Slow Curve Out

4 avg rating
( 2 ratings by Goodreads )
 
9781897141502: Slow Curve Out

Slow Curve Out, Maureen Scott Harris's new collection, gathers meditative poems of sensory engagement with both human and nonhuman worlds. The poet strives to see and hear the world clearly, trusting perception and experience before idea. Alert for resonances both among things and between inner and outer worlds, the poems ask us to adjust our sense of what it is to be human, to give up our (false) separation from the rest of the living world, and to recognize and celebrate our embeddedness in the web of relationships that constitutes life on Earth. Walking as well as looking and listening, the poems meander through a world that includes chickadees, crows, ravens, weather, rivers, valleys, dogs, traffic jams, prairie, deaths, births, weddings, mothers, fathers, daughters, languages, bones, dreams and more. Here beauty and pain coexist, and neither experience nor thought is fixed. How, the poems ask, does one keep one's balance? Pay attention is their answer. Enacting a longing to be at home, both in the world and in the self, aware of the permeability of human consciousness, they say be here and notice the other presences--you're not alone. Previous books and chapbooksWeathering: a group poem (a chapbook, with Ruth Roach Pierson, Sue Chenette, Patria Rivera, Julie Roorda). Silver Maple Press, 2008. (Republished online in Poemeleon, May 2010)The Raven and the Writing Desk (a chapbook, with Kelley Aitken). JackPine Press, 2007Drowning Lessons, Pedlar Press, Toronto, ON, 2004The World Speaks (a chapbook) Junction Books, Toronto, ON, 200A Possible Landscape, Brick Books, London, ON., Nov. 1993

"synopsis" may belong to another edition of this title.

About the Author:

MAUREEN SCOTT HARRIS is a poet and essayist based in Toronto. Her second collection of poems, Drowning Lessons (Pedlar Press), was published in 2004 and that year won the Ontario Trillium Book Award for Poetry. Recent awards include the WildCare Tasmania Nature Writing Prize (2009), The LBJ/Avian Life/Literary Arts Sparrow Prize for Prose (2008), Second Prize in CV2's Two-Day Poem Contest (2007) and First Prize in Prairie Fire's Creative Non-Fiction Contest (2006).

Review:

I m interested in the way we are drawn to write about certain ideas or topics or people. In my experience poems often rise from the side, unexpectedly, like things glimpsed out of the corner of the eye. It feels like something that wants attention has presented itself to me. The most vivid example I have of this is The Drowned Boy sequence of poems in _Drowning Lessons_. In 1998 I was at the Sage Hill Fall Poetry Colloquium working on a manuscript I thought nearly finished. Tim Lilburn was the colloquium leader; he suggested that, as well as revising existing work, we undertake to write new poems, one every two or three days. One day I was wandering around the grounds of St. Peter s, dizzy with October sunlight falling on yellow elms and pale gold stubble, when the image of a drowned boy floated into my mind. It unnerved me, and I didn t want to write about it. But it/he would not go away. Thinking to be done with him I finally wrote The Drowned Boy, but that wasn t the end. He insisted he had a life, and eventually, over the next several years, I ended up with a sequence of thirteen poems. But to get back to beginnings: . . . I don t think my poems begin in any single way. They often are responses to events in my life or that impinge on me. I ve been moved to write by other poems or by works of art, sometimes by an overheard phrase or even a headline. But the main source for me for many years has been nature. If I look at my books, _A Possible Landscape_ grew out of my attempt to discover whether or not I was a poet I d stopped writing for several years, feeling there was nothing in my life to write about. Then I discovered the poetry that was coming out of the women 's movement. I drew on fairy tales and nursery rhymes as well as details of domestic life, wanting to reclaim that material for poetry. _Drowning Lessons_ continued the work of reclamation, expanding it to include and celebrate the prairies where I grew up. It 's also preoccupied with grief and mournin

"Ia (TM)m interested in the way we are drawn to write about certain ideas or topics or people. In my experience poems often rise from the side, unexpectedly, like things glimpsed out of the corner of the eye. It feels like something that wants attention has presented itself to me. The most vivid example I have of this is a The Drowned Boya sequence of poems in _Drowning Lessons_. In 1998 I was at the Sage Hill Fall Poetry Colloquium working on a manuscript I thought nearly finished. Tim Lilburn was the colloquium leader; he suggested that, as well as revising existing work, we undertake to write new poems, one every two or three days. One day I was wandering around the grounds of St. Petera (TM)s, dizzy with October sunlight falling on yellow elms and pale gold stubble, when the image of a drowned boy floated into my mind. It unnerved me, and I didna (TM)t want to write about it. But it/he would not go away. Thinking to be done with him I finally wrote a The Drowned Boy, a but that wasna (TM)t the end. He insisted he had a life, and eventually, over the next several years, I ended up with a sequence of thirteen poems. But to get back to beginnings: . . . I dona (TM)t think my poems begin in any single way. They often are responses to events in my life or that impinge on me. Ia (TM)ve been moved to write by other poems or by works of art, sometimes by an overheard phrase or even a headline. But the main source for me for many years has been nature. If I look at my books, _A Possible Landscape_ grew out of my attempt to discover whether or not I was a poeta a "a Ia (TM)d stopped writing for several years, feeling there was nothing in my life to write about. Then I discovered the poetry that was coming out of the womena (TM)s movement. I drew on fairy tales and nursery rhymes as well as details of domestic life, wanting to reclaim that material for poetry. _

