Dorothy Parker’s complete weekly New Yorker column about books and people and the rigors of reviewing.
When, in 1927, Dorothy Parker became a book critic for the New Yorker, she was already a legendary wit, a much-quoted member of the Algonquin Round Table, and an arbiter of literary taste. In the year that she spent as a weekly reviewer, under the rupic “Constant Reader,” she created what is still the most entertaining book column ever written. Parker’s hot takes have lost none of their heat, whether she’s taking aim at the evangelist Aimee Semple MacPherson (“She can go on like that for hours. Can, hell—does”), praising Hemingway’s latest collection (“He discards detail with magnificent lavishness”), or dissenting from the Tao of Pooh (“And it is that word ‘hummy,’ my darlings, that marks the first place in The House at Pooh Corner at which Tonstant Weader Fwowed up”).
Introduced with characteristic wit and sympathy by Sloane Crosley, Constant Reader gathers the complete weekly New Yorker reviews that Parker published from October 1927 through November 1928, with gimlet-eyed appreciations of the high and low, from Isadora Duncan to Al Smith, Charles Lindbergh to Little Orphan Annie, Mussolini to Emily Post
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Dorothy Parker née Rothschild (1898–1967), grew up on New York’s Upper West Side. She became famous for her comic poems, her short stories, her reviews, and her repartée, as recorded by the columnist Wolcott Gibbs over lunches at the Algonquin hotel. A prolific magazine contributor in her youth and a successful screenwriter (she co-wrote the original A Star is Born), she struggled all her life with alcoholism and wrote very little in her later decades, though continued to be a vocal champion of progressive causes, especially civil rights.
Sloane Crosley is the author of the essay collections I Was Told There’d Be Cake (a 2009 finalist for the Thurber Prize for American Humor), How Did You Get This Number, and Look Alive Out There (a 2019 Thurber Prize finalist); the novels The Clasp and Cult Classic; and, most recently, her memoir, Grief Is for People. A contributing editor at Vanity Fair, she lives in New York City.
Table of Contents
Foreword by Sloane Crosley
October 1, 1927
The Highly Recurrent Mr. Hamilton—Al Smith, and How He Grew—Bad News of May Sinclair
October 8, 1927
Mrs. Colby's Second Novel --The Private Papers of the Dead--The Philosopher Takes a Long Look at Himself
October 15, 1927
An American Du Barry—A Biography of Henry Ward Beecher
October 22, 1927
Re-enter Margot Asquith—Something Young—A Masterpiece from the French
October 29, 1927
A Book of Great Short Stories—Something About Cabell
November 5, 1927
The Professor Goes in For Sweetness and Light Short Stories from One Who Knows How to Do Them—Sketches, Mostly Unpleasant—A Biography of a Much-Talked-About Lady
November 12, 1927
Mr. Morley Capers on a Toadstool—Mr. Milne Grows to be Six
November 19, 1927
Adam and Eve and Lilith and Epigrams—Something More About Cabell
November 26. 1927
Madame Glyn Lectures on “It,” with Illustrations
December 3, 1927
The Most Popular Reading Matter
December 10, 1927
The Socialist Looks at Literature—A Lyricist Looks at His Neighbors
December 17, 1927
The Short Story, Through a Couple of the Ages
December 31, 1927
Mrs. Post Enlarges on Etiquette
January 7, 1928
More Troubles for Colonel Charles A. Lindbergh
January 14, 1928
Poor, Immortal Isadora
January 28, 1928
Re-enter Miss Hurst, Followed by Mr. Tarkington
February 4, 1927
A Good Novel, and a Great Story
February 11, 1928
Literary Rotarians
February 18, 1928
Excuse It, Please
February 25, 1928
Our Lady of the Loudspeaker
March 10, 1928
Unfinished Endeavors
March 17, 1928
The Compleat Bungler
March 24, 1928
Ethereal Mildness
March 31, 1928
A Very Dull Article, Indeed
April 7, 1928
Mr. Lewis Lays It on with a Trowel
April 14, 1928
Mrs. Norris and the Beast
April 21, 1928
These Much Too Charming People
May 19, 1928
Hard-Boiled Virgins Are Faithful Lovers
May 26, 1928
Mr. See Sees It Through
August 25, 1928
Back to the Book-Shelf
September 15, 1928
Duces Wild
September 29, 1928
How it Feels to be One Hundred and Forty-six
October 20, 1928
Far from Well
November 17, 1928
Wallflower’s Lament
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