A powerful tale of a young woman’s quest to unearth her identity, lost between cultures and families.
“Spiked with humor and expertly rendered, Kirsten Dinnall Hoyte’s debut novel depicts the continual struggle a young woman undergoes as she tries to find balance among the multiple cultural worlds she traverses. Delightful, authentic, wise and complex, Black Marks is a vision of what it means to be completely human.” ―Patricia Powell, author of The Pagoda
Black Marks is the story of Georgette Collins, who wakes up one day in her early thirties to discover she had no past. Everyone has had the experience of not quite fitting in at some point in their lives, but Georgette has grown up in between worlds: black and white, gay and straight, wealthy and working class, West Indian and American.
Throughout, Georgette tries to piece together these fractured worlds from her grandmother’s stories and her own fragmented memories, but she cannot make sense of her experiences. Each reinvention of herself is more disastrous than the last. Now, Georgette, an African-American librarian, is completely isolated; she is floating, unable to make connections with family, friends, and colleagues. Many mornings she wakes to find a man in her bed with no idea how he got there. Days are spent in a self-created bubble, which both protects her and separates her from others.
The narrative weaves back and forth in time, through Georgette’s childhood in Jamaica to her teenage immersion in Boston and New York nightlife, and into the reclusive silence of her adulthood, of the library. The story’s ambiguities remind the reader that there are not always easy answers for why one person may suffer, and neither are there always identifiable paths to recovery. Although depression and sadness play major roles in Georgette’s life, her first-person voice is intelligent, funny, and capable of both warmth and irony.
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KIRSTEN DINNALL HOYTE grew up in Lexington, MA. She is the winner of two Astraea Foundation awards: the 2005 Emerging Lesbian Writer Award and the 2001 Claire of the Moon Award. She has a BS from the Massachusetts Institute of Technology and an MFA from the University of Iowa. Her fiction, essays, and poetry have appeared in various publications, including the Harvard Review, the Minnesota Review, and Sojourner. She is currently a doctoral candidate at Harvard University. She lives and works in Concord, Massachusetts. Black Marks is her first novel.
"Black Marks employs the techniques of the old-fashioned quest narrative in exploring the extremely complex circumstances of modern American life. Although there are no dragons to be confronted, Georgette Collins is forced to confront, within herself, class and racial tensions, sexual and cultural choices, in her attempt to better understand herself and to learn and claim the sacred 'true-true name' inherited from her Jamaican ancestors. This is a much-needed contribution to contemporary American fiction."
--James A. McPherson, Pulitzer Prize-winning author of Elbow Room
"Spiked with humor and expertly rendered . . . Delightful, authentic, wise and, complex, Black Marks is a vision of what it means to be completely human."
--Patricia Powell, author of The Pagoda
"In this wonderfully intelligent novel, Kirsten Dinnall Hoyte explores a young woman's complicated struggle to come to terms with her fractured past. Full of vivid characters and lovely sensual details, Black Marks transports its readers effortlessly between the many worlds Georgette inhabits. A splendid debut."
--Margot Livesey, author of Banishing Verona
"Black Marks is an absorbing, highly imagined, and beautifully written novel. Kirsten Dinnall Hoyte rewards her readers with a brilliant interweaving of stories that capture a young women's movement into and out of different worlds as she searches for identity and attempts to make sense of her life."
--William Julius Wilson, author of The Declining Significance of Race
A young African-American artist's troubled, emotionally dislocated experience in Cambridge, Mass., and Jamaica comprises Hoyte's uneven, structurally disorienting debut. Georgette Collins is the product of wealthy, well-connected black parents in Cambridge, who divorce and send the youngster to her grandmother Nina's house in Kingston, Jamaica, for summer vacations in the early 1980s. Georgette learns patois and absorbs Nina's fabulous stories, while back in Boston she attends the all-girls' Ellis School, where she possesses the only Afro in a sea of smooth ponytails. Years later, after college at Harvard and coming out as a lesbian, Georgette works as a librarian at the Boston Public Library. Her ruptured narrative reveals a troubling (and fairly incredible) loss of memory: she awakens one day in her early 30s to discover she has "no past." Georgette embarks on an aimless chain of self-destructive behavior, such as sleeping with men she can't remember picking up and avoiding people at her job because of her "blank slate of... mind." Gradually, Hoyte fills in some gaps: her stint as the "kept woman" of a controlling rich white lover, Amanda, alcoholism and psychiatric counseling. Hoyte lays out a sympathetic catalogue of Georgette's painful struggles, but her narrator's memory loss makes for an awkward dramatization of feelings of alienation. (Feb.)
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