1: Ear Training: Two Note Volume One with CD

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9781890944315: 1: Ear Training: Two Note Volume One with CD
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Ear Training: Two Note Beginning Level Volume One is the next level up from the Ear Training: One Note Series. It is recommended to master the Ear Training: One Note Series before attempting this book. This method for developing relative pitch ear training and key modulation recognition has been used with great success and through the series of books/CDs one can obtain outstanding pitch recognition abilities. There are three levels to the Two Note ear training method, Beginning, Intermediate and Advanced. It is recommended that all levels of the Two Note:Beginning Level are mastered before moving on to the Intermediate level. Muse-eek also features a FAQ section where students can direct questions that may arise as they work to the author, and which are generally answered within two days. This book is a required text at the New York University and Princeton University Music departments.

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From the Publisher:

Mr. Arnold's new ear training course is a first of it's kind available. He has taken the time to give students a detailed explanation of what works and what doesn't work when it comes to ear training. This book is the ear training part of a series of books which are meant to be used together. If you are serious about improving your aural perception and basic musicianship it is recommended that you work with this book in combination with the following:

1. KEY NOTE RECOGNITION ISBN 1-890944-30-3

This ear training book covers identifying single notes against a key center which prepares the student for the two note ear training method.

2. A FANATIC's GUIDE TO EAR TRAINING AND SIGHT SINGING ISBN 1-890944-19-X

This book and CD present a method for developing good pitch recognition through sight singing.

From the Author:

This book was developed from years of experience teaching ear training. I have taught at many universities where I found their ear training courses to be geared more toward passing a course than truly attaining an educated ear. I also know the shortcomings of the methods taught in High Schools and College level courses because I had to take many of them. I got an A in them all, but I still couldn't hear what other people were playing when I got on the bandstand. The course of study presented here is quite simple, in a way. You just need to listen to the examples on the CD until you memorize the sound of each note against a key center. To troubleshoot pitfalls I have included 6 pages of common mistakes made by students (and teachers). I always tell my students: If you learn anything from me, learn this method of ear training. It will change your musical life dramatically.

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