"I'm interested in the way we are drawn to write about certain ideas or topics or people. In my experience poems often rise from the side, unexpectedly, like things glimpsed out of the corner of the eye. It feels like something that wants attention has presented itself to me. The most vivid example I have of this is "The Drowned Boy" sequence of poems in _Drowning Lessons_. In 1998 I was at the Sage Hill Fall Poetry Colloquium working on a manuscript I thought nearly finished. Tim Lilburn was the colloquium leader; he suggested that, as well as revising existing work, we undertake to write new poems, one every two or three days. One day I was wandering around the grounds of St. Peter's, dizzy with October sunlight falling on yellow elms and pale gold stubble, when the image of a drowned boy floated into my mind. It unnerved me, and I didn't want to write about it. But it/he would not go away. Thinking to be done with him I finally wrote "The Drowned Boy," but that wasn't the end. He insisted he had a life, and eventually, over the next several years, I ended up with a sequence of thirteen poems. But to get back to beginnings: . . . I don't think my poems begin in any single way. They often are responses to events in my life or that impinge on me. I've been moved to write by other poems or by works of art, sometimes by an overheard phrase or even a headline. But the main source for me for many years has been nature. If I look at my books, _A Possible Landscape_ grew out of my attempt to discover whether or not I was a poet?--?I'd stopped writing for several years, feeling there was nothing in my life to write about. Then I discovered the poetry that was coming out of the women's movement. I drew on fairy tales and nursery rhymes as well as details of domestic life, wanting to reclaim that material for poetry. _Drowning Lessons_ continued the work of reclamation, expanding it to include and celebrate the prairies where I grew up. It's also preoccupied with grief and mourning as I tried to confront the losses that occur in a life." from Contemporary Verse 2, an excerpt of an interview between Harris and poet Jan Horner

"About this title" may belong to another edition of this title.

Buy New View Book
List Price: US$ 18.00
US$ 13.78

Convert Currency

Shipping: FREE
From United Kingdom to U.S.A.

Destination, Rates & Speeds

Add to Basket

Top Search Results from the AbeBooks Marketplace

1.

Maureen Scott Harris, Maureen Harris
Published by Pedlar Press, United States (2012)
ISBN 10: 1897141505 ISBN 13: 9781897141502
New Paperback Quantity Available: 1
Seller
The Book Depository
(London, United Kingdom)
Rating
[?]

Book Description Pedlar Press, United States, 2012. Paperback. Book Condition: New. 216 x 140 mm. Language: English . Brand New Book. Slow Curve Out, Maureen Scott Harris s new collection, gathers meditative poems of sensory engagement with both human and nonhuman worlds. The poet strives to see and hear the world clearly, trusting perception and experience before idea. Alert for resonances both among things and between inner and outer worlds, the poems ask us to adjust our sense of what it is to be human, to give up our (false) separation from the rest of the living world, and to recognize and celebrate our embeddedness in the web of relationships that constitutes life on Earth. Walking as well as looking and listening, the poems meander through a world that includes chickadees, crows, ravens, weather, rivers, valleys, dogs, traffic jams, prairie, deaths, births, weddings, mothers, fathers, daughters, languages, bones, dreams and more. Here beauty and pain coexist, and neither experience nor thought is fixed. How, the poems ask, does one keep one s balance? Pay attention is their answer. Enacting a longing to be at home, both in the world and in the self, aware of the permeability of human consciousness, they say be here and notice the other presences--you re not alone. Previous books and chapbooksWeathering: a group poem (a chapbook, with Ruth Roach Pierson, Sue Chenette, Patria Rivera, Julie Roorda). Silver Maple Press, 2008. (Republished online in Poemeleon, May 2010)The Raven and the Writing Desk (a chapbook, with Kelley Aitken). JackPine Press, 2007Drowning Lessons, Pedlar Press, Toronto, ON, 2004The World Speaks (a chapbook) Junction Books, Toronto, ON, 200A Possible Landscape, Brick Books, London, ON., Nov. 1993. Bookseller Inventory # AAC9781897141502

More Information About This Seller | Ask Bookseller a Question

Buy New
US$ 13.78
Convert Currency

Add to Basket

Shipping: FREE
From United Kingdom to U.S.A.
Destination, Rates & Speeds

2.

