Chien-Chi Chang: Double Happiness

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9781931788564: Chien-Chi Chang: Double Happiness
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For Taiwanese photographer Chien-Chi Chang, Double Happiness is an extremely personal project: “For years, my folks had been bugging me to get married,” he says, “and I wanted to show them how I view marriage in Taiwan. I'm not anti-marriage... but I had to do something to protest.” That was in 1994, and thus began Chang's fascination with the Taiwanese wedding industry. Double Happiness is the maturation of this original impetus. His first work on the topic was classically photojournalistic in approach, following the mainstream wedding industry as it manufactured strangers into brides and grooms. Almost ten years later, the work and his approach have evolved enormously, resulting in a body of work that addresses the fringes of the wedding industry: the voluntary importation of women from Vietnam and other poorer Asian countries into Taiwan for the purpose of brokered marriages. In this process, a selection of young women are displayed to the men who sign up for the service; if a man chooses one of the girls and she accepts the proposal, the marriage takes place within three days. The marriage broker handles the entire affair from selection process to ceremony. Chang offers a series of scenarios throughout the process such as selection, application and paperwork, and ceremony. The images are accompanied by interviews with the brokers, the men and women, and sample “interviews” that take place between the potential bride and grooms as they determine the suitability of their partners.
Chien-Chi Chang was born in 1961 in Taiwan. Over the past decade, he has worked in New York's Chinatown, documenting the lives of immigrants there. These pictures have appeared in National Geographic magazine, as well as the New Yorker, Time and German Geo. The series earned Chang first place in the category “Daily Life Story” from World Press Photo in 1999. That same year, Chang won a grant from the W. Eugene Smith Memorial Fund for humanistic photography and was awarded the Visa d'Or in magazine photography in Perpignan. He was named the Missouri/NPPA 1999 Magazine Photographer of the Year. His previous publication, The Chain (2001) is a collection of portraits made of inmates in a mental asylum in Taiwan. He has exhibited at the Taipei Fine Arts Museum, The Venice Biennale, and the Sao Paolo Bienal and at the International Center of Photography in New York. Chang is a member of Magnum Photos.

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About the Author:

Chien-Chi Chang was born in 1961 in Taiwan. Over the past decade, he has worked in New York’s Chinatown, documenting the lives of immigrants there. These pictures have appeared in National Geographic magazine, as well as the New Yorker, Time, and German GEO. The series earned Chang first place in the category “Daily Life Story” from World Press Photo in 1999. That same year, Chang won a grant from the W. Eugene Smith Memorial Fund for humanistic photography and was awarded the Visa d’Or in magazine photography in Perpignan. He was named the Missouri/NPPA 1999 Magazine Photographer of the Year. His previous publication, The Chain (2001) is a collection of portraits made of inmates in a mental asylum in Taiwan. He has exhibited at the Taipei Fine Arts Museum, The Venice Biennale, and the São Paolo Bienal, and at the International Center of Photography. Chang is a member of Magnum Photos.

From Publishers Weekly:

Taiwanese photographer Chang explores the disturbing world of the brokered marriage industry in this somewhat monotonous collection of black-and-white photographs. Over the past decade, more than 80,000 Taiwanese men have purchased and married Vietnamese brides, choosing them from rows and rows of silent young women, many of whom hail from poor farming families. Chang's photos document the transaction process, showing women waiting to be chosen, the couples undergoing pre-marital counselling and, finally, the wedding ceremonies in which the newlyweds share their first kiss. The images beautifully capture the women's painfully stoic facial expressions, as well as the emotional isolation of these prospective brides and grooms, who never look at one another, each seemingly in their own world. The wedding photographs seem to offer a glimmer of hope, though. While some of the women still look miserable, others appear genuinely excited about the life that awaits them. The structure of the book is awkward; instead of offering information about brokered marriages throughout, an essay by Claudia Dowling is simply inserted in the middle. Without much commentary to accompany them, the photos can seem repetitive, but this collection still offers an intriguing behind-the-scenes glimpse of an overlooked phenomenon.

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