One could certainly say that Kelly Weber’s debut collection, We Are Changed to Deer at the Broken Place, depicts a non-binary experience that does not receive nearly enough representation in the literary landscape. While such an assertion would be factual, this kind of reading would underestimate Weber’s poetic gifts and the full range of the philosophical implications for her work. Weber writes, “What pulls a woman like me / out here alone, they want to know?” As she teases out possible answers to this question, Weber reveals―with remarkable lyricism and grace―the danger, richness, and multiplicity housed within solitary experience and within the individual subject. Adriana Cavererro, the famed scholar of vocal expression, once noted that thought itself is a collective endeavor, made possible by a shared cultural imagination. Weber reveals self as world, self as community in poems that situate an inherited tradition in conversation with postmodern innovation and undertheorized, urgently important concepts of identity. This is an unforgettable first book.
"synopsis" may belong to another edition of this title.
Kelly Weber (she/they) is the author of We Are Changed to Deer at the Broken Place. She is the reviews editor for Seneca Review and has been nominated for the Pushcart Prize. Their work has appeared or is forthcoming in a Best American Poetry Author Spotlight, Gulf Coast Online, Electric Literature’s The Commuter, Hayden’s Ferry Review Online, Southeast Review, Salamander, and elsewhere. She holds an MFA from Colorado State University.
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Trade Paperback. Condition: Near Fine. First Edition. A Near Fine copy of the First Edition (stated) with a touch of edgewear to black pictorial wraps. 86pp, 8inx8in. // 'One could certainly say that Kelly Weber's debut collection, We Are Changed to Deer at the Broken Place, depicts a non-binary experience that does not receive nearly enough representation in the literary landscape. While such an assertion would be factual, this kind of reading would underestimate Weber's poetic gifts and the full range of the philosophical implications for her work. Weber writes, 'What pulls a woman like me / out here alone, they want to know?' As she teases out possible answers to this question, Weber reveals-with remarkable lyricism and grace-the danger, richness, and multiplicity housed within solitary experience and within the individual subject. Adriana Cavererro, the famed scholar of vocal expression, once noted that thought itself is a collective endeavor, made possible by a shared cultural imagination. Weber reveals self as world, self as community in poems that situate an inherited tradition in conversation with postmodern innovation and undertheorized, urgently important concepts of identity. This is an unforgettable first book.' -- publisher. Seller Inventory # 642207
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