Maureen Scott Harris, Maureen Harris
Published by Pedlar Press, United States (2012)
ISBN 10: 1897141505 ISBN 13: 9781897141502
New Paperback Quantity Available: 1
Seller
The Book Depository US
(London, United Kingdom)
Rating
[?]

Book Description Pedlar Press, United States, 2012. Paperback. Book Condition: New. 216 x 140 mm. Language: English . Brand New Book. Slow Curve Out, Maureen Scott Harris s new collection, gathers meditative poems of sensory engagement with both human and nonhuman worlds. The poet strives to see and hear the world clearly, trusting perception and experience before idea. Alert for resonances both among things and between inner and outer worlds, the poems ask us to adjust our sense of what it is to be human, to give up our (false) separation from the rest of the living world, and to recognize and celebrate our embeddedness in the web of relationships that constitutes life on Earth. Walking as well as looking and listening, the poems meander through a world that includes chickadees, crows, ravens, weather, rivers, valleys, dogs, traffic jams, prairie, deaths, births, weddings, mothers, fathers, daughters, languages, bones, dreams and more. Here beauty and pain coexist, and neither experience nor thought is fixed. How, the poems ask, does one keep one s balance? Pay attention is their answer. Enacting a longing to be at home, both in the world and in the self, aware of the permeability of human consciousness, they say be here and notice the other presences--you re not alone. Previous books and chapbooksWeathering: a group poem (a chapbook, with Ruth Roach Pierson, Sue Chenette, Patria Rivera, Julie Roorda). Silver Maple Press, 2008. (Republished online in Poemeleon, May 2010)The Raven and the Writing Desk (a chapbook, with Kelley Aitken). JackPine Press, 2007Drowning Lessons, Pedlar Press, Toronto, ON, 2004The World Speaks (a chapbook) Junction Books, Toronto, ON, 200A Possible Landscape, Brick Books, London, ON., Nov. 1993. Bookseller Inventory # AAC9781897141502

More Information About This Seller | Ask Bookseller a Question

Buy New
US$ 14.29
Convert Currency

Add to Basket

Shipping: FREE
From United Kingdom to U.S.A.
Destination, Rates & Speeds

3.

Scott Harris, Maureen
Published by Litdistco (2012)
ISBN 10: 1897141505 ISBN 13: 9781897141502
New Quantity Available: 2
Seller
Pbshop
(Wood Dale, IL, U.S.A.)
Rating
[?]

Book Description Litdistco, 2012. PAP. Book Condition: New. New Book.Shipped from US within 10 to 14 business days. Established seller since 2000. Bookseller Inventory # IB-9781897141502

More Information About This Seller | Ask Bookseller a Question

Buy New
US$ 10.31
Convert Currency

Add to Basket

Shipping: US$ 3.99
Within U.S.A.
Destination, Rates & Speeds

4.

Scott Harris, Maureen
Published by Pedlar Press (2012)
ISBN 10: 1897141505 ISBN 13: 9781897141502
New Paperback Quantity Available: 1
Seller
Murray Media
(North Miami Beach, FL, U.S.A.)
Rating
[?]

Book Description Pedlar Press, 2012. Paperback. Book Condition: New. Bookseller Inventory # 1897141505

More Information About This Seller | Ask Bookseller a Question

Buy New
US$ 11.49
Convert Currency

Add to Basket

Shipping: US$ 2.99
Within U.S.A.
Destination, Rates & Speeds

5.

Maureen Scott Harris
ISBN 10: 1897141505 ISBN 13: 9781897141502
New Paperback Quantity Available: 1
Seller
Grand Eagle Retail
(Wilmington, DE, U.S.A.)
Rating
[?]

Book Description Paperback. Book Condition: New. Paperback. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. 112 pages. Bookseller Inventory # 9781897141502

More Information About This Seller | Ask Bookseller a Question

Buy New
US$ 18.80
Convert Currency

Add to Basket

Shipping: FREE
Within U.S.A.
Destination, Rates & Speeds

6.

Harris, Maureen Scott/ Follett, Beth (EDT)
Published by Litdistco
ISBN 10: 1897141505 ISBN 13: 9781897141502
New Quantity Available: 1
Seller
Blackwell's
(Oxford, OX, United Kingdom)
Rating
[?]

