Items related to The Maya Vase Conservation Project

The Maya Vase Conservation Project - Hardcover

 
9781931707879: The Maya Vase Conservation Project

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Museum goers are always fascinated by behind-the-schemes glimpses of the way museum professionals prepare artifacts and works of art for exhibit and study. In this richly illustrated, step-by-step presentation, Grant describes the problems of conserving and preserving the only provenienced collection of a group of 19 important Maya vases excavated early in the twentieth century in Chama, Guatemala, by Robert Burkitt, an early investigator for the University Museum. This polychrome pottery was crafted in a unique style that emerged suddenly, flowered briefly in the early eighth century AD, and within 50 years ceased to be made. The gifted Chamá artists, whose control of color, line, and composition has been admired by collectors as well as curators, were also appreciated by other ancient Maya artists, who placed pictures of Chamá-style vessels in the narrative scenes painted on other polychromes.

Yet almost nothing is known archaeologically about this Maya site, its people, the reasons for the ceramic florescence, or for its demise. Grant explains the conservation process in lay terms, discussing why conservation is necessary, how it is done, what materials are used, and what the results are. The clearly accessible narrative, with full-color photographs illustrating all steps of the process to complement the text, includes such topics as the importance of the pots to Maya studies, their early excavation history, why they needed conservation, what the conservation process entails, how conservators do what they do and why, and special documentation techniques including multispectral imaging and residue analysis.

While the book focuses on conservation rather than the individual vessels, an accompanying CD-ROM, with 280 full-color images, illustrates each of the vessels before, during, and after treatment. Content of the book's CD-ROM may be found online at this location: http://core.tdar.org/project/376581.

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Hardcover. Condition: Near Fine. 1st Edition. 109 pp. Tightly bound. Corners not bumped. Text is free of markings. No ownership markings. Very good dust jacket. NOTE: CONTAINS CD-ROM. This copy is smyth sewn. Smyth sewing is a method of bookbinding where groups of folded pages (referred to as signatures) are stitched together using binder thread. Each folded signature is sewn together individually with multiple stitches and then joined with other signatures to create the complete book block. This is the traditional and best method of bookbinding. Seller Inventory # 084826

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Hardcover. Condition: Near Fine. Dust Jacket Included. 2006. Mesoamerica, Art. University of Pennsylvania Museum of Archaeology and Anthropology/ very good - near fine green cloth and very good to near fine dust jacket 109p. Plus cd 11/23. Seller Inventory # -29208105

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Published by University of Pennsylvania, 2006
ISBN 10: 1931707871 ISBN 13: 9781931707879
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Hardcover. Condition: New. Dust Jacket Condition: New. New oversized hardcover in a new dust jacket. Pages are clean and free of marks or underlining. (7 x 0.5 x 10 inches) Includes a index, glossary, photos, figures, and a CD. 128 pp. Fast shipping in a secure book box mailer with tracking. Museum goers are always fascinated by behind-the-schemes glimpses of the way museum professionals prepare artifacts and works of art for exhibit and study. In this richly illustrated, step-by-step presentation, Grant describes the problems of conserving and preserving the only provenienced collection of a group of 19 important Maya vases excavated early in the twentieth century in Chama, Guatemala, by Robert Burkitt, an early investigator for the University Museum. This polychrome pottery was crafted in a unique style that emerged suddenly, flowered briefly in the early eighth century AD, and within 50 years ceased to be made. The gifted Chamá artists, whose control of color, line, and composition has been admired by collectors as well as curators, were also appreciated by other ancient Maya artists, who placed pictures of Chamá-style vessels in the narrative scenes painted on other polychromes. Yet almost nothing is known archaeologically about this Maya site, its people, the reasons for the ceramic florescence, or for its demise. Grant explains the conservation process in lay terms, discussing why conservation is necessary, how it is done, what materials are used, and what the results are. The clearly accessible narrative, with full-color photographs illustrating all steps of the process to complement the text, includes such topics as the importance of the pots to Maya studies, their early excavation history, why they needed conservation, what the conservation process entails, how conservators do what they do and why, and special documentation techniques including multispectral imaging and residue analysis. While the book focuses on conservation rather than the individual vessels, an accompanying CD-ROM, with 280 full-color images, illustrates each of the vessels before, during, and after treatment. Seller Inventory # 201300

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Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. Original hardcover in jacket, about 7 x 10, stated 1st edition, 109 pages, index, many full-color photographs. Condition: Looks almost new; appears to have slight publisher glue that is slightly tacky at end of book at bottom corners a few page and page edges. It's really not severe and book is in excellent condition. Seller Inventory # ABE-1609086037866

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