This specific ISBN edition is currently not available.View all copies of this ISBN edition:
How do books considered "classics" get to be known that way? In this book, Philip Gerard analyzes books that made a difference--fiction and non-fiction, classic and contemporary--distilling out the elusive ingredients that make a work memorable, one that changes our minds and our lives.
Beginning with the importance of choosing powerful subjects and themes, Gerard encourages writers to explore what is closest to their hearts. He then presents dozens of practical storytelling strategies that engage readers and move them-to tears and laughter, or to action. As in his much-praised Creative Nonfiction, Gerard's instruction is always accessible and a pleasure to read. Anyone who dreams of writing a book that makes a difference will come away with a clear understanding of what it takes to succeed.
"synopsis" may belong to another edition of this title.
There are countless would-be authors out there who would be thrilled to write a book, any book. Writing a Book That Makes a Difference is not for them. It is for those writers ready to tackle what its author, Philip Gerard, calls the Big Book, "the book that will take the best that is in [them] and every bit of craft [they] can muster." Think The Grapes of Wrath, Angela's Ashes, The Perfect Storm. Those with ambitions to write a book that will change their lives and the lives of their readers will find Gerard a wise companion, with guidance on choosing and researching your subject, discovering your themes, and building your book, be it fiction or nonfiction. Respect your subject, your material, yourself, and your reader, Gerard urges. Work with integrity, and don't let your experiences (or lack thereof) restrict you. According to Gerard, "No subject is off limits. To any writer. Ever." --Jane SteinbergAbout the Author:
Philip Gerard is the author of three novels and Creative Nonfiction, and is the co-editor of Writing Creative Nonfiction. His work has appeared in numerous magazines, and his radio essays are heard regularly on National Public Radio's All Things Considered. He is the director of the creative writing program at the University of North Carolina at Wilmington.
"About this title" may belong to another edition of this title.
Book Description Story Pr, 2002. Paperback. Condition: New. Brand New!. Seller Inventory # VIB1884910564
Book Description Story Pr, 2002. Paperback. Condition: New. Never used!. Seller Inventory # P111884910564
Book Description Condition: New. New. Seller Inventory # STRM-1884910564