This important and highly original book, written by one of Hungary's leading musicologists, makes a vital contribution to the understanding of the work of one of the greatest composers of the last century. His research and analysis is liberally illustrated with music examples and diagrams.
"synopsis" may belong to another edition of this title.
Erno Lendvai was born in 1925 in Kaposvar, Hungary and died suddenly in Budapest in 1993. From 1949-56 he was director of the Szombathely, Gyor Conservatoire, and professor at the Music Academy in Budapest. From 1960-65 he was musical director of Hungarian Radio and Television. He became one of the most important Hungarian music theoreticians in the twentieth century. He became known worldwide through his detailed research into the internal structure of Bartok's music, a study that he started shortly after the composer's death.
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Paperback. Condition: New. 'The publication of this study of the music of Bela Bartok is an important event. Many descriptive analyses of particular works of his have appeared, but here for the first time is an authoritative and convincing exposition of the theoretical principles which the composer worked out for himself but refrained, as far as is known, from expounding it to anyone during his lifetime. Erno Lendvai has disclosed the fact that Bela Bartok, in his early thirties, evolved for himself a method of integrating all the elements of music; the scales, the chordal structure with the melodic motifs appropriate to them, together with the proportions of length as between movements in a whole work, main divisions within a movement such as exposition, development and recapitulation and even balancing phrases within sections of movements, according to one single basic principle.' Alan Bush. Seller Inventory # LU-9781871082753
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Paperback. Condition: new. Paperback. 'The publication of this study of the music of Bela Bartok is an important event. Many descriptive analyses of particular works of his have appeared, but here for the first time is an authoritative and convincing exposition of the theoretical principles which the composer worked out for himself but refrained, as far as is known, from expounding it to anyone during his lifetime. Erno Lendvai has disclosed the fact that Bela Bartok, in his early thirties, evolved for himself a method of integrating all the elements of music; the scales, the chordal structure with the melodic motifs appropriate to them, together with the proportions of length as between movements in a whole work, main divisions within a movement such as exposition, development and recapitulation and even balancing phrases within sections of movements, according to one single basic principle.' Alan Bush This important and highly original book, written by one of Hungary's leading musicologists, makes a vital contribution to the understanding of the work of one of the greatest composers of the last century. His research and analysis is liberally illustrated with music examples and diagrams. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9781871082753
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