Southeast Museum of Photography at Daytona Be [Published date: 1996]. Exhibition Catalog for exhibition entitled "Land of Paradox" that toured the United States in 1996-1997 .Soft cover, 64 pp. Features the photography of Yuji Saiga, Naoya Hatakeyama, Norio Kobayashi and Toshio Yamane. [From Foreword] Unlike the visual arts of its indigenous traditions, photography in Japan is inextricably related to the history of its relations with other cultures. The first successful photographic images produced in Japan were daguerreotypes made by Eliphalet Brown, Jr., of Philadelphia, who accompanied Commodore Perry in his 1854 "opening" of Japan. In the 1870s, the first Japanese photographer of note, Kusakabe Kimbei, was trained in Yokohoma as an assistant by the Italian, Felice Beato . . . Today Japan is familiar to many of us in its technology and affluence, but it also retains overtones of the impenetrable in our perceptions of its insularity, aestheticism and spirituality. As Americans, we may look to the photographs of Land of Paradox for insights into a culture we do not and perhaps cannot know, but we may simultaneously find in them a reassurance of art's universality. The four bodies of work presented here may inform us of the particular sensibilities of particular Japanese at a particular place and time. In addition, however, they allow us the experience of objects we will include in our own constructs.That we may do this, even without profound knowledge of the language and history from which they have emerged, is the unironic paradox of the exhibitions title, transcending cliches of Oriental inscrutability for a consideration of the paradox of knowledge itself.
"synopsis" may belong to another edition of this title.
Seller: ThriftBooks-Atlanta, AUSTELL, GA, U.S.A.
Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less. Seller Inventory # G1887040161I4N00
Seller: Better World Books, Mishawaka, IN, U.S.A.
Condition: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Seller Inventory # 4300379-6
Seller: Epilonian Books, Manhattan Beach, CA, U.S.A.
Paperback. Condition: Good. Southeast Museum of Photography at Daytona Be [Published date: 1996]. Exhibition Catalog for exhibition entitled "Land of Paradox" that toured the United States in 1996-1997 .Soft cover, 64 pp. In good+ condition. Red black and white soft covers have light bumping and creasing to edges and light overall scuffing. Binding tight. Pages clean and unmarked. NOT Ex-library. NO remainder marks. Features the photography of Yuji Saiga, Naoya Hatakeyama, Norio Kobayashi and Toshio Yamane. [From Foreword] Unlike the visual arts of its indigenous traditions, photography in Japan is inextricably related to the history of its relations with other cultures. The first successful photographic images produced in Japan were daguerreotypes made by Eliphalet Brown, Jr., of Philadelphia, who accompanied Commodore Perry in his 1854 "opening" of Japan. In the 1870s, the first Japanese photographer of note, Kusakabe Kimbei, was trained in Yokohoma as an assistant by the Italian, Felice Beato . . . Today Japan is familiar to many of us in its technology and affluence, but it also retains overtones of the impenetrable in our perceptions of its insularity, aestheticism and spirituality. As Americans, we may look to the photographs of Land of Paradox for insights into a culture we do not and perhaps cannot know, but we may simultaneously find in them a reassurance of art's universality. The four bodies of work presented here may inform us of the particular sensibilities of particular Japanese at a particular place and time. In addition, however, they allow us the experience of objects we will include in our own constructs.That we may do this, even without profound knowledge of the language and history from which they have emerged, is the unironic paradox of the exhibitions title, transcending cliches of Oriental inscrutability for a consideration of the paradox of knowledge itself. Seller Inventory # 20210425015
Seller: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
paperback. Condition: Good. Good paperback, bumped/creased with shelfwear; may have previous owner's name inside. Oversized. Seller Inventory # mon0000166522
Seller: ANARTIST, New York, NY, U.S.A.
Softcover, 64 pages; very good condition; clean and crisp; no internal marks. Foreign shipping may be extra. Seller Inventory # LaGrSo15
Seller: Storm Mountain Books, Silver Spring, MD, U.S.A.
Paperback. Condition: Used: Very Good. FIRST EDITION. Daytona Beach: Southeast Museum of Photography, 1996. Oblong softcover in stiff decorated wraps. Very good overall condition. No underlining, etc., NOT EX-LIBRARY. (pc). Seller Inventory # 0817J417531
Seller: Resource for Art and Music Books, Ivoryton, CT, U.S.A.
Paperback. Condition: Near Fine. First Edition. 64 pp.; chiefly color plates, 24 x 27 cm.: Firm binding, no ownership markings, sharp corners, light rubbing to wraps: Well packaged in a box, ships with tracking. Seller Inventory # 240831006
Seller: Schindler-Graf Booksellers, Westlake, OH, U.S.A.
Paperback. Condition: New. Unread softcover in new condition with only a trace of faint shelfwear. No marks or flaws. Seller Inventory # 4J-18PN-J9XC
Seller: Buchpark, Trebbin, Germany
Condition: Sehr gut. Zustand: Sehr gut | Produktart: Bücher | Keine Beschreibung verfügbar. Seller Inventory # 42467323/202
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