78 Blues: Folksongs and Phonographs in the American South (American Made Music (Hardcover))

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9781934110195: 78 Blues: Folksongs and Phonographs in the American South (American Made Music (Hardcover))

When record men first traveled from Chicago or invited musicians to studios in New York, these entrepreneurs had no conception how their technology would change the dynamics of what constituted a musical performance. 78 Blues: Folksongs and Phonographs in the American South covers a revolution in artist performance and audience perception through close examination of hundreds of key "hillbilly" and "race" records released between the 1920s and World War II.

In the postwar period, regional strains recorded on pioneering 78 r.p.m. discs exploded into urban blues and R&B, honky-tonk and western swing, gospel, soul, and rock 'n' roll. These old-time records preserve the work of some of America's greatest musical geniuses such as Jimmie Rodgers, Robert Johnson, Charlie Poole, and Blind Lemon Jefferson. They are also crucial mile markers in the course of American popular music and the growth of the modern recording industry.

When these records first circulated, the very notion of recorded music was still a novelty. All music had been created live and tied to particular, intimate occasions. How were listeners to understand an impersonal technology like the phonograph record as a musical event? How could they reconcile firsthand interactions and traditional customs with technological innovations and mass media? The records themselves, several hundred of which are explored fully in this book, offer answers in scores of spoken commentaries and skits, in song lyrics and monologues, or other more subtle means.

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From the Publisher:

This study of the first "hillbilly" and "race" records and their impact on artists and audiences

- Offers the most in-depth study of southern folk-derived music on phonograph records before World War II

- Devotes equal attention to African American and Euro-American music

- Relates this topic to larger intellectual issues in the fields of folklore studies, music, popular culture, and media studies

- Expands the American Made Music Series

From the Inside Flap:

A study of the first "hillbilly" and "race" records and their impact on artists and audiences

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Published by University Press of Mississippi, United States (2008)
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Book Description University Press of Mississippi, United States, 2008. Hardback. Book Condition: New. Language: English . Brand New Book. When record men first traveled from Chicago or invited musicians to studios in New York, these entrepreneurs had no conception how their technology would change the dynamics of what constituted a musical performance. 78 Blues: Folksongs and Phonographs in the American South covers a revolution in artist performance and audience perception through close examination of hundreds of key hillbilly and race records released between the 1920s and World War II. In the postwar period, regional strains recorded on pioneering 78 r.p.m. discs exploded into urban blues and RB, honky-tonk and western swing, gospel, soul, and rock n roll. These old-time records preserve the work of some of America s greatest musical geniuses such as Jimmie Rodgers, Robert Johnson, Charlie Poole, and Blind Lemon Jefferson. They are also crucial mile markers in the course of American popular music and the growth of the modern recording industry. When these records first circulated, the very notion of recorded music was still a novelty. All music had been created live and tied to particular, intimate occasions. How were listeners to understand an impersonal technology like the phonograph record as a musical event? How could they reconcile firsthand interactions and traditional customs with technological innovations and mass media? The records themselves, several hundred of which are explored fully in this book, offer answers in scores of spoken commentaries and skits, in song lyrics and monologues, or other more subtle means. Bookseller Inventory # AAN9781934110195

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Book Description University Press of Mississippi, United States, 2008. Hardback. Book Condition: New. Language: English . Brand New Book. When record men first traveled from Chicago or invited musicians to studios in New York, these entrepreneurs had no conception how their technology would change the dynamics of what constituted a musical performance. 78 Blues: Folksongs and Phonographs in the American South covers a revolution in artist performance and audience perception through close examination of hundreds of key hillbilly and race records released between the 1920s and World War II. In the postwar period, regional strains recorded on pioneering 78 r.p.m. discs exploded into urban blues and RB, honky-tonk and western swing, gospel, soul, and rock n roll. These old-time records preserve the work of some of America s greatest musical geniuses such as Jimmie Rodgers, Robert Johnson, Charlie Poole, and Blind Lemon Jefferson. They are also crucial mile markers in the course of American popular music and the growth of the modern recording industry. When these records first circulated, the very notion of recorded music was still a novelty. All music had been created live and tied to particular, intimate occasions. How were listeners to understand an impersonal technology like the phonograph record as a musical event? How could they reconcile firsthand interactions and traditional customs with technological innovations and mass media? The records themselves, several hundred of which are explored fully in this book, offer answers in scores of spoken commentaries and skits, in song lyrics and monologues, or other more subtle means. Bookseller Inventory # AAN9781934110195

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