This book explores the influence of Jewish composers, performers, and patrons on the musical culture of Vienna and, more generally, their lasting contributions to the development of music. The essays collected here shed light on the Jewish-Austrian musical symbiosis which ended so brutally and tragically by the 1930s. Topics include the role of Jews in the founding of Vienna's most important classical music institutions; Jews and popular music; the fin de siècle conflict between the avant-garde and the reactionaries; and the so-called Vienna-Berlin axis.
The book concludes with a critical look at Vienna after 1945. Included in the book are two CDs; the first contains examples of Viennese classical music, with excerpts of works by Krenek, Schoenberg, Mahler, and others, while the second samples Viennese popular music of the era, with operetta excerpts and music from such Viennese composers as Kurt Weil and Max Steiner.
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Leon Botstein is President of Bard College, where he is also Leon Levy Professor in the Arts and Humanities. He is Music Director of the American Symphony Orchestra, the Jerusalem Symphony, and the American Russian Young Artists Orchestra. His many publications include Jefferson's Children: Learning and the Promise of a Democratic Culture and Judentum und Modernität. Werner Hanak is Curator at the Jewish Museum, Vienna, where he has curated numerous exhibitions. Since 1998, he has taught at the Institute for Film, Theater, and Media at the University of Vienna.
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Softbound. Condition: Very Good. Quarto, paper covers with flaps, 204 pp., b/w photos, idex of names, selected bibliography, contributors,checklist of theexhibition, lenders to the exhibition, thanks, two CDs in a pocket on the rear cover With the essays, "'I am Lost to the World': Prerequisites for a Music Exhibition," Karl Albrecht-Weinberger, "Foreword," Sylvia Axelrod Herskowitz, "Introduction: Tragedy and Irony of Success: Locating Jews in the Musical Life of Vienna," Leon Botstein, "Vienna: Jews and the City of Music: The Dramaturgy of an Exhibition," Werner Hanak, "Jewish Families, Compors, and Musicians of Vienna in the First Half of the Nineteenth Century," Otto Biba, "Jewish Liturgical Musicin Vienna: A Mirrorof Cultural Diversity," Tina Früauf, "An Endgame's 'Dramatis personae': Jewish Popular Music in the PublicSpaces of the Habsburg Monarchy," Philip V. Bohlman, "'Ei singendes, klingendes Märchen': The Glorification of Vienna in Works by Jewish Composers and Librettists of Operetta," Sara Trampuz, Wolfgang Dosch, "Grüß mir mein Wien': Chalres Kalman in Conversation," Trampuz, Dosch, "Women and the Musical Aesthetics of the Bourgeoisie," Elisabeth Derow-Turnauer, "Erica Morini - A Tentative Approach," Elena Ostleitner, "Vienna's Musical Life Between the Wars," Hartmut Krones, "Between Modernism and Entertainment: The Musical Axix Vienna - Berlin," Albrecht Dümling, "Cultivating Perception: The Orpheus Trust - A Non-Profit Organization Dedicted to Researching, Documenting, and Promoting the Awareness of Persecuted and Exiled Music and Musicians," Primavera Gruber, "Leoanrd Bernstein in Vienna," Michael P. Steinberg, "quasi una fantasia - The CDs," Michael Haas. Seller Inventory # 94221
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