Each year, when the weather in Istanbul becomes unbearable, the family of Iskender Pasha, a retired Ottoman notable, retires to its summer palace overlooking the Sea of Marmara. It is 1899 and the last great Islamic empire is in serious trouble. A former tutor poses a question which the family has been refusing to confront for almost a century: ‘Your Ottoman Empire is like a drunken prostitute, neither knowing nor caring who will take her next. Do I exaggerate, Memed?’ The history of Iskender Pasha’s family mirrors the growing degeneration of the Empire they have served for the last five hundred years. This passionate story of masters and servants, school-teachers and painters, is marked by jealousies, vendettas and, with the decay of the Empire, a new generation which is deeply hostile to the half-truths and myths of the ‘golden days.’
The Stone Woman is the third novel of Tariq Ali’s ‘Islam Quartet’. Like its predecessors—Shadows of the Pomegranate Tree and The Book of Saladin—its power lies both in the story-telling and the challenge it poses to stereotyped images of life under Islam.
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Tariq Ali is a writer and filmmaker. He has written more than a dozen books on world history and politics—including Pirates of the Caribbean, Bush in Babylon, The Clash of Fundamentalisms and The Obama Syndrome—as well as five novels in his Islam Quintet series and scripts for the stage and screen. He is an editor of the New Left Review and lives in London.
The Ottoman Empire, known as the "sick man of Europe" in the 19th century, continues its slow, steady decline in the summer of 1899 as elderly Iskander Pasha (a descendant of a sultan's favorite courtier) and his well-born family gather at their seaside palace outside Istanbul. Ali, a well-known leftist activist in Britain, explores the complexities of the Ottoman mentality in his fifth outing, a colorful, sensual drama of families, sexual intrigue and rebellion. As the novel begins, Iskander suffers a stroke and loses his power of speech. Various members of the family tell their stories, interwoven with chapters transcribing confessions made to the "stone woman," a rock formation on the estate. Iskander has four children: Salman, the eldest son; Halil, a general in the army; Nilofer, the daughter whose dramatic life is most fully explored; and her married stepsister, Zeynep. Memed, Iskander's elder brother, and his lover, the Baron, also join the family. The plot coheres neatly as the stories interconnect: Nilofer married a Greek schoolteacher for whom her love cooled, leaving her miserable; when her husband is murdered, a victim of anti-Greek violence, she pursues a love affair with a barber's son. Salman is also unhappily married, to a woman in Egypt who turns against him with an almost psychopathic violence. Halil conspires with other generals in the army to overthrow the Ottoman government. The Baron, a trained Hegelian scholar, holds forth, pedantically, on the roots of Ottoman decay. Ali's epic combines the luxuriant pacing of the old-fashioned novel of ideas with the 20th-century relish for sexual detail to conjure up an almost Chekhovian milieu.
Copyright 2000 Reed Business Information, Inc.
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