Book Description Litdistco. Book Condition: New. Bookseller Inventory # 9781897141502

More Information About This Seller | Ask Bookseller a Question

Buy New
US$ 15.21
Convert Currency

Add to Basket

Shipping: US$ 5.76
From United Kingdom to U.S.A.
Destination, Rates & Speeds

7.

Maureen Scott Harris
Published by Pedlar Press
ISBN 10: 1897141505 ISBN 13: 9781897141502
New Paperback / softback Quantity Available: 1
Seller
THE SAINT BOOKSTORE
(Southport, United Kingdom)
Rating
[?]

Book Description Pedlar Press. Paperback / softback. Book Condition: new. BRAND NEW, Slow Curve Out, Maureen Scott Harris. Bookseller Inventory # B9781897141502

More Information About This Seller | Ask Bookseller a Question

Buy New
US$ 13.37
Convert Currency

Add to Basket

Shipping: US$ 7.61
From United Kingdom to U.S.A.
Destination, Rates & Speeds

8.

Scott Harris, Maureen
Published by PEDLAR PR (2012)
ISBN 10: 1897141505 ISBN 13: 9781897141502
New Quantity Available: 2
Seller
Books2Anywhere
(Fairford, GLOS, United Kingdom)
Rating
[?]

Book Description PEDLAR PR, 2012. PAP. Book Condition: New. New Book. Shipped from US within 10 to 14 business days. Established seller since 2000. Bookseller Inventory # IB-9781897141502

More Information About This Seller | Ask Bookseller a Question

Buy New
US$ 9.80
Convert Currency

Add to Basket

Shipping: US$ 11.53
From United Kingdom to U.S.A.
Destination, Rates & Speeds

9.

Maureen Scott Harris
Published by Pedlar Pr
ISBN 10: 1897141505 ISBN 13: 9781897141502
New Paperback Quantity Available: 1
Seller
BuySomeBooks
(Las Vegas, NV, U.S.A.)
Rating
[?]

Book Description Pedlar Pr. Paperback. Book Condition: New. Paperback. 93 pages. Dimensions: 8.5in. x 5.5in. x 0.4in.Slow Curve Out, Maureen Scott Harriss new collection, gathers meditative poems of sensory engagement with both human and nonhuman worlds. The poet strives to see and hear the world clearly, trusting perception and experience before idea. Alert for resonances both among things and between inner and outer worlds, the poems ask us to adjust our sense of what it is to be human, to give up our (false) separation from the rest of the living world, and to recognize and celebrate our embeddedness in the web of relationships that constitutes life on Earth. Walking as well as looking and listening, the poems meander through a world that includes chickadees, crows, ravens, weather, rivers, valleys, dogs, traffic jams, prairie, deaths, births, weddings, mothers, fathers, daughters, languages, bones, dreams and more. Here beauty and pain coexist, and neither experience nor thought is fixed. How, the poems ask, does one keep ones balance Pay attention is their answer. Enacting a longing to be at home, both in the world and in the self, aware of the permeability of human consciousness, they say be here and notice the other presencesyoure not alone. Previous books and chapbooksWeathering: a group poem (a chapbook, with Ruth Roach Pierson, Sue Chenette, Patria Rivera, Julie Roorda). Silver Maple Press, 2008. (Republished online in Poemeleon, May 2010)The Raven and the Writing Desk (a chapbook, with Kelley Aitken). JackPine Press, 2007Drowning Lessons, Pedlar Press, Toronto, ON, 2004The World Speaks (a chapbook) Junction Books, Toronto, ON, 200A Possible Landscape, Brick Books, London, ON. , Nov. 1993 This item ships from multiple locations. Your book may arrive from Roseburg,OR, La Vergne,TN. Paperback. Bookseller Inventory # 9781897141502

More Information About This Seller | Ask Bookseller a Question

Buy New
US$ 17.63
Convert Currency

Add to Basket

Shipping: US$ 3.95
Within U.S.A.
Destination, Rates & Speeds

10.

Scott Harris, Maureen; Harris, Maureen
Published by Pedlar Press
ISBN 10: 1897141505 ISBN 13: 9781897141502
New PAPERBACK Quantity Available: 1
Seller
Lakeside Books
(Benton Harbor, MI, U.S.A.)
Rating
[?]

Book Description Pedlar Press. PAPERBACK. Book Condition: New. 1897141505 Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from us and you get great service as well as a great price! Your business is valued and your satisfaction is guaranteed! Some items may NOT be available for International Shipping. Please contact us about a particular item. Bookseller Inventory # OTF-9781897141502

More Information About This Seller | Ask Bookseller a Question

Buy New
US$ 19.35
Convert Currency

Add to Basket

Shipping: US$ 3.99
Within U.S.A.
Destination, Rates & Speeds

There are more copies of this book

View all search results for this book