional painter of himself. This sumptuous catalog, published to coincide with the exhibition of his self-portraits at the National Gallery in London, has glossy reproductions of all the paintings and etchings from the show, plus copies of works that are long lost and some not released by the galleries or private collectors who own them. The images are all thoroughly annotated to elucidate their history, and the scholarship is impressive, being mostly drawn from the Rembrandt Research Project, which for years has been working with a combination of x-ray technology and patient research to ascertain the age of the pictures and confirm the identity of their painter. This is not easy work: Rembrandt had many pupils, and he encouraged them to copy his own self-portraits as practice, leading to the unusual situation of a host of Rembrandt self-portraits not actually painted by the master himself. The findings of the project have been contentious, with paintings unexpectedly relegated or elevated through reappraisal. What shines through, though, is the sheer diversity of Rembrandt's genius: the early paintings and etchings in which he turns to a mirror to study expression; the periods of dressing up variously as an Oriental potentate, a soldier, an artisan, and St. Paul; and the famous trilogy of self-portraits painted in his final year that seem to show a man old beyond his years. The catalog also contains a selection of works by his pupils Gerrit Dou and Samuel van Hoogstraten and essays by Rembrandt scholars that seek to revise the somewhat romantic conceit that the series is some sort of spiritual autobiography. Rembrandt by Himself, an intelligent and resourceful accompaniment to the exhibition, will continue to transport the reader long after the portraits in the exhibition have returned to their respective homes. --David Vincent, Amazon.co.uk
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Book Description National Gallery London / Royal Cabinet of Paintings Mauritshuis Hague / Yale University Press, New Haven, 1999. SOFTCOVER. Book Condition: New. No Jacket. Reprint. Large heavy 4to. in colour printed stiff glossy card covers, 272pp, colour plates, etc. Text in English . . . . . [ CONDITION : An extremely well preserved AS NEW copy ] . . . . . . . . . . . NOTE Due to size and/or weight shipping to destinations outside the UK will cost more than the price shown above. Orders made by card will be completed after you have approved the extra cost. . . . . . . . . . . . . To see more of our Art Monographs etc type DbbARTIST in the Keywords search box. . . . . . . . We always ship in strong card packing. Bookseller Inventory # TH74712
Book Description National Gallery Co Ltd, 1999. Paperback. Book Condition: New. Never used!. Bookseller Inventory # P111857092708
Book Description National Gallery Co Ltd. PAPERBACK. Book Condition: New. 1857092708 New Condition. Bookseller Inventory # NEW7.1707161