About the Author:
David Fraser Jenkins was a curator at the National Museum of Wales, where he first met the artist. Hugh Fowler-Wright has written about John Piper’s diverse and extensive creativity in Piper in Print and Creative Partnerships.
Review:
"Fraiser Jenkins sets out his facts clearly and constructively. Each opinion is backed up by evidence and linked to the next, a linkage that is usually intuitive and revealing. This densely researched book leaves us with a much greater sense of the artist's singularity and his limitations, the dogged certitude he showed in developing his art in isolation from the mainstream." (Times Literary Supplement)
"Generously illustrated, with more than 300 images, most in color, this coffee-table-size volume will be valued for its comprehensive overview of Piper’s art-making career and for its range of images, including not just Piper’s celebrated prints and paintings but also his stage designs, stained glass, mosaics, and ceramics. The full range of Piper’s distinctive imagery is on display here, notably the still lifes, landscapes, renderings of rural churches and historic buildings, and depictions of picturesque ruins that earned him a key place amid the modern romantic painters of the 1930s and 1940s. The book is biographical in approach, and of particular interest to historians will be the chapter that explores the abstract works Piper created during production of the modernist periodical Axis, edited by his soon-to-be wife, Myfanwy Evans. The book's 41-page, richly illustrated 'gazetteer' includes a selection of Piper’s public commissions (1955–79), among them an ambitious program of stained glass for Coventry Cathedral. Highly recommended." (Choice